Dr Janette Leaf

@janetteleaf.bsky.social

Honorary Research Fellow: Birkbeck, Uni of London. 2023-2026. Weird cats, Cultural Entomology; Victorianism; Hypnotic Gothic; Egyptomania; Redheads; Shop Girls; Pre Raphaelite Art; Ghost Ships; Neo-Victorianism. Co-editor BL Insect Weird anthology.

Final chapter! @janetteleaf.bsky.social shows how the sub-genre of spectral insects in Golden Age ghost stories inspire fear of what was once fleshly and is now transformed into the insubstantial and the exoskeletal. Bugs that go “Boo!” make the skin crawl like nothing else can. #NewDirections👻 🐜🕷🪳🐛

Dr Jen Baker@jendeavour.bsky.social · 3mo ago

*Very* excited that vol.1 of New Directions in the Ghost Story, edited by myself, @henrybartholomew.bsky.social & @joanpassey.bsky.social is out! Well done to all the contributors, and thanks for bearing with us! :) Please recommend to your academic libraries! link.springer.com/book/10.1007...

Sign up for this week and next week’s online #Halloween #Gothic events with @gothicauob.bsky.social and @cncsi.bsky.social 🎃⬇️

Dr Emily Vincent@dremilyvincent.bsky.social · 10mo ago

The #Gothic haunting season is upon us! Free online events⬇️ 👾👹 Thurs 23rd Oct (5-6.30pm, UK) @gothicauob.bsky.social with @dreframss.bsky.social - email Gothica for link. 🎥📖 Fri 31st Oct, Halloween (10.45-5pm, CET) @cncsi.bsky.social Nineteenth-Century Gothic Afterlives: cn-csi.com/event/hallow...

Happy Birthday to Beatrix Potter: born 28 July 1866! An incredible woman: a writer, illustrator, nature lover and natural scientist, botanist, mycologist, entomologist, zoologist, archaeologist . . .

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When you are determining where to submit your scholarly essay for potential publication & you opt not to send it to a specific journal bc their publisher is, say, licensing “content” to train AI — please tell the journal editor. This info is crucial for editors but shadowy / difficult to document.

CFP for Sex in the #19thC (deets in alt) Abstracts (300 words), biographies (100 words), and should be submitted on Monday 22d September 2025 to rrr @ soton.ac.uk. Please indicate if you would like to be considered for a travel bursary, and include your full name, discipline & institution.

CFP with caricature of a throuple on a sofa: a man in the middle between two women with breasts more or less exposed 

Sex in the Long Nineteenth Century
15th January 2026 
University of Stirling, Scotland
Keynote speaker: Dr. Michael Shaw
In The History of Sexuality (1976), Foucault outlines the 'discursive explosion' that occurred around
sex during the long nineteenth century. Sexuality became a distinct personal identity for the first time, as shown in literature and art, and sexual discourses often reflected the period's political and
social anxieties around gender and power. Modern queer theorists first situated their work within
nineteenth-century studies (Eve Kofosky Sedgewick, Between Men, 1985), and recent work in the
field historicises marginalised groups (Jen Manion, Female Husbands: A Trans History, 2020). Sex
encourages us to consider the broader cultural and societal dynamics of the long nineteenth century, and the lasting influence of these structures today.
We invite papers of 15 minutes on the topic of sex in the long nineteenth century (1789-1914) in all its forms and in a global context for our in-person conference. We encourage broad interpretations of the topic and invite submissions that explore its fluid and multifaceted nature. The journal
encourages multi- and interdisciplinary papers from across the Arts, Social Sciences, and Humanities and invites contributions from those at any career stage, including PGRs and ECRs.
Possible topics may include, but are not limited to:
• Sexuality and queer studies • Women's writing
• Gender, feminism, and masculinities • Sexual health, contraception, and the medical
• Trans studies humanities
• Pregnancy, childbirth, and childcare • Sex work
• Sex scandals in court and politics • Print culture; pornography and Victorian erotica
• Gothic literature • Postcolonial and ecocritical perspectives on
• Decadence; hedonism gender and sex
Romance, Revolution & Reform@rrrjournal.bsky.social · last yr.

We're delighted to announce that the CfP for our 2026 conference @stir.ac.uk, 'Sex in the Long C19', is now LIVE! We are grateful to have received generous funding from @bavs-uk.bsky.social, allowing us to award travel bursaries to some delegates. Abstracts due 22 September 2025. Share widely!

Architect Alfred Waterhouse born #OTD 1830 to a Liverpool Quaker family. Buildings include Manchester Town Hall, London’s Natural History Museum, Liverpool University's Victoria building. His love of red brick and terracotta led to him being nicknamed 'Slaughterhouse Waterhouse'.

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Delighted to welcome my splendid colleagues at @issegyptomania.bsky.social to Bluesky 🦋. Please consider giving them a follow on this platform, or even in becoming a member, they do incredible work on the reception of ancient Egypt and host numerous online lectures, seminars, and conferences!

The International Society for the Study of Egyptomania@issegyptomania.bsky.social · last yr.

Hello! We are ISSE, The International Society for the Study of Egyptomania! ISSE is dedicated to the ethical study and research of the historic & modern day fascination with Egypt #Egyptomania #ReceptionStudies

Go follow our friends at the De Morgan Foundation, who have just joined Blue Sky. They have the most amazing collection of Evelyn De Morgan art and William De Morgan ceramics.

De Morgan Foundation@demorganfoundation.bsky.social · 2y ago

The energy we bring going out on a Friday night with our closest girl friends. #FridayNight 🖼️ ‘Storm Spirits’, Evelyn De Morgan, 1900. #evelyndemorgan #artherstory #arthistory #preraphaelite

The real-life models for Grant Wood’s American Gothic – Nan Wood Graham (Wood's sister) and Dr Byron McKeeby (Wood's dentist) – sitting in front of the painting at an exhibition at the Cedar Rapids Public Library (Wood's hometown) in 1942

B&w photo of two people sitting in front of Grant Wood’s painting “American Gothic”

#Macbeth west end. Tennant, as always, was great at Shakespearean unhinged. All sound through headphones. No on-stage witches. Atmospheric music. Minimalist monochrome staging. Glass screen divided acting space. Lady Macbeth's white dress invited blood, but remained spotless! Prefer Terry's beetles!

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