Jarod Roselló

@jarodrosello.bsky.social

Children’s book author | Comics professor | RED PANDA & MOON BEAR (Top Shelf/IDW), SUPER MAGIC BOY (Random House Graphic) PhD | Literacy and childhood studies researcher www.jarodrosello.com 🇨🇺🇺🇸 | Tampa, FL

The opening chapter to #Nostos #Unflattening 2 is a 22 page, 15 foot long continuous sequence that is a retelling of the Odyssey. It’s been done since 2019 and I’ve been pushing to have it released as a standalone since to no avail, & really hoping before this movie, but here we are. A sneak peek…

Anti-Prime Day starts…NOW! 🥳 Today through 6/26, enjoy free standard shipping site-wide, all while supporting local, independent bookstores.

Here’s a detail of a panel from RED PANDA & MOON BEAR 3. This drawing would have been impossible for me to do in book 1. I just didn’t have the skill to pull it off effectively, so I would have written the transformation completely differently, or done something else entirely.

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This is my cat. Named by my then-seven-year old. He has not lived up to the name. Little to no destruction. Not a fighter. Just a good potato. Still, I do catch him from time to time staring into the abyss, suppressing something awful.

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One of the things missing from the discussion around AI in creative contexts is the necessity of constraints. All art is constraint-based. It's necessary to find things you can't do, won't do, or just suck at. That's how learning and growth happen.

I just finished my 20th year as a teacher. I started as a public high school teacher in Miami, a job I got because I wasn't really sure what else to do. And it completely changed my life. It's not an easy job—and it gets harder every year—but my classroom is still my favorite place to be.

Students in my undergraduate Making Comics course put together their first anthology zine, Personal Space Invader. Our class is tabling at a zine fest this weekend, so they'll also get a taste for all that sweet, sweet zine money.

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Full-time college professor, which affords me about 1 day a week to make comics. Two kids. Spouse with a full-time job. I work in small bits here and there. Set realistic goals, one project at a time, assume it will take you longer than you think, find an editor/publisher that gets it (Top Shelf ♥️)

Johanna T @ FanX SLC@johannamation.bsky.social · 6mo ago

People who make comics (or other freelance art work) as their fulltime job: how do you do it? How do you make it work, esp financially? People who make comics on the side while having a fulltime day-job: how do you do it without overworking and/or burning out?