Jean-Thomas Tremblay

@jttremblay.bsky.social

assoc. prof of english at york | coauthor of negative life: the cinema of extinction (northwestern) | author of breathing aesthetics (duke) | https://jeanthomastremblay.carrd.co/

This, by @moiraweigel.bsky.social, is great—with the addendum (or caveat?) that much of what, against the Right's phobias, presents itself as love of theory is just hate in disguise (e.g., a liberal insistence on the literalism of synthetic abstractions--the body, lived experience, situatedness).

Hating Theory Today

Abstract. Drawing on nearly a decade of research, this essay investigates the hatred of theory on the political right. The phobic fascination with theory is over a century old. Yet, in recent years, i...

direct.mit.edu

The sudden pervasiveness of AI is infuriating. I'm doing final proofs on my book and Acrobat is asking me if I want an AI summary because the document is long. So the ostensibly neutral "tool" has a built-in anti-literacy nudge?

Since ppl love campus anecdotes so much, here's one: I have colleagues who give students they know to be MAGA an A (in one case I'm aware of overlooking clear AI use), because the colleague is on a Green Card or H1B, and they know: one complaint like at Texas A&M, and they're on a flight home. (1/3)

Looking forward to UofT's Cinema Studies & Comparative Literature Grad Conference this weekend! Keynote address, "Calamity as Defacement": March 14 at 16:00 in Innis Town Hall. Roundtable on exits and extinctions: March 15 at 16:00 in the Centre for Culture & Technology Seminar Rm.

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Karla Sofía Gascón's racist tweets perfectly espouse the logic of Emilia Pérez. So do the other cast and crew members' claims that she, a trans woman, is desecrating the film, and thus extraneous to it. Apologies for the light deconstruction, but all of this lives within Emilia Pérez, the text.

Jean-Thomas Tremblay@jttremblay.bsky.social · 2y ago

Emilia Pérez is perfectly symptomatic of wretchedly racist, French colonial fantasies of sexual variance and deviance, criminalization, and cosmopolitanism--but, in its defense, the songs are also terrible.

Interesting essay on “toxic melodrama” & the overwrought aesthetics that mediate the felt impossibility of containing industrial chemicals in late capitalism (communicated, in part, by way of "flaunting a commitment" to the "rank interpretative pathology" of paranoid criticism)

Jean-Thomas Tremblay@jttremblay.bsky.social · 2y ago

In Representations' new issue on "Elementality," edited by Jim Porter and Mario Telò, I wrote about forever chemicals and the liberal melodrama of legal and symbolic containment they activate. Featuring Ibsen, Haynes, Nichols, Soderbergh, and a guest appearance by one Amy Jellicoe.

In Representations' new issue on "Elementality," edited by Jim Porter and Mario Telò, I wrote about forever chemicals and the liberal melodrama of legal and symbolic containment they activate. Featuring Ibsen, Haynes, Nichols, Soderbergh, and a guest appearance by one Amy Jellicoe.

Enemies of the People

“It’s in the water!”The elemental exclamation identifies the aquatic and its associated processes (dissolution, saturation, flow) as the hitherto-undisclosed source of a clear and present danger. “It’...

online.ucpress.edu