Michelle-Flan

@lastflunky.bsky.social

30 🇮🇪 She/Her. Aro/Ace. I mainly like and repost here. I might post art the odd time. My drawings are tagged with #MyArt

can you guys retire "the right wing / chuds don't know what to do with trans men and forget they exist and will be So Confused by them!!!!" already. they are fully aware trans men exist and the thing they do to trans men is violently abuse and murder them

i think, now, more than ever its really important to interact with people who like your art and vice versa, and cultivate more community and trust among artists and commissioners and followers in general. its not a perfect system by any means but i think building trust between everyone will help

Fuzzikayu@fuzzikayu.bsky.social · 19h ago

This is what people mean by AI is theft. Someone I know later found out an artist (16k followers) they got a commision from uses AI and now they don't have funds to commish me or another artist they like. Not only does the slop machine steal art, these scammers directly steal work from real artists

For the past five months the only refugees the USA has accepted are white South Africans fleeing equality & safety meanwhile they are disappearing or strapping ankle monitors on any Haitian they can get ahold of. It needs to be understood how thoroughly connected these two things are.

We’ve just rented a projector so the kids can watch some films over August and we’re trying to source and buy treats and snacks. Ionad Hind Rajab is about more than education. It’s about getting back a little bit of childhood. 👇

The Journal@thejournal.ie · 2d ago

An Irish artist has helped establish a children's centre in Gaza that provides food, education and psychosocial support to children displaced by the war. Adam Doyle, better known as Spicebag, tells us why he helped create Ionad Hind Rajab. jrnl.ie/7117887

started watching the bakshi directed seasons of the 60s spiderman cartoon & every so often there will just be a killer shot someone managed to throw their whole pussy into despite all the production limitations

Peter Parker, doused in shadow, at the docks at night. he is leaning on his knee and looking out into the water. the docks and sky are rendered with cool tones of green, blue, and violet in watercolor