Laurence Hill

@laurencehill.bsky.social

Curator @ Phoenix Art Space, Brighton | researcher | other stuff | queer | he/him

The TERF/anti-antiracism nexus in the UK commentariat: Kathleen Stock pre death: doing a video a day for The Times (plus more elsewhere) about how scandalous it all was. Stock post death: thoughts and prayers so much to reflect on I am very sensitive

Kathleen Stock & @kathleen_sto... 4h
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I'm one of the people who commented on Arday plagiarism situation when it broke. I understand the haste to angrily or defensively blame others for this outcome, and I see that already happening: critics of Arday blaming Cambridge and his publishers for creating the situation;
Arday supporters blaming those in media like me for reporting the unfolding scandal so relentlessly. I don't feel like pronouncing on any of this so soon after the news; it seems to me nothing is clear when emotion runs so high.
Perhaps the inquest will help clarify. I'm deeply sorry that it ended this way, I pray for him, his friends and family, and there is much to reflect on all round.Youtube thumbnails from Times radio: “it’s racism to even question this and that’s the problem in a nutshell.

Jason Arday Exposes Academia's Biggest Problem | Kathleen Stock
Times News • 140K views • 7 days ago
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TIMESRadio
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The Jason Arday Affair Has Debased Cambridge's Reputation As An Elit...

This is next level frustrating 1 - apply for DYCP funding from Arts Council 2 - get email that a decision letter awaits but you have to log in to Grantium 3 - try to log in to Grantium and it's not available and hasn't been all afternoon I'm unlikely to get the money but I'd like to know!

After the in conversation event with Irene Fubara-Manuel and Kinnari Saraiya accompanying her exhibition In the Eye of a Dream - the three of us came up with a reading list on the reading of colonial archives, race and technology, video games and a lot more - lots to dig into!

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Last few days to catch Home to My Teenage Bedroom by Grant Foster in the Main Gallery at Phoenix Art Space My first show as curator here and can't quite believe it's nearly over Open every day now, 12-5 until 13 April Photo: Bernard G Mills

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I love a studio visit and I had a great one last week with Laura White, ahead of an exhibition at Phoenix Art Space in autumn We talked about the process of making, the joy of pushing materials to their limits and how enjoy and utilise what happens when they fail Image: Terminal Flare No 4

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The second part of RH Lossin's writing on AI art and hegemony is so good - if AI and art and in particular how it's being applied to anti-racist, anti-colonialist endeavours is a subject that interests you then it is well worth your time www.e-flux.com/criticism/65...

R.H. Lossin on AI art and hegemony part 2 - Criticism - e-flux

This is the second part of an essay by R.H. Lossin on the relationship between art, artificial intelligence, and emerging forms of hegemony. Th

e-flux.com

My media art digital thinkers #StarterPack is full! This is a joy, because it means Bluesky is now bursting with the kind of people I want to share a community with. But it's also sad, because there are plenty more people I would love to add. We need 150+++ starterpacks please @bsky.app

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Great posters (with annoying reflections) for two really strong shows at Phoenix Art Space opening this Friday 28 Feb, 6-8pm: Home to My Teenage Bedroom by @foster_grant + Crosswinds and Elemental Dubs by David Harkins, a studio member will be in the Window Gallery Come along - all are welcome

Two posters for exhibitions side by side. On the left is a poster for Home to My Teenage Bedroom by Grant Foster, it shows a painting of two characters, a black man and a woman who are off to one side against an abstract background of yellows, greens and white. On the right is a poster for an exhibition by David Harkins called Crosswinds and Elemental Dubs. It features a black outline of the head of what seems to be a cat. Inside the outline and around it the painting is predominantly blue in may shades

Stop fucking saying he blamed “DEI,” which is some abstract, non-tangible idea. He is blaming people of color having jobs he thinks they aren’t qualified for. He’s blaming race. He’s being racist every time he says it. Journalists need to get fucking backbones, my word.

Good to be at the launch of Brighton Festival last night, catching up with a lot of folk I haven’t seen in a while - also great to get a festival highlight nod for the show I’m curating at Phoenix Art Space with the work of the amazing Kinnari Saraiya

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A grey winter’s day visit to Hastings Contemporary for the Immortal Apples, Eternal Eggs exhibition exploring the practice of still life. Work pictured is a section of Cathie Pilkington’s funny, sad and uncanny Singerie. The show is definitely worth a visit if you’re able to

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I was so pleased to see this guide from @weareunlimited.bsky.social appear recently. Ive spent 20 years of my life explaining and re-explaining (often badly!) how my illness affects me, so this is a big help that can be shared to orgs and workplaces: weareunlimited.org.uk/resource/how...

How to support individuals with autoimmune conditions | Unlimited

One in ten people in the UK have an autoimmune condition. We’re sharing our top tips for how to support staff.

weareunlimited.org.uk

Did you know we have a podcast? My Queer Museum is a collection of stories and objects that won't end up in a traditional museum, told through interviews with some of our favourite queer people in Brighton & Hove. Listen here: www.buzzsprout.com/1725250

My Queer Museum

A collection of stories and objects that won't end up in a traditional museum! David Sheppeard and Roni Guetta interview some of their favorite queer people in Brighton and Hove about the objects they...

buzzsprout.com

Enjoyable visit to London Art Fair today. Enjoyed talking to a few people and seeing A LOT of work - highlights from Abigail Norris not pictured because I was too busy chatting and Antonio Sergio Moreira on the Ricardo Fernandes stand.

A series of paintings of faces done in a loose style - some of them are fantastical and all use bright colours - the paintings are laid out in a grid patternA framed painted sketch of two people in profile. They are loosely sketched in black and swathes of light pink paint have been splashed over them