Andrei Filote

@letominor.bsky.social

https://muckrack.com/andrei-filote-1 he/him. chuds fuck off. write the lightning.

1948. Bicycle Thieves, Vittorio De Sica. This amazing movie felt like an intrusion of literary fiction into a world dominated by the alternating excitement and prettiness of genre. Whether this distinction is even useful in the end, this movie felt like the start of a new era.

Antonio and Maria in their poor apartment. Antonio rides his bike towards a busy street.Antonio and Bruno walk home in the evening.Antonio walking towards an unattended bicycle.
Andrei Filote@letominor.bsky.social · 2d ago

1947. Nightmare Alley, Edmund Goulding. Tyrone Power plays a hustler who, surprise surprise, flies too close to the sun. But I believed him every step of the way because he's just that good, and this movie is just that solid.

1946, The Postman Always Rings Twice, Tay Garnett. I confess that I wasn't much impressed with the first third of the movie, finding it too conventional. However, what this basic and, I thought, obvious setup builds into is well worth a viewing. Another classic that I'm glad to have now seen.

Lana Turner and John Garfield, intense, in kissing distance.Lana Turner with an unreadable look.A car visible only thru its headlights, climbs up a misty ridge.John Garfield in shallow focus receives a sharply focused Lana Turner's sharper recriminations.
Andrei Filote@letominor.bsky.social · 5d ago

1945. The Picture of Dorian Gray, Albert Lewin. I showed up for young Angela Lansbury kicking theatrical ass, was immediately seduced by George Sanders' diabolical Lord Wotton, and was ultimately a victim of Hurt Hatfield's deceptively innocent Gray. Good pick.

1945. The Picture of Dorian Gray, Albert Lewin. I showed up for young Angela Lansbury kicking theatrical ass, was immediately seduced by George Sanders' diabolical Lord Wotton, and was ultimately a victim of Hurt Hatfield's deceptively innocent Gray. Good pick.

George Sanders pours himself a drink.Close up of Angela Lansbury making a dire decision.A street preacher and a working class crowd in a poor neighborhood, with carriage on street in background.Close up of a steely Hurd Hatfield in the later stages of moral degeneracy.
Andrei Filote@letominor.bsky.social · 7d ago

1944. Maria Candelaria, dir Emilio Fernandez. An entire town gangs up on an innocent woman who is worth more than all of them combined. My copy was really low quality but its beauty still shone through. I really hope I get to see this at its best one day.

1944. Maria Candelaria, dir Emilio Fernandez. An entire town gangs up on an innocent woman who is worth more than all of them combined. My copy was really low quality but its beauty still shone through. I really hope I get to see this at its best one day.

Man walks down slope to hut.Man guides a boat down a calm river.Priest rings a bell as a boat laden with flowers move on.Low angle close up of Pedro Armendariz.
Andrei Filote@letominor.bsky.social · last wk.

1943. Several times this film compelled me to softly exhale a wow! I'm talking about The Life and Death of Colonel Blimp, dir Michael Powell and Emeric Pressburger. I loved this movie. It is so generous, so clever, the meanest shot a sumptuous tableau. There is too much to say. Damn, damn, damn.

1943. Several times this film compelled me to softly exhale a wow! I'm talking about The Life and Death of Colonel Blimp, dir Michael Powell and Emeric Pressburger. I loved this movie. It is so generous, so clever, the meanest shot a sumptuous tableau. There is too much to say. Damn, damn, damn.

The opening title of The Life and Death of Colonel Blimp is apparently a quilt showing a quixotic Colonel astride a white steed by a great tree whose branches show the names of the supporting cast.Close up of Roger Livesey.Deborah Kerr stands by open window with her back to the camera.A dried maple leaf floats on a water basin, dark water vaguely reflecting the buildings around it.
Andrei Filote@letominor.bsky.social · last wk.

1942. Holiday Inn, Mark Sandrich. Bing Crosby is a swell fella whose bride-to-be leaves him for Fred Astaire. (Who wouldn't?) Crosby sets up in Connecticut and finds a new love, but Astaire is at it again. This is a musical romance with good and bad numbers, and charming work by Crosby and Astaire.

1942. Holiday Inn, Mark Sandrich. Bing Crosby is a swell fella whose bride-to-be leaves him for Fred Astaire. (Who wouldn't?) Crosby sets up in Connecticut and finds a new love, but Astaire is at it again. This is a musical romance with good and bad numbers, and charming work by Crosby and Astaire.

Crosby and Astair on either side of their love interest in a musical number.A wistful Bing Crosby plays White Christmas on the piano while Marjorie Reynolds sits besides him.We watch Marjorie Reynolds waiting in the snow. Marjorie Reynolds and Fred Astaire dancing on a Valentine's Day themed stage.
Andrei Filote@letominor.bsky.social · last wk.

1941. The Wolf Man, George Waggner directing. Featuring Lon Chaney, my man Claude Rains, a cameo by Bela Lugosi. Astoundingly moody visuals. Dark irony, fate. Not even remotely spooky of course, but who cares. Look at this thing.

1940. Dance, Girl, Dance. Dorothy Arzner is the first female director on the list. Two dancers with wildly different ambitions work together, but not quite towards mutual benefit. I really liked Maureen O'Hara in this, and Lucille Ball practically runs riot. What a duo!

Club audience seated at many tables, with view of stage and dancing girls and band in the background.Lucille Ball giving an observant bordering on feisty look to the side.Maureen O'Hara looks wistfully at a star hanging over the skyline.Maureen O'Hara sits on practically bauhausian chair as the ballet staff surround her.
Andrei Filote@letominor.bsky.social · 2w ago

Before starting on the 40s, bonus movie! 1933, King Kong, special effects by Willis H. O'Brien. The man earned his money and then some. What a spectacle. Weak human drama, as usual. But the viciousness on display suffuses Kong's story with much more pathos than I believe was intended.

Before starting on the 40s, bonus movie! 1933, King Kong, special effects by Willis H. O'Brien. The man earned his money and then some. What a spectacle. Weak human drama, as usual. But the viciousness on display suffuses Kong's story with much more pathos than I believe was intended.

Beach, giant wall, sheer mountain face, Skull Island.This close up of Kong is frankly amazing 90 years later.Man on tree hopes the snarling dinosaur in the blurry middle ground won't eat him.Maybe the best shot in the whole movie, the ant-like silhouette of Kong climbing the Empire State Building.
Andrei Filote@letominor.bsky.social · 2w ago

1939. Ninotchka. Ernst Lubitsch. I don't mind that these classic romcoms are set in the upper crust. But it's sad how Ninotchka embracing her emotions is displayed thru her wardrobe. Does she love materialism or a person? I liked Greta Garbo, but felt she had no chemistry with Melvyn Douglas.

1939. Ninotchka. Ernst Lubitsch. I don't mind that these classic romcoms are set in the upper crust. But it's sad how Ninotchka embracing her emotions is displayed thru her wardrobe. Does she love materialism or a person? I liked Greta Garbo, but felt she had no chemistry with Melvyn Douglas.

Medium close up of Greta Garbo looking stern in a very brown outfit.Garbo and Douglas peer into a safe.Melvyn Douglas lays Garbo on a bed in a palatial room.Greta Garbo appears to sleep in a lavish apartment with a portrait of Lenin on a little nightstand.
Andrei Filote@letominor.bsky.social · 3w ago

1938. In Bringing Up Baby, Howard Hawks asks us to believe that Cary Grant is a socially awkward nerd who associates, against his will, with a pathological klutz who happens to be Katharine Hepburn. I soon upgraded Hepburn to walking calamity, and brother, I believed it. I believed it all.

1938. In Bringing Up Baby, Howard Hawks asks us to believe that Cary Grant is a socially awkward nerd who associates, against his will, with a pathological klutz who happens to be Katharine Hepburn. I soon upgraded Hepburn to walking calamity, and brother, I believed it. I believed it all.

Cary Grant sitting on a scaffold admiring a dinosaur skeleton.Beautifully blocked shot of Katharine Hepburn attempting a putt as Cary Grant looks on.Katharine's wealthy heiress in a lavish apartment speaking on a white phone wearing a white transparent dress and petting a leopard.Grand and Hepburn, one in grey, the other in black,together on a scaffold.
Andrei Filote@letominor.bsky.social · 3w ago

1937. La Grande Illusion, Jean Renoir. I waited a good long while to get Renoir in here, but it was worth it. Immediate comparison brings up The Great Escape, but no, superficial similarity. Illusion hopes we're all the same. Couldn't know better. I'm a Jean Gabin fan now.

1937. La Grande Illusion, Jean Renoir. I waited a good long while to get Renoir in here, but it was worth it. Immediate comparison brings up The Great Escape, but no, superficial similarity. Illusion hopes we're all the same. Couldn't know better. I'm a Jean Gabin fan now.

Jean Gabin and fellow prisoners in window frame.Deep narrow room looking toward stage. Many heads.Pierre Fresnay playing the flute while whimsically balanced on a wooden beam.Jean Gabin doing a morning stretch as he looks out at the beautiful hills.
Andrei Filote@letominor.bsky.social · 3w ago

1936. Blood on Wolf Mountain by Fei Mu. Also a propaganda film but a narrative one. Day after day, bloodthirsty wolves attack a village. Inside the community there rages a debate about how to deal with them. I wonder who the wolves could possibly represent. Neat.

1936. Blood on Wolf Mountain by Fei Mu. Also a propaganda film but a narrative one. Day after day, bloodthirsty wolves attack a village. Inside the community there rages a debate about how to deal with them. I wonder who the wolves could possibly represent. Neat.

Andrei Filote@letominor.bsky.social · 3w ago

1935. Triumph of the Will, Leni Riefenstahl. The only entry on the list that was 100% homework. I suppose if you were a nazi you'd quite enjoy seeing your iconography and dubious heroes so exalted. How many in the parade would be dead in ten years' time, and how many would they have killed?

1935. Triumph of the Will, Leni Riefenstahl. The only entry on the list that was 100% homework. I suppose if you were a nazi you'd quite enjoy seeing your iconography and dubious heroes so exalted. How many in the parade would be dead in ten years' time, and how many would they have killed?

Andrei Filote@letominor.bsky.social · 3w ago

1934. L'Atalante, Jean Vigo. Now this is kino. The first movie in the list that I would describe as whimsical. Although it's a bit aged in its social mores, I loved this air-light comedy and all the cats that came with it.

1932. Broke my one movie per director rule to watch Tod Browning's Freaks. I like this a lot more than Dracula. It shows the eponymous "freaks" leading prosaic lives with a can do attitude, avoiding the temptation of a lame "poor me!" sentimentalism. Very similar to Euripides' The Bacchae.

Circus performers relaxing by a pond.The "freaks" gather to celebrate the birth of the bearded woman's child.Hans standing between Cleopatra and Hercules.Frida looks compassionately past the camera.
Andrei Filote@letominor.bsky.social · 4w ago

1931. Dracula (blyah!) Tod Browning. I've known about Bela Lugosi's Dracula all my life but this was my first viewing. It looks great, but it had no scares for me, in fact it was downright charming with its toy bats and gothic sets. The Count is great, but Renfield really helps carry the film.

1931. Dracula (blyah!) Tod Browning. I've known about Bela Lugosi's Dracula all my life but this was my first viewing. It looks great, but it had no scares for me, in fact it was downright charming with its toy bats and gothic sets. The Count is great, but Renfield really helps carry the film.

Entrance hall to Dracula's derelict, web covered castle interior.Bela Lugosi looking magnetic and predatory as the Count.The Count's three ethereal vampire servants make their way through a door.Renfield pleads with Dracula for the privilege of being his slave.
Andrei Filote@letominor.bsky.social · 4w ago

1930. All Quiet on the Western Front, Lewis Milestone. Wowzers, what a picture. The first talkie on my list made me feel as if I had skipped forward a decade. It was so emotional, so well paced and edited, hitting all the expected beats, that it immediately felt exactly like classic Hollywood.

1930. All Quiet on the Western Front, Lewis Milestone. Wowzers, what a picture. The first talkie on my list made me feel as if I had skipped forward a decade. It was so emotional, so well paced and edited, hitting all the expected beats, that it immediately felt exactly like classic Hollywood.

Paul lowers his face into the mud during training.Inside of a dark train station. Large windows show a train at rest, and in the background soldiers marching thru a ruined village.Two soldiers charge thru fog and smoke towards barb wire. Paul takes cover in a cemetery.
Andrei Filote@letominor.bsky.social · 4w ago

1929. I had to go with Haiducii, or The Outlaws, (Horia Igirosanu). I confess it hadn't even crossed my mind that there might have been a film industry during the Romanian Interbellum. A young girl disguises herself as a man and joins a band of outlaws to rescue her sister from from the local boyar.

1929. I had to go with Haiducii, or The Outlaws, (Horia Igirosanu). I confess it hadn't even crossed my mind that there might have been a film industry during the Romanian Interbellum. A young girl disguises herself as a man and joins a band of outlaws to rescue her sister from from the local boyar.

Dark figure of a man playing a flute.Gorgeously dressed woman lies unconscious on a wool cloak.Extreme close up of a man and a woman.Man on horse rides across a low grassy horizon.
Andrei Filote@letominor.bsky.social · last mo.

1928. The Man Who Laughs, Paul Leni, from the Victor Hugo novel of the same name. I was moved by this melodrama in which smiles are the cleverest symbol. I was strongly reminded of The Elephant Man, but it also thematic crossover with The Phantom of the Opera.

1928. The Man Who Laughs, Paul Leni, from the Victor Hugo novel of the same name. I was moved by this melodrama in which smiles are the cleverest symbol. I was strongly reminded of The Elephant Man, but it also thematic crossover with The Phantom of the Opera.

Barkilphedro the jester showing a conniving smile.Conrad Veidt and Mary Philbin embrace.Conrad Veidt's unnerving smile.Duchess Josiana, the film's toxic baddie.
Andrei Filote@letominor.bsky.social · last mo.

1927. Napoleon, Abel Gance. It's one thing to be Bonaparte, but to have Abel Gance as your biographer, that's too much glory. In 2000 years Christ has not received propaganda this fine. At several junctures the movie compelled me to clap like a monkey. It is simply incredible.

1927. Napoleon, Abel Gance. It's one thing to be Bonaparte, but to have Abel Gance as your biographer, that's too much glory. In 2000 years Christ has not received propaganda this fine. At several junctures the movie compelled me to clap like a monkey. It is simply incredible.

Close up of a child Napoleon.Marat, Danton and Robespierre in their office.Napoleon rides across the dark horizon as the moon lights the way.A shot from the triptych sequence. On the left, Napoleon as a child, in the center, an extreme close up of Napoleon in Italy, on the right, a shadow of Napoleon in fog.
Andrei Filote@letominor.bsky.social · last mo.

1926. A Page of Madness, Teinosuke Kinugasa, looks like a charcoal drawing brought to life, presents a narrative requiring some interpretation, uses no title cards, but a lot of camera movement, including the dramatic zoom in that I was taught was Hitchcock's handiwork. Very nice.

1926. A Page of Madness, Teinosuke Kinugasa, looks like a charcoal drawing brought to life, presents a narrative requiring some interpretation, uses no title cards, but a lot of camera movement, including the dramatic zoom in that I was taught was Hitchcock's handiwork. Very nice.

A young woman in a half lit corridor.An old man bitterly looks thru cell bars.Close up of a disheveled young patient.Motion blur heavily distorting a female figure.
Andrei Filote@letominor.bsky.social · 2mo ago

1925. The Phantom of the Opera. I confess that any time the Phantom wasn't on screen, ie most of the time, I was thoroughly bored. Lon Chaney in his grotesque make up, great, but his dramatic flourishes are better. This is the talkingest silent picture I've seen so far.

1925. The Phantom of the Opera. I confess that any time the Phantom wasn't on screen, ie most of the time, I was thoroughly bored. Lon Chaney in his grotesque make up, great, but his dramatic flourishes are better. This is the talkingest silent picture I've seen so far.

The Phantom, a dark, cloaked figure, poses dramatically as his dialogue reads: "For the present, my identity must remain a secret."The atrium of the Paris Opera, brightly lit, gorgeous, crowded with celebrants.The Phantom in a costume outfit featuring a skull mask, a feathered wide brimmed hat and a cane topped with, what else, a tiny skull.The Phantom, unmasked, but donning his red cloak, sits atop a great marble statue.
Andrei Filote@letominor.bsky.social · 2mo ago

1924. The Thief of Bagdad is a sparkling bit of orientalist filmmaking. The sets are so magnificent, the production so lavish that it falls into the modern fallacy of spectacle replacing emotion. It's delightful to observe such enduring dilemmas, though. Also, Douglas Fairbanks is awash in charisma.