โœฐ๐“œ๐“ช๐“น๐“ต๐“ฎ ๐“ข๐”‚๐“ป๐“พ๐“นโœฐ

@m4pl3-5yrup.bsky.social

๐“—๐“ฎ๐”‚, ๐“ฒ'๐“ถ ๐“œ๐“ช๐“น๐“ต๐“ฎ!โ˜†๐Ÿ™๐Ÿโ˜†๐•Š๐•™๐•–/โ„๐•–๐•ฃโ˜† ๐Ÿ‡ฎ๐Ÿ‡ณ โ˜†Aro/Aceโ˜†๐Ÿ’™๐Ÿฆ”๐Ÿ’จโ˜† i'm weird https://totallyveryverysane.straw.page/

what a fantastic all-timer thread on this phenomena and the psychology behind it I think about this all the time and not understanding this is the difference between successful liminal horror, and just horrorslop. liminal horror is about the baked-in hostility of public spaces we millenials saw die

Pookleblinky@pookleblinky.bsky.social ยท 3mo ago

The reason young people vibe with liminal horror is that the wealthy have spent the last half century destroying all anthropological spaces they can exist in, leaving *only* non-places en.wikipedia.org/wiki/Non-place

ใ‚‰ใใŒใ๐Ÿ‘“ โšช๏ธใชใใซใ“ใ‚Œ๏ผŸ โšซ๏ธใ“ใ‚Œ็Ÿฅใฃใฆใ‚‹๏ผ ใ€Œใƒกใ‚ฌใƒใ€ใ ๏ผ๏ผ ๐Ÿ”ตใชใใซใใ‚Œ๏ผŸ โšซ๏ธใƒกใ‚ฌใƒ๏ผ๏ผ

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SHADOW MY BELOVED๐Ÿฉท๐Ÿฉท๐Ÿฉท๐Ÿฉท๐Ÿฉท๐Ÿฅต๐Ÿฅต๐Ÿฅต๐Ÿฅต๐Ÿฅต๐Ÿฅต๐Ÿฅต๐Ÿฅต๐Ÿฅต๐ŸฅตOML๐Ÿคค๐Ÿคค๐Ÿคค๐Ÿคค๐Ÿคค๐Ÿคค๐Ÿคค๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜‹HOLY GUACAMOLE๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐Ÿซฆ๐ŸซฆFINE CHAP๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน๐Ÿฅน i approve of this

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Recent(ish) design sheets I've done for the Sonic comics. Some text on Blackwood and Dapple's pages was removed as it referenced an earlier version of the story and was no longer accurate. Soleil/Lunar's sheet was done before the difference between them was fully figured out, thus the single name

Model sheet for Blackwood the ErmineModel Sheet for Dapple the DoeModel sheet for Soleil and Lunar the sugar glider