โœฐ๐“œ๐“ช๐“น๐“ต๐“ฎ ๐“ข๐”‚๐“ป๐“พ๐“นโœฐ

@m4pl3-5yrup.bsky.social

๐“—๐“ฎ๐”‚, ๐“ฒ'๐“ถ ๐“œ๐“ช๐“น๐“ต๐“ฎ!โ˜†๐Ÿ™๐Ÿโ˜†๐•Š๐•™๐•–/โ„๐•–๐•ฃโ˜† ๐Ÿ‡ฎ๐Ÿ‡ณ โ˜†Aro/Aceโ˜†๐Ÿ’™๐Ÿฆ”๐Ÿ’จโ˜† i'm weird https://totallyveryverysane.straw.page/

Gooseworx and Toby Fox, the creators of โ€˜The Amazing Digital Circusโ€™ and โ€˜Undertale,โ€™ are both celebrating their birthdays today! ๐ŸŽ‰

BildBild

what a fantastic all-timer thread on this phenomena and the psychology behind it I think about this all the time and not understanding this is the difference between successful liminal horror, and just horrorslop. liminal horror is about the baked-in hostility of public spaces we millenials saw die

Pookleblinky@pookleblinky.bsky.social ยท 3mo ago

The reason young people vibe with liminal horror is that the wealthy have spent the last half century destroying all anthropological spaces they can exist in, leaving *only* non-places en.wikipedia.org/wiki/Non-place

ใ‚‰ใใŒใ๐Ÿ‘“ โšช๏ธใชใใซใ“ใ‚Œ๏ผŸ โšซ๏ธใ“ใ‚Œ็Ÿฅใฃใฆใ‚‹๏ผ ใ€Œใƒกใ‚ฌใƒใ€ใ ๏ผ๏ผ ๐Ÿ”ตใชใใซใใ‚Œ๏ผŸ โšซ๏ธใƒกใ‚ฌใƒ๏ผ๏ผ

Bild