Maddie

@maddiewhittle.bsky.social

you and me and the moon

Buying a ticket to see YOU CAN SEE EVERYTHING is a lot less expensive than investing in Theranos, so more people can do it and the stakes are lower. But otherwise it’s basically the same

YOU CAN SEE EVERYTHING: a richly diverting entertainment; a rallying cry for the importance of a humanities education; a strong new entry in the canon of artworks about the essential unknowability of the female orgasm

Coming of age in the DC suburbs, before making my way online later in the 00s, I’d pore over the film section of the Washington Post Friday arts supplement every weekend; Ann was my first favorite film critic, and shaped my early ideas of what film criticism could do; I owe her a great deal.

Alissa Wilkinson@alissawilkinson.bsky.social · 2w ago

Oh, this is awful. Ann was such a wonderful critic and a lovely person, too. Awful awful. www.washingtonpost.com/obituaries/2...

More than anything, the brouhaha around YCSE (still haven’t seen) has me thinking about spoiler epistemology. When, if ever, and under what circumstances does having a film “spoiled” actually make a difference? Should it? I went ahead & sought out YCSE spoilers and I’m glad I did! Free your mind!!!

Brinkemization progress report: finally got around to watching THE HUMAN CENTIPEDE in preparation for the relevant chapter of Life-Destroying Diagrams, and to better anticipate the conceptual payoff of the book’s magnificent cover design. Nobody told me THC is just one big WWII allegory!

Bild

Which is more obnoxious: tweeting bitterly about *not* getting into a festival screening, or tweeting smugly about getting into a hot-ticket festival screening that others were turned away from? I can’t decide