Making a Warrior

@makingawarrior.bsky.social

Research project @Oslo/Uppsala/Reykjavík/Copenhagen Examining viking warriorhood and its representations past and present Project info: https://www.khm.uio.no/english/research/projects/making-a-warrior

When, during the World Cup, you feel the urge to contest a viking heritage by claiming other Scandinavian groups - hang on - 𝐝𝐢𝐝 𝐧𝐨𝐭 𝐬𝐩𝐞𝐧𝐝 𝐚𝐬 𝐦𝐮𝐜𝐡 𝐭𝐢𝐦𝐞 𝐫𝐨𝐰𝐢𝐧𝐠, it may be time to go outside for a bit.

Two paragraphs from a Guardian article:

'Swedish historians have highlighted a glaring historical inaccuracy: it was eastern Vikings, mainly from modern-day Sweden, who were famous for river and coastal rowing, while western Vikings, from Norway, were the great transatlantic sailors.

So the Norwegians are celebrating their football team's performances by imitating Swedish Vikings, Stockholm pundits argue. Be that as it may, the chant has won over many Norwegians, who have posted countless videos of themselves rowing.'

I recently came across this IG video by Dan Snow, talking about the viking attack on Zutphen. While it's always good to see more attention drawn to this particular part of the viking world, this is an example of this history being unhelpfully sensationalised out of proportion. 🧵 1/7

Today's vikingism: this 9m tall mural in Lindsborg, Kansas. Realised by Cal and Allena McNichols, it is one of several viking-themed murals in the town, whose nickname is 'Little Sweden' due to its Nordic heritage.

A large, colourful and stylised mural of a viking with horned helmet on the side of a rectangular building with a grassy patch and road in front.

We appreciate the radical honesty in some of our Great Viking Survey answers: GVS: 'Can you explain what you thought about your museum visit?' Participants: 'To be honest, I have no idea if it was good information' 'it made me hate vikings more' 'I was there for the food which was great'

Today's vikingism: this image of a 'Norse Decoration' by William Gibb († 1929), listed as the prow ornament of a viking ship. Unclear which (mock-)historical figurehead, if any, this is based on. Any guesses? (National Galleries of Scotland, D 4068)

An image of an alleged viking ship prow ornament, featuring a wooden creature's head with mouth open, painted in red and gold with decorative banding. The writing around the image reads 'Norse Decoration', and 'Drawn by W[illia]m Gibb'

Thrilled to have made it out to sunny Cardiff for 'Viking and Wales: Past and Present' at the Norwegian Church Arts Centre. The exhibition, on until 17 May, incorporates some of the early UK results from our Great Viking Survey!

The facade of the Norwegian Church Arts Centre, with Cardiff Bay in the background, including the Senedd and Pierhead Building, as well as the Giant Wheel. Numerous visitors and reenactors at a viking encampment outside the Norwegian Church Arts Centre in Cardiff during a sunny day.A wall panel with information about the Great Viking Survey and its UK results.A wall panel with information about the Great Viking Survey and its UK results.

Today's vikingism: the Up Helly Aa galley sheds of Shetland. Found in communities across the islands, they act as centres of operations for 'squads' as they prepare for local celebrations of the fire festival, including the construction of a galley that is set aflame as part of the festivities.

A sign for the galley shed of Uyeasound (est. 1911), featuring a stylised rendering of a viking ship (based on Gotlandic picture stone examples).A sign for the galley shed in Scalloway, featuring a viking ship with red and white sails.

Today's vikingism: the Up Helly Aa galley sheds of Shetland. Found in communities across the islands, they act as centres of operations for 'squads' as they prepare for local celebrations of the fire festival, including the construction of a galley that is set aflame as part of the festivities.

A sign for the galley shed of Uyeasound (est. 1911), featuring a stylised rendering of a viking ship (based on Gotlandic picture stone examples).A sign for the galley shed in Scalloway, featuring a viking ship with red and white sails.

Today's vikingism: a pen drawing of a scene from Snorri's Saga of St. Olaf, depicting the titular figure's first voyage with his foster-father Hrani. Halfdan Egedius (1899). Oslo, Nasjonalmuseet, NG.K&H.B.06256.

A detailed pen drawing of a scene from a saga, featuring two men looking out from a viking ship in rough seas, with other ships in the distance.

Today's vikingism: a pen drawing of a scene from Snorri's Saga of St. Olaf, depicting the titular figure's first voyage with his foster-father Hrani. Halfdan Egedius (1899). Oslo, Nasjonalmuseet, NG.K&H.B.06256.

A detailed pen drawing of a scene from a saga, featuring two men looking out from a viking ship in rough seas, with other ships in the distance.

Following the earlier Oseberg and Gokstad ship relocations, the Tune ship, snug in its steel rig, has started its journey into the new Museum of the Viking Age (@uio.no) today. Over the course of three days, it will travel a total of 130 metres at a top speed of c. 24 cm per minute.

The Tune ship in its steel rig, suspended from a rail, about to enter the new building of the Museum of the Viking Age. 

Photo: Museum of the Viking Age, University of OsloInterior shot of the steel rig containing the Tune ship

Photo: Museum of the Viking Age, University of OsloThe Tune ship in its steel rig, suspended from a rail, slowly making its way towards the new museum building.

Photo: Museum of the Viking Age, University of Oslo