Marie Baumgarten

@mariebaumgarten.bsky.social

(She/Her/🌈) (🚫 AI sucks ) 🌙 Concept Artist & Illustrator from Germany ✨ Portfolio & Contact: https://linktr.ee/saphitstrue ☔ Happily obsessed with all things slightly dark and sad but beautiful! 🔮 personal project: #oraculus

🌙 Elrond, Moon - Reader 🌙 Painted for Magic: The Gathering - Universes Beyond - The Hobbit AD: Cassie Murphy Very excited to show my take on Elrond for the Mtg Hobbit Set! Back when I was a teenager Elrond was my favorite character of the books and getting to officially paint him, was a huge joy! 😍

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Been thinking on the use of GenAi for mood boards. Ethics and legal risks aside, I truly believe using GenAi as references deprives one of many pivotal things. Here’s a blurb on what I mean:

Some thoughts:
When using GenAi as a mood board you don't get sources. This means you deprive yourself from knowledge.
You generated a location? You deprived yourself of knowing more about the interesting parts of the world and why things came to be.
Generate an armor or costume? You deprived yourself on real world techniques, function, form and history.
You generated art inspirations? You deprive yourself of learning about artists from history or lock out living ones from potentially being hired.
Ethical issues of using GenAi models aside, one ends up making visuals mood boards devoid of reality and history. With it one deprives themselves from learning about our world and who is living in it, inadvertently making your work weaker, because of how detached it is from our shared human reality and history.

Seeing fellow artists from the industry using AI (many do not say it ofc, but professionals will always notice...) feels like a fucking punch in the guts ngl, I am so sick of this. Even worse when you know the client they work for does not accept AI assisted art

Oxford at sunset, the Royal Institute of Translation looms over the city. First illustration for R. F. Kuang's Babel - illustrated edition 40x30cm ink on claybord

a black and white scratch board drawing depicting an aerial view of the city of Oxford in the mid 1800s. A large tower looms over the city in the distance. On the left side of the illustration, a curved road with horse drawn carriages.

Robin and Ramy witness Babel, the Royal Institute of Translation, in all its foreboding majesty second illustration for R. F. Kuang's Babel - illustrated edition, out now from Harper Voyager 40x30cm ink on claybord

a black and white scratchboard drawing. In the background a very large tower looms over Gothic buildings overlooking a vast paved plaza. In the foreground, two characters wearing black Oxford robes walk towards the tower.

Half way through artfight and I sit here sweating cuz I didn’t make a proper character sheet for Aumraun 🙂‍↕️ But here he is, his concept sheet at long last. I need him to serve 👌👌👌

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Opening some skeb-ish comm slots in this experimental style! Each slot is $80 and will be completed throughout the next 2-3 weeks, between other commission slots. Please email me at looceyloo@gmail.com if you're interested! More details below~

Digital art of a dark-skinned man with long flowing black hair, pointed eras, and golden eyes. He is dressed entirely in black with his chest exposed, and wears an crown of branches/antlers. He poses with a black long sword and a cocky smirkdigital art of Yves, a purple teifling with long blue hair. he is draped in a large purple with gold embroidery shawl, and wears loose pants. his chest is bare, revealing lots of tattoos. Yves gives a sly smirk and lazily scratches his tumdigital art of a voluptuous purple skinned tiefling with long black hair and twin black horns. She poses seductively in a sparkly blue-black dresdigital art of a voluptuous purple skinned tiefling with long black hair and twin black horns. She poses seductively in a sparkly blue-black dress

My absolute FAVORITE toolset for working digitally is on sale. The absolute BEST ellipse tool and perspective system money can buy. The dev builds with care in support of the creative community: for humans by a human.

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CALL FOR PORTFOLIOS: Hi team, I'm seeking artists who specialise in small animals, ideally in a traditional style (though digital execution is fine). I'm after experienced artists who are used to delivering to deadlines for clients. Drop me a link to your portfolios!