Michel Fiffe

@michelfiffe.bsky.social

COPRA (Image) • ZEGAS (Fantagraphics) • PANORAMA (DH) • Marvel, DC, Patreon • He/Him 🇨🇺

Haven’t read the second half of Simonson’s THOR run in decades, so I wanted to see just how much of its covers I remembered. Completely blanked on a couple, and the numbering’s are all over the place, but I did okay. I like these brain / memory exercises.

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HeroesCon 2026. Walter Simonson and I will be taking it to the stage. Friday, June 12, 2PM, Room 208. You will not want to miss this panel. Fiffe Files Live. It’s gonna be for the books.

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This recent COPRA Master Collection 2 hardcover represents a very specific time in Studio Copra: shipping out comics as fast as I could make them, exploring the cast like never before, pushing the experimental angle when it felt right. (Increasingly so.) 1/

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COPRA Master Collection 2 is in stores TODAY! If you’re reading it for the first time or revisiting some of your favorite COPRA issues, I hope you enjoy this gigantic hardcover. 400+ pages of handmade art-action comics via @imagecomics.com Get it today at your local comic shop!

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Creating COPRA is officially SOLD OUT! You can still read it over at my Patreon, including a new chapter/postscript. Check it out, the first part’s free. Not bad for something I thought I overprinted! Thanks to those who caught the book. It was a lot to unpack, and I hope you found it useful.

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I know why people say superhero comics are hard to get into because you can't just start at #1, but this is really true in a way I can't explain until someone's gotten into them. It's less of a consecutive story for you to know all the angles and more like following a sports team in the end

The Black Casebook@blackcasebook.bsky.social · 3mo ago

I forget the exact post, but one of the truest sentiments I've seen about comics is that your first issue shouldn't be Year One or Watchmen or The Dark Phoenix Saga, it should be the eighth installment in a long-forgotten crossover event called like The Mindwar Canticle

Is it an avant-garde superhero story or a hyperviolent art comic? It’s all of it. It’s COPRA. And you have one week left to pre-order the latest deluxe hardcover. It’s coming from @imagecomics.com so tell your shops to make room on the shelves for this massive edition. Seriously, it’s a monster 🤗

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The final Fiffe Files on Keith Giffen is here! This series was a thing I had to get off my chest and share with the world. Came out exactly how I envisioned it: direct, raw, super thorough, off the cuff, non-scripted, warts and all. Thanks for joining me in my obsessive mission: youtu.be/LXYkbH1x7iE

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Just heard that a popular new cartoon struggled as a comic for years. Reminds me that a financially viable subculture is a relatively new idea. Cult creators/alternative works remained on the outskirts of monetary sustainability. If you wanted a career in these fields, you had to sell big numbers 🧵

NICO by Ivan Brunetti

Sam Kieth. His style was harsh, delicate, bizarre, it was all the things. So rich and unique you can spot it a mile away. He showed us that even when the world tells you otherwise, being different is okay. More than okay, it’s imperative. RIP

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Here’s a flip thru of the upcoming COPRA Master Collection 2 — I’m telling you, it came out perfectly. I’m not just saying that because I wrote & drew the damn thing, it’s an impressive artifact by any measure. Spread the word, we wanna make sure stores are stocked up! @imagecomics.com • MAY 20

CANIFF. OTOMO. GOLDEN. Tracing the roots of cartoony heads on realistic bodies, a tradition I first saw articulated by Frank Springer (in a talk about Frank Robbins). You don’t choose style dissection as a lifestyle, it chooses you.

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