Ms Otobo

@mskomeotobo.bsky.social

Writer • Senior Project Manager • Zen

The world is violent and mercurial - it will have its way with you. We are saved only by love - love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. [1/2]

"It’s as if we launched a war against nature, and that has turned place after place into something that resembles a war zone. The climate movement is a peace movement, a movement to end this war and its casualties. ...summer was an immaterial treasure and joy that belonged to all of us."

'Congolese civil society leader & democracy activist Andréa Ngombet revisits one of Africa’s oldest political commitments: preserving colonial borders inherited at independence. He considers whether the borders still serve the interests of the people who live within them.' rpublc.com/story/2026/0...

The (Mis)Invention of Central Africa

For more than 60 years, African governments have treated colonial borders as untouchable. But as conflict, economic fragmentation and shifting global power expo

rpublc.com

Filled with the coward rage that dares to burn but does not dare to blaze, Lord Emsworth coughed a cough that was undisguisedly a bronchial white flag. P.G. Wodehouse • Lord Emsworth and the Girl Friend • Blandings Castle

'These images tell a broader story of how Black Americans used photography to document their lives, define their public image, and preserve their histories across the late 19th and early 20th centuries.' Remember Me: Picturing African Americans in Early Photography. petapixel.com/2026/07/31/t...

Historic Portraits Celebrate the Earliest African American Photographers

These daguerrotypes were taken by the earliest African American photographers.

petapixel.com

The 42nd Traditional Kaga Yuzen Crafts ExhibitionVisiting Dress “Plum Scent” exhibited by a member, Ichiro Kakimoto Artist’s Comment : I tried to express the strength of the intersecting branches and the old tree with moss that bends vigorously.

Exhibited at the 42nd Traditional Kaga Yūzen Crafts Exhibition, Plum Scent (Ume no Ka) by master craftsman Ichirō Kakimoto (柿本市郎) is a magnificent visiting dress (hōmongi) that perfectly exemplifies the painterly realism and refined technical mastery of Kanazawa’s Kaga Yūzen tradition. Fulfilling Kakimoto’s intention to capture the strength and vitality of an old tree, thick, lichen-dusted limbs twist forcefully upward across the back seams, branching out into a delicate lattice of dark, sharp twigs that reach the shoulders and upper sleeves to frame a dense canopy of pale plum blossoms (ume) at the neck. Unlike Kyoto's Kyō-yūzen, which frequently relies on metallic leafing and embroidery, this piece celebrates pure hand-painting with rice-paste resist (itoshinori). It features quintessential Kaga hallmarks, including kaga-goki (outside-in petal shading) and precise naturalistic details in the moss-draped bark and budding flowers. Set against a pale blush-white ground that gently deepens into a rich mauve-lavender at the hem (suso-boke), the composition achieves a grounded, sophisticated harmony between structural force and delicate botanical beauty.