alejandra

@mtzxale.bsky.social

award-winning tejana writer & cat mom | bylines in austin chronicle, latinamediaco, dread central, letterboxd, the wrap, rogerebert.com, awards watch y mas | member of @atxfilmcritics.bsky.social & @dorianawards.bsky.social 🤠 🔗 https://mtzxale.carrd.co/

a diva, a philanthropist, a champion of literacy, and by all accounts one of the best southern ladies to ever do it. the world is a little less brighter today. RIP, angel 🦋💖

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love to receive a text about "a real opportunity" from a random number the same week i have a job interview that turns out to be a scam. just love it, love it, love it!!

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"Because the protagonists can’t connect in any other way, it takes a grotesque offering to conjure it: metal, blood, and sweat." -- Alejandra Martinez (@mtzxale.bsky.social) on a David Cronenberg's divisive 1996 drama Crash. www.rogerebert.com/features/pro...

Prophecy is Ragged and Dirty: David Cronenberg's "Crash" Turns 30

On Cronenberg's auto-eroticism three decades on, and how it matches his career-long preoccupation with sex and death.

rogerebert.com

favorite first watches of july: • CHILD'S PLAY 2 (1990), d. john lafia • HELLRAISER: BLOODLINE (1996), d. alan smithee • OCEAN'S ELEVEN (2001), d. steven soderbergh • MUPPETS MOST WANTED (2014), d. james bobin

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back home and feeling grateful for physical film, a medium that is so beautiful because of its ephemeral nature. also, the hades sequence was undeniably one of the sickest things i've seen on screen all year (complimentary) 🙂‍↕️ boxd.it/ftSxUP

A ★★★★★ review of The Odyssey (2026)

A face... a fleet... a war... a man... a thought... a trick... speechless!! kept thinking about how special seeing something on physical film is because of the imperfections/wear the print will experi...

boxd.it

was genuinely moved by the cronenberg x charli collab. there's some strange comfort in facing oblivion not as an enemy, but an inevitability we all must face. grateful for art that can make me appreciate the small, precious time we get here 🖤

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really enjoyed TONY, a film that knows better than to sink into the saccharine. the result is something that feels more complex, bittersweet, and real. dominic sessa is a reliably great anchor, but leo woodall, and antonio banderas deliver something essential.

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favorite first watches of june: • SLEEPAWAY CAMP (1983), d. robert hiltzik • HELLRAISER III: HELL ON EARTH (1992), d. anthony hickox • THE VIRGIN SUICIDES (1999), d. sofia coppola • REDLINE (2009), d. takeshi koike

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