Mythical Britain

@mythicalbritain.bsky.social

Michael Smith. Author, printmaker, translator & illustrator of medieval romances. Whimsy, art. Published by Wilton Square Books. PhD research University of York. Follows the Blackburn Rovers. All photos mine unless on shared posts www.mythicalbritain.co.uk

Where all power is washed away and smoothed by time’s poured waters. The much weathered early 14th century effigy brought from Drogheda to replace that of Richard de Clare (aka Strongbow) at Christ Church Cathedral, Dublin after a roof collapse in the 1560s shattered the original. #TombTuesday

The head and shoulders of a knight in chain mail with his hands at prayer and with a shield strapped over one shoulder. This stone effigy is much smoothed by weathering, probably from being left outside for many years. In the background is a richly tiled floor showing hundreds of replica medieval tiles.

THREAD/ORIGINAL ART GIVEAWAY This hare linoprint is by my mum, Jo. I'll be sending an original of this to one randomly chosen person who reposts this link to my recently updated website & pops a reply below. www.tom-cox.com The offer is open worldwide. I also have some more art to give away...

A meadow hare, filled with flowers, cut from lino by my mum, Jo.

Standing still in the turmoil of the world. This simple and much damaged font at St Mary’s, Pilleth was no doubt witness to the battle near here (the battle of Bryn Glas) in June 1402 between Owain Glyndwr and Sir Edmund Mortimer, whose force was destroyed in a dramatic Welsh victory. #FontsOnFriday

A much cracked and repaired font decorated with leaves and berries stands next to a bookshelf containing prayer books. In the background is a pile of chairs all bundled up in a heap. The walls of the church are painted white.

Ancient ways within the isle at Escomb, County Durham. Built from sandstone and dating to the seventh century, this Anglo-Saxon church is one of the most complete of such structures still standing in England. Built within a circular walled enclosure, the whole place has a feel of great antiquity.

A simple sandstone church standing in a churchyard containing gravestones and trees. The church is disproportionately tall, typical of Anglo-Saxon stone church architecture.

Linocut prints in their final form can never really convey the work which lies behind them. The whole process from conception, to drawing, to cutting and then printing takes weeks. Here’s some of today’s work in the studio - almost the end of a journey but still more finessing to do.!#medieval

Linocut block of a knight on his stool being inked up in dark red inkLinocut block inked up in blue, one of four to make a four colour print of a knight Two prints of a seated showing different phases in the print process. Left, red and blue colours laid; right, yellow is added.The final linocut print showing four colours laid on top of each other to reveal a knight sitting on a stool talking to a woman in a window

Some more second hand folklore books added to our charity book store on the website today. These are all from the donated library of Neil Philip, sold to support The Folklore Library and Archive. Shop at the link below

The Folklore Library & Archive@folklorelibrary.bsky.social · 3w ago

We've added a few more books to our second hand folklore bookshop this afternoon, including a couple of rare and unusual items. Mostly folk tale works today www.thefolklorepodcast.com/store/c17/Se... All sales support our charitable work

Irish Folk Tales book

How journeys start. All my inspiration for matters medieval began as a boy when perusing the Britains catalogues of the late 1960s/early 1970s. The artwork, the copy and the vibrancy of this page lit a flame which was never to die out. Yes, I still have the knights too, just waiting to do battle!

Catalogue page in colour showing illustrations of knights on foot and on horseback- and siege machines (catapult and ballista).