Cuber 2.0

@powercosmic.bsky.social

There came a time when the old Cuber died!

"All the Cameras in My Room" by Michael DeForge. All DeForge stories follow the same "yes, and" formula that I often find grating in large doses. Ironically, this collection fixes that by having (most of) the stories focus on variations on the same theme: internet bad.

BildBildBild

Its jarring how much more violent Ultraman is than Godzilla movies from the same time. You'd think movies would have been able to get away with showing more blood than daytime TV but no. Ultraman really beats up on the Godzilla vs. Mothra suit in its cameo appearance as "Jirahs"

BildBild

It’s always funny whenever a new Marvel comes out and people start posting “finally, a Marvel that feels like a real movie.” You’re allowed to enjoy junk, no need to dress it up as anything more.

"Orion" by Ngozi Ukazu. I don't need any more reboots, revivals, or spinoffs of Jack Kirby's NEW GODS, but if DC is going to insist on it anyway its nice that they finally found someone who Gets It even a little bit.

BildBild

Since I have superhero comics on the brain today I'm checking out Ngozi Ukazu's Orion kids comic. This is the first New Gods revival with any interest in Kirby's ideas, by which I mean Orion is really gay in this.

BildBild

When superhero comics zoom in too far you get "I must protect my son from the Dangers of Crime." When they get too macro you get faceless masses dying in multiversal collapse. The sweet spot is in the middle: the president of the United States is a werewolf and only Adam Warlock can stop him.

A weird thing about being a comics reader for so long is seeing the hot new writer desperately trying to become the guy who was the hot new writer 10 years ago. How to become the new Batman writer in 1 easy step.

As a public figure he's very annoying but Cory "Enshitification" Doctorow was the standard-bearer for cyberpunk fiction for long enough that he had to switch to writing nonfiction full time because the problems became too real.

People forget that "Cyberpunk" started out as an attempt to modernize "Hard Science Fiction" for the modern 80s, it was a rejection of a stagnant genre. There's a reason Gibson & Sterling abandoned most of the trappings associated with their early works in favor of political and eco-thrillers.