REVEL ROSZ

@pragmagick.bsky.social

Hauntomancer 👻 Audiomancer http://pragmagick.com http://hauntmanual.com

Watching Donald Trump get cuckchaired by Roy Cohn to Suicide's clssic "Ghostrider" were the exact ingredients I didn't know I needed to suffer through a Trump biopic. Well played, "The Apprentice"!

I don't think there is a greater left-field genre leap that creatively masters a wide spectrum of atmospheres, production and songwriting than Beck's Midnight Vultures to Sea Change in just under 2 years. But I'm excited to list more if you have em!

a long labor of love exalting dead and obsolete analog video tech (dead tech necromancy) has collected into a very diverse concoction of sight and sound that is my videosigil (visual album) ECO ASPEKTRE. one of my many swords against a.i. and apathetick magicks tinyurl.com/ecoaspektre

Revelator Rosz ∴ ECO ASPEKTRE (ALGOL II) ∴ Full Analog Videomancy Visual Album

WARNING: FLASHING LIGHTS & SYNCOPATED COLORS #glitchart #videomancy #videosigil #darkpsychedelic #psychtronika #glitchart #glitchcraft #glitchwitch #deadtechnecromancy The first multi-media #hauntsigil and Dead Tech Necromancy audio-visual talisman in full. NO A.I., PLUGINS, OR POST-PRODUCTION FX WERE USED IN CREATING THIS VIDEOMANCY SIGIL. Read more below: From the ALGOL II #hypersigil : https://wethehallowed.org/eco-aspektre Track Listing with song length: 1. WASWASA (Introduction) 02:03 CENTENNIAL (disolver) 06:21 DISAPPEARER 03:59 ¡O PACHITA! ∴ Extended Version 06:37 DIM THE SUN ∴ 05:15 DIVIDE THE MOON ∴ 02:09 DEM DAMN DEMONS (Instrumental) 02:06 THE DIM HUM (eco) 04:11 SÉANCER 03:19 BADE YOU OBEAH (Instrumental) 04:22 WASWASA (resonar) (full version) 08:30 How some of the videomancy was made: https://www.youtube.com/live/uSevCOBCIvI?si=hoD-aHMcx9ABTUPU The videomancy uses live, performative analog video mixing of custom footage captured @revelrosz with an intention of adhering to #deadtechnecromancy or the use and application of (sometimes broken) mostly analog cameras and technology such as cathode ray tube cameras, camcorders that film directly onto VHS, VHS-C, hi-8 and sometimes obsolete digital tech like the handycam avchd camcorder to create something novel or to use their broken signals creatively. All glitching effects are completely true and analog, no post production fx or plug ins, and are directly from broken gear. The footage is then either directly shown through the analog tape players and/or projected in-room through an old panasonic video mixer, circuit bent dirty video mixer, or funneled through a 2012 era copy of VDMX on an old laptop before hitting the projector. Outside footage that is live mixed and transformed through dirty mixing and proojection is largely random from old cinema such as 70's #videonasty #psychotronic #70sexploitation scenes, or intentional small snippets of films such as 'Night of The Hunter" or #davidlynch #dumbland #animation . Like its audiomantik companion with the production marriage of an MPC sequencing custom recordings with a 4track as general mixer and record source or as custom tape loop player built into a travel suitcase (the #divergentmagick musickbox) this visual album uses #hauntomancy and specifically, #deadtechnecromancy as discarded capture and production talismans of yesteryear are revived within new currents to create something neither either old nor present, but above time and truly responsive to haptic and somatic manipulation casted in this earthly realm. Meaning the only post production shown here is simple video transmission layering, if any at all, most of what is shown here was performed, captured and casted as is. This is the first true multi-media 'HAUNTSIGIL' - a multi-dimensional work that exalts the ASPEKTRE (the heteronym of REVELATOR ROSZ in the howlround of 'ECO' within the current current) and a forthcoming audio/visual essay breaking down all the magicks within will be out soon via HAUNT MANUAL (https://keatsross.substack.com) All tracks will be separately uploaded and shared across @PRAGMAGICK and Revelator Rosz channels. Support Revel, @pragmagick & @wethehallowed via PATREON: https://patreon.com/pragmagick ONE TIME DONATION: https://paypal.me/keatsross ALL AUDIO VERSIONS: https://wethehallowed.org/eco-aspektre https://revelrosz.bandcamp.com HAUNTOMANCY: https://keatsross.substack.com https://hauntomancy.univer.se EVERYTHING SEEN OR HEARD WAS CREATED OR DEEPLY TRANSFORMED BY KEATS ROSS ©️ 2026 WE THE HALLOWED PRESS / DAKOTA SLIM HYMNS

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Proud of this one, warts and all as it was a revelatory production amidst a caustic work/travel schedule trying to find a novel way to charge a cold medium with my analog footage, guest livestreams, musickal experiments etc - gearing towards more produced & woven broadckasting is the kismet pathway

Eric J. Millar@outleteric.bsky.social · 3mo ago

@pragmagick.bsky.social took our stream and made into a genuine piece of video art. Check it out! youtu.be/a6yII82ELN0?...

may they be atomized back into the granular dunres of creation, again awaiting the thrush of sky bolts and divine sparks to glass-ify new, unique construkts of their recycled dusts, corruptions hopefully cleansed, to be wild eyed and new again.

"No officer, not this again... I'm not watching snuff films in the back of my murder truck. Have you heard of Yorgos Lanthimos?... What's the difference, you ask? Hmm, well, dagnabbit, you got me there, officer!"

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Thanks brother! I need to get this here app in my circulation more! But yes, released an album and it instead paying AI slop masterblaster for stream-ability in their techno-bartertown I'm hosting it via our magick/media and print publishing collective's site via A DAMN WINAMP PLAYER. #hauntomancy

Eric J. Millar@outleteric.bsky.social · 6mo ago

My brother from another mother @pragmagick.bsky.social released his newest album today. Fucking amazing from top to bottom. revelrosz.bandcamp.com/album/eco-as...

Has anyone else noticed New York City at night's atmosphere during tepid weather is synchronous to David Fincher's heavier green tinged / matte black / warmed yellow echoes of his cinematography? I also see Michael Mann's eye within LA's incandescent yellow smog atop a smatter of blueish cements.