Ryan Broderick

@ryanhatesthis.bsky.social

Chilling online. I write a newsletter called Garbage Day.

"An entire generation of young creatives were paid to dump terabytes of posts and videos in a black hole, trying to entertain users long enough to be surveilled and train AI. And not only do they have nothing to show for it professionally, they have nothing to show for it creatively, as well."

Ryan Broderick@ryanhatesthis.bsky.social · 2w ago

I wrote about the lost decade of millennial creativity www.garbageday.email/p/you-get-wh...

There was so much neurotic moral policing when I was a kid in the 90s and 2000s about what people were doing outside of their homes — how they dressed, how they talked, where they went — but after 2020, we've become obsessed with what we think people are doing or not doing at home.

Ryan Broderick@ryanhatesthis.bsky.social · 3w ago

On how the fear that no one is reading anymore is sorta the same fear that no one is having sex anymore which is really just a fear that, for those of us old enough to remember the before time, the world feels different now in ways we can't really explain www.garbageday.email/p/every-new-...

Couldn't fit this into the piece, but the belief that the left needs its own oaf means that Trump is still dictating the rules of engagement. Believing 1) white working class men are the voters that matter and 2) that they will only vote for themselves is just MAGA with a different coat of paint.

Ryan Broderick@ryanhatesthis.bsky.social · 4w ago

A lot of leftist men were — and seemingly still are — willing to accept Graham Platner's many many faults because they have a sneering, condescending belief that working people in this country are white townie oafs who will only listen to other white townie oafs. www.garbageday.email/p/the-curdli...

OK so I finally saw both: -Backrooms was technically impressive, prettier, and better paced. Would watch again. -Obsession had a tighter script, better characters, and was scarier. But it suffers from orange sludge lighting and is a meaner, nastier film I don't want to ever watch again.

They claim that the anti-trans movement started in 2014 which is just wrong. I've spent the last few years binging a lot of old TV shows and what's very strange about the shows that ran across the 2000s is that many of them start making trans jokes completely out of nowhere between 2005-2007.

Gretchen Felker-Martin PRE ORDER CHIMERA 2.16.27 🍉@scumbelievable.bsky.social · last mo.

"They just shouldn't have participated in society" Fucking panel of cis gays discussing what trans people did to deserve genocide. Cool.

My guiding principle is that platforms actually don't — or even can't — suppress anything beyond nudity, gore, swears, some hate speech, etc. But I do think they can promote different content and incentivize users to make more of it. Which is what I think is happening on YouTube right now.

Lucy Hamilton@lucyham.bsky.social · last mo.

Interesting piece from Ryan Broderick at @garbageday.email Speculation on the degree to which a change of focus at YouTube might have suppressed the wave of invidious panics that have swung elections. www.garbageday.email/p/youtube-do...

Paying a subscription to use Meta products is patently absurd for the average user. Which Meta obviously knows. From a content perspective, they offer nothing that's worth paying for. These are predatory subscriptions plans clearly aimed at businesses that are dependent on these platforms.

TechCrunch@techcrunch.com · 2mo ago

Meta is rolling out paid subscription plans for Instagram, Facebook, and WhatsApp worldwide, while also testing new AI, creator, and business-focused offerings under its broader “Meta One” subscription brand.