Tessera

no crying in the club (monaco)

@sadaboutchiffon.bsky.social

Currently about as consistent as Balmain's collections (olivier rousteing you are both the dark knight & the clown prince of crime of my own personal fashion gotham), but by god, I'm trying.

886 Posts1920 Follower 23 Folgt

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 6mo ago

FRANCESCO SCOGNAMIGLIO SPRING 2026 COUTURE COLLECTION.

The model wears a white, chiffon tunic dress with long sleeves. The dress has multiple ruffles along it, breaking up the silhouette of the model into wave-like patterns. They wear silver heels and their hair is coiffed in multiple blond "shirley temple" curls. The front of the dress features a silver casting of Christ on the cross, centered in the middle of the chest.

The model wears a sharp, ivory tuxedo with wide, satin lapels and matching, pressed pants. They wear a white tie. The shoulders of the jacket are exaggerated. The same model, with the blonde curls, is used in all of the images. The jacket features a boutonniere on the left side of the chest: a pink rose with green leaves.

The model wears a transparent, white dress with long sleeves and a high neck. The dress is floor-length, puddling around the model's legs and feet in a soft, sweeping train. The gown is covered in three-dimensional sequin and crystal flowers along the neckline of the dress, the forearms, and the train of the dress. More crystals are attached to the dress in wide arcs along the chest and hips.

The model wears high-waisted, white, satin pants with a distinct crease along the front. The pants are floor-length and hide the shoes, the waistline ending just above the belly button. The pants feature subtle lace details along the hips and bottoms, crawling down and up the leg respectively. The model wears no shirt and holds their hands over their own breasts, rendering them modest. They wear a white fur stole over one shoulder, covering the right side of their chest. The stole features a silver bangle around the bottom of it. The model stands at 3/4s to the camera, with one leg crooked out.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 6mo ago

SCHIAPARELLI S/S 2026 RTW COLLECTION [1/2].

The model wears a red, long, one-shoulder satin gown. The gown features a dramatic flower detailing on the shoulder and is embellished with tulle inserts that create cut-outs on either side of the hips. The dress is form fitting, with a slight mermaid flare.

The model wears a satin, silver, halter neck maxi dress with cut-outs below the breasts and along the thighs. The cut-outs are tulle inserts. The dress features a cowl neck, with gold jeweled straps. The model wears a bracelet with a illuminated salt stone pendant on their right wrist.

The model wears a black satin maxi dress with skin-revealing tulle insert cutouts on the sides, outlining their ribs, hips, and thighs in a delicate curve. The dress features a cowl neck with gold jeweled straps. The model wears a headpiece of gilded brass, forming branches with hanging rhinestones. They wear matching earrings and a matching necklace. They carry a black rattan-effect trope l'oeil leather bucket bag. The bag is decorated with gilded brass anatomical jewelry forming a "melted" face using two eyes, a nose, and lips.

The model wears a bias-cut black satin halter dress with a diamond-shaped tulle insert in the middle of their torso, revealing most of their sternum and belly. the dress features ruffles along the armpits and back, and drapes to the ground.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 6mo ago

SCHIAPARELLI SPRING 2026 COUTURE COLLECTION [1/2].

The model wears a sharp-shouldered Elsa jacket, which references archival Schiaparelli work, with a dramatic collar that turns into a bird's wing embroidered with thousands of hand-painted sfumato effect feathers and silver embroidery. The wings frame both sides of the model's face, stretching higher on the left. The jacket is feathered in green, brown, yellow, mauve, and cream and has hand-sculpted 3d bird beaks stretching out from the breasts. The model wears no shirt, revealing the middle of their torso, and black velvet trousers. They wear a silver headpiece decorated with black rhinestones, featuring a central crystal and small spikes. They wear black satin sandals with a curved heel.

The model wears a bustier gown with a dramatic décolleté ("The upper part of a woman's torso, comprising her neck, shoulders, back and chest, that is exposed by the neckline of her clothing." "The split between a woman's breasts") embroidered with hundreds of iridescent crystal-dipped peacock feathers in various shades of green. Underneath the skirt (jupon) are stacked layers of black tulle and the model wears nude satin sandals with a curved heel and a strassed keyhole. Their hair is cut in a severe bob and they wear bird's head earrings.

The model wears a butterfly spiral, sleeveless top comprised of handmade lace that swirls around their upper body and shoulders, obscuring parts of the face. The lace took 4,000hrs of embroidery to complete. The look is paired with a sfumato effect tulle skirt that faces from nude at the top to black at the bottom. The model wears nude satin sandals, once again with the curved heel and keyhole. They wear sfumato effect gloves that match the gradient of the skirt, but reversed: black at the top, nude at the fingers.

NOTE: sfumato is: "a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance."

The model wears a sheer, transparent bustier with ruffled edges that turns into a thick scorpion's tail that curls over the model's head. The tail is embroidered in transparent bas-relief lace with 3D motifs held in place by needles. The bustier has ruffles along the neckline and wider ones along the bottom. The model wears a pencil skirt in black caviar wool, paired with nude satin mule shoes. They wear large pearl earrings.

Personally, I think the tail looks more like a gecko's than a scorpion's, for ease of visualization, but who am I to argue with Schiaparelli's official description.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 6mo ago

ROBERT WUN SPRING 2026 COUTURE COLLECTION [1/3].

The model wears a metal breastplate, molded to look like two hands clutching a star-shaped sword by the blade. The hilt and crossguard of the sword partly obscures the model's face. The dress has a layered, draped skirt with a train off to one side and completely covers the model's hands and arms. The dress is metallic silver.

The model wears a voluminous ballgown that covers them from head to toe. The gown is black, studded with thousands of gemstones in yellow and golden shades like a nebula. It matches the thunderstorm backdrop of the runway. The model wears a long, sheer veil that fully covers their face, also embroidered with yellow gemstones.

The model wears a full-body frayed dress with cascading pleats in white. The pleats outline the model's body in an imitation of an anatomical model of a muscular system. The dress has long sleeves and a frothy, sheer train. The model wears a white domino mask.

The model wears a metallic gold coat over a gold mermaid gown with a flared bottom and train. The coat is sculpted tightly to the model's body, with flared tulip sleeves and a high collar that forms a petal shape behind the model's head. The model wears a full-face golden mask and golden gloves.

Neon Hemlock @neonhemlock.bsky.social · 8mo ago

We'll be reading stories for ✨ What Elegant Stars: Queer Tales of Impossible Style ✨ from January 15th to April 15th. Give us stories of satellites and sewists, terminals and tailors, dandies and dying stars. <6k words. 8¢/word. simsub ☑️. multiple submissions 🚫. www.neonhemlock.com/submissions

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 6mo ago

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [1/3].

The model wears a black, sculptural dress that sweeps upwards from a narrow pencil skirt, opening in smoke-like billows. The architectural volume is arranged around the model's upper body, which would be bare if not for the glowing silhouette they wear.

Two models walk side-by-side, wearing twin, form-hugging sleeveless dresses made of intertwined ribbons and filaments. The model on the right is wearing a red dress, the model on the left is wearing a light pink dress. They hold hands. The dresses are tied to each other by strings, meant to invoke the idea of the "twin flames": "karmic partnerships revealed through contrast and convergence."

The model wears a sculptural gown in light pink, characterized by dramatic swooping shoulders that form a dramatic collar and sweep down to cover the hands. The gown is form-fitting with a straight skirt and a straight-across corset top.

The model wears a dramatic golden, sleeveless gown that gives the viewer the impression of falling stars, fitting the celestial theme of the collection. The model wears a statement jacket, hanging off one shoulder, in a lighter gold, hanging off one shoulder. They wear a golden maang tikka on their forehead, centered over the "Ajna Chakra" (brow or third eye chakra) In Hindu mythology and ayurvedic traditions.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

Oh, they did this for ME, as a personal favor, for sure, for sure, for sure, for sure.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

VOGUE WORLD SPRING RTW 2026 - Act 1: "Hollywood Glamour."

Actress Nicole Kidman wears a black satin bustier Chanel gown, inspired by Rita Hayworth in Gilda, 1946. The dress features black satin camellia details on the right side of the bodice and theleftight hip, with asymmetric ruching and a long side-slit on the left side of the dress. The look is paired with black heels and a black suit jacket that Kidman carries over one shoulder. She also wears a Chanel Fine Jewelry Diamant Evanescent necklace.

Model Adut Akech wears Daisy Buchanan’s original Prada costume, designed by Catherine Martin, from Baz Luhrmann's 2013 Great Gatsby film. She wears diamond bracelets from Tiffany & Co. jewelry. The golden, crystal-laden party gown is often dubbed the "chandelier" dress and features a crystal overlay and a light-blue fur stole with crystal accents. Akech also wears a Tiffany & Co headpiece, features diamond and freshwater cultured pearls and a detachable brooch.

Actress and Chanel ambassador Ayo Edebiri, an actor and Chanel ambassador, wears a golden S/S 2026 Chanel two-piece, from Matthieu Blazy’s debut collection. The top and skirt feature swishy, fringed hems and sleeves and textured details. The skirt falls to mid-shin, and the tunic top features short sleeves. The look is paired with white heels.

Model Mika Schneider wears a F/W 2025 Valentino gown and a triangular, diamond De Beers necklace. The dress features a plunging neckline in olive green fabric, with a high belt and a black bow along the front. The skirt of the dress is a light purple, silky material, and Schneider wears sheer black gloves and gold heels.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

KILENTAR SPRING 2026 COLLECTION.

The model wears an elaborate beaded top with alternating stripes of cream, brown, and a dark umber over a metallic mini skirt in rose, with light gold accents. The model also wears a two-tone box-pleated scarf with tassels around their waist, hanging down on either side of their hips.

the model wears a dark brown dress with spaghetti straps and a loose fit. The dress is covered in diamond patterns made up of beads: the lines of the diamonds are composed of numerous dark and gold beads, with an amber teadrop bead hanging from the top of each diamond. The bottom of the dress is floor-length and is made up of olive-green tassels that catch the light.

The model wears a floor-length, sleeveless yellow dress with a straight-across bodice. The skirt of the dress is layered with panels of sheer mesh featuring three raffia trims. The hemline is asymmetric. The bodice features subtle stripes in a lighter shade of yellow.

Slippy @damnslippy.slippy.me · 9mo ago

would throw out every scruple about not wearing logos that I have, for a chance to touch the murakami vuitton tentacle purse

a photo of a wild, and gorgeous, pink purse bedecked with pink and red tentacles, from a Louis Vuitton - Takashi Murakami collaboration

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

ORANGE CULTURE SPRING 2025 COLLECTION.

The model wears a hybrid tee maxi dress in black with an orange moon print that stretches across the right side of the model's chest. The dress has short sleeves and a high neck. It is floor-length. The maxi dress is made from printed cotton interlock jersey with duchess satin.

The model wears an all-black outfit. The top is a sleeveless cut-out blazer with a keyhole cutout directly in the middle of the chest. It has two buttons on the front, pinning the blazer to the side. The main body of the blazer is black crepe fabric, with black satin highlights along the arms, cutout, and hem. The model wears matching structured pants with a cummerbund style waistband.

The model wears a white midi coat, made from crepe, with frill details on the neck and sleeves. The coat has a series of small buttons down the front of it. The model wears bright red nylon tights and carries a bright orange quilted handbag.

The model wears an all-white outfit with a 3D printed orange moon appliqué on the front. The model wears a linen single-sided crop blazer with structured lapels, closed at the front with the moon appliqué. Worn inside the blazer is a long-sleeve dress shirt in white, with 70s styled shoulders and a diagonal lapel. The model wears matching slim to flare pants with functional buttons along the lower side of the flares.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

ERNESTO NARANJO SPRING 2026 COLLECTION.

The model wears a piece inspired by the work of Loïe Fuller, a dancer and pioneer of modern dance & theatrical lighting techniques, and Rebecca Horn, a visual artist. Another interesting note about this collection is there are no closures on the clothes: everything can be slipped on/off as needed.

The model wears a soft, baggy tunic in a dark cream over a gathered skirt in a matching fabric and color. The skirt has a bottom hem that curls up, like an inverse paper bag skirt. The model wears light lavender tulle over the whole outfit, draped around their neck and down their body. They wear white heels.

The model wears a red dress with a long, draped skirt that hangs loosely around their body. They are bent over, letting the dress dangling freely. The dress features a wide, open hem of a thick, red ribbon that hangs down the model's back and exposes half of their back and their entire left arm. They wear white heels.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

PAOLO SEBASTIAN A/W 2025-2026 COLLECTION.

The model wears a frilled trapeze mini dress in a blush pink. The dress' frills are beaded, with numerous sparkling sequins. The dress has long sleeves and a high neck, nearly obscuring the hands, and ends at mid-thigh.

The model wears a white crinkle silk chiffon draped gown with dégradé tassels. The tassels are diagonal, stretching from the model's left hip to their right knee, hanging down to the floor. They are a gradient from white to a light blue. The dress also has tassels along the back, starting at the back of the right dress strap, falling like a cape. The dress features threadwork floral embroidery in light pink, blue, green, and white. The dress has a lattice cutout along the bottom, just above the tassels.

The model wears a tulle, corseted bodysuit in light cream underneath a chantilly lace gown in light blue. The gown puddles to the floor with a wide, circular train, fringed with long blue tassels. The gown features cutwork organza detailing of floral patterns up the model's sides.

The model wears an olive green corseted tassel gown with lattice detailing and floral embellishments on the bodice. The skirt of the gown is made up of hundreds of tassels, slit up the side to the model's right hip.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

MCQUEEN SPRING 2026 RTW COLLECTION [1/2].

The model wears an olive green outfit made up of a corset top and low-rise bumster pants that flare around the knee with multiple hanging straps. They wear a sleeveless shrug in the same olive green, leaving the top of their chest bare. The model carries McQueen's archival De Manta bag, finished with corset lacing, in black. They wear brown foldover cuff boots.

The model wears a deconstructed suit jacket in navy blue, with straps accentuating the lapels and shoulders, over low-rise bumster shorts with flared legs. They also wear brown fold-over cuffed boots. Numerous unlaced straps hang down from the model's pants and jacket and they wear a high-necked corset-tie shrug below the jacket. Other than the boots, the entire outfit is the same shade of navy blue.

The model wears a white parachute dress with huge, voluminous skirts that trail behind them. They wear matching white boots. The top of the dress has a high-neck with corset ties, sleeveless, with a cutout for the top of the chest.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 9mo ago

SACAI SPRING 2026 RTW COLLECTION.

The model wears a bulky white t-shirt dress with a turtleneck and elbow-length sleeves. The dress has sheer black triangular cutouts on the hem between the shoulder and sleeve and the model wears a statement necklace. They wear black shoes and a black georgette train that attaches to their dress. The t-shirt dress ends at mid-thigh

The model wears a black gown made up of sheer material and the deconstructed utility garments: a cargo vest and the pockets from a long trench coat that melds with the dress. The model wears black flip-flops and has one leg bare. They wear pants that completely cover their right leg and end as mini-shorts on their left leg. The gown has a halter top.

The model wears a cargo dress made up of deconstructed parts of a trench. The skirt ends at mid-thigh: it is a wide and flared out peplum skirt in khaki with prominent black buttons. The top of the dress is a canvas grey, imitating the inside of a coat. The model wears black fringed shoes and a black neck warmer.

The model (Naomi Campbell), wears a floor-length gown spliced with utility garments and a half-finished suit in black. The inner quilting of the suit jacket has been turned into decorative stitching, and the armholes of the suit are purposefully unfinished. The Model wears wide-legged, slouchy pants and the double-breasted suit has four large buttons on the front of it. The suit has contrasting fabric swatches in various shades of black, with a long black train, as if it was in the process of being fully finished.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 10mo ago

CHENEY CHAN F/W 2025/2025 COUTURE COLLECTION.

The first look of the collection, symbolizing "Birth", the model lays in a pile of white feathers and stares directly at the camera. They have dramatic eyeliner and red hair, with a dramatic lip and bleached eyebrows.

The feather pile they lay in is actually the feather-fringed cape that makes up 1/2 of the look. The model wears a white, high-necked dress with long sleeves and a form-fitting silhouette. The dress is made of white lace, embroidered with hollow-cut embryo-like motifs. The dress is partly sheer, revealing parts of the model's skin.

The last look of the collection, symbolizing "Death", the same model from the first photo wears a huge, blue-black, feathered cape inspired by a raven's wings. The dress below is full-body, from neck to wrists to ankles, made of sheer, perforated black lace with floral emboridery. The majority of the dress is covered by the cape, which reveals only the neck and shoulders of the lace, the model holding the cape to their body.

The second look of the collection, named "Dance", the model wears a ivory suit with a knee-length pencil skirt and long sleeves. The suit has sculpted, structural shoulder pads and the model wears sheer white gloves. The outfit draws inspiration from a bird of paradise and features a large plume of frothy of-white tulle that covers the model's torso. The plume also features long feathers, brown with black stripes, shaped by metal wires and inspired by the plumes of Peking Opera performers. The model wears a feathery fascinator on their head that obscures the top part of their face.

The fourth look of the collection, named "Defence", the model wears a light cream dress. The dress is covered in a rhinestone-embellished mesh, stretched over a bodice that accentuates the hips of the model into two sharp diamond points. The dress bares the shoulders, with mesh, elbow-length globes and a sheer skirt over a satin bodysuit. The dress features a 3D sculpture of boned lace, extending from the chest to over top the head in seven petal-like forms. The petals have translucent embroidery inside, with delicate patterns meant to resemble the underside of a cockatoo's feathers.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 10mo ago

SIYUN HUANG 2/2 2024 "Immateriality" COLLECTION.

The model wears a two-piece gown with a black bandeau top and a long, sarong-style skirt that puddles to the floor. The skirt has a slight up the side, revealing part of the model's leg, and the waistline of the dress imitates a tucked-in look. The black fabric is slightly metallic, catching the light. The bandeau top has a dramatic bodice made of carved bamboo sticks, possibly flutes. The bodice has a series of thin metal rods that extend to either side, where metal dragonflies made of bamboo sticks and leaves perch.

The model wears a gown in various shades of purple: both a light dusty-grey purple and a dark, near-black purple. The dress integrates techniques of traditional Chinese ink wash, freehand brushwork, and line drawing from Chinese art. The dress has a high-neck, sleeveless bodice with images of fossils and animals and a ruffled, full train with multiple bunches of fabric. The fabric has a gradient of dark to light, with many hanging folds.

The various layers of the dress train are meant to recreate scattered lotus leaves. The dress has a loose cape, meant to imitate smoke, that begins under each arm.

Per the designer: "Some looks use the handmade textile of the Miao minority in southwest China, which is a type of craftmanship on fabric, but the process is complex. It requires indigo dyeing, attaching egg white or cow‘s blood on the surface, constant pounding and steaming, it often takes months to produce a 45cm wide fabric, its surface is shiny but not dazzling."

Although not shown in motion, the model wears a kinetic dress with floral, gauze accents that bloom and twitch like flowers constantly growing and dying. The dress itself is a dark black, with sculptural flowers with a dark purple to light purple gradient. The sculptures flare out, giving the dress a ruffled appearance.

The model wears a kinetic robe made of shiny, black material with visible white stitching. This dress is also kinetic, as the metal dragonflies that perch on the dress move and spin using sound sensors. The dragonflies are hand-sculpted and rest on the model's torso and shoulders using thin metal poles. The dress also features green leaf sculptures, which also move when seen in video.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 10mo ago

ANGELA CHANG'S "Seek For Light" WORLD TOUR - Custom Guo Pei, Cheney Chan, KWK, and Robert Wun.

Singer and actress, Angela Zhang Shao-han (also known as Angela Chang) wears a custom Guo Pei gown created for her Seek for Light World Tour 2025. The gown was created in collaboration with The Hong Kong Polytechnic University Team. The gown is form-fitting, with a phoenix feather design on the bodice and dramatic, feathered shoulders with a looping fiber-optic cape.

The textile used in this gown glows and was custom developed with Guo Pei based on patented technology developed by Prof. Tan’s research team. "It integrates intelligent photonic systems with precision knit engineering to produce an interactive, illuminative material with stretchability."

Chang wears a custom lavender Cheney Chan gown with a high leg slit up to her left thigh and an intricate crescent moon headpiece. The gown has a sculptural bodice with feather accents and a long train, embellished with multiple sequins. The gown is floor-length and has matching elbow-length globes.

Chang wears custom KWK made for her tour. The dress is light pink, with spaghetti straps and a fitted, mini pencil skirt with a long train that drapes over Chang's right hip. The dress has a strait across bodice and matching gloves. it features a sculpted corset bodice made out of metallic pink molded plastic (? perhaps), with bright silver accents. The bodice swoops to one side, like cloth caught in water. Chang wears a matching spiderweb crown.

Chang wears a custom Robert Wun, a common collaborator with the singer. The dress features a black gown with white accents, tied around the neck with a wide halter top, and matching black gloves. A corseted overdress covers Chang from bodice to the floor, formfitting with flared accents on the bottom. She wears a coat with a long train in the same white as the overdress and finlike cuffs that open at her elbows. The dress features a massive, white butterfly headpiece.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 10mo ago

DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [1/3].

The model is staged backstage at the Ponte di Castel Sant’Angelo for D&G's Alta Sartoria show inspired by Catholic priests and vestments. The model wears a heavily embellished chasuble, a sleeveless outer vestment, over a white lace shirt with a folded over collar. They wear a large, ornate cross around their neck.

There are two models in the photo, one closer to the camera, in front of a brick wall. The closer model wears a red silk outfit, patterned after the classic scarlet cassock worn by a cardinal. They wear an ornate cross around their neck, and a shirt with a high lace collar. The model farthest from the camera wears an ornate red and gold breastplate, like the sorts worn by cathedral saints, leaving their arms bare. They wear deep red silk pants with a tie waist.

Three models face the camera wearing a series of lush, embroidered suits. The model on the left wears a plum suit with ornate, gold (how many times can i say ornate here, let's find out) cross embellishments and embroidered gloves. The suit is made up of a plum silk fabric, tied in strips around the torso. The model in the middle wears a blue suit with a hanging, gold scarf, tucked underneath the waistcoast. The suit is heavily embroidered with blue floral designs. The model on the right is wearing numerous contrasting arabesque patterns in reds and golds on their suit jacket, shirt, and high-waisted pants. The jacket is red, the shirt burgundy, and the pants are black and gold.

The model faces the camera and wears a suit with high-waisted pants and an open jacket. They wear a sheer, black shirt, with embroidery that uses catholic imagery and designs. The suit jacket and pants match: black with gold embroidery. They wear black gloves.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 10mo ago

XANDER ZHOU SPRING 2026 COLLECTION [1/2].

The model wears a light grey tailored suit with matching pants and a matching fedora hat. The model wears dark dress shoes. The hat, jacket, and shoes of the look have been duplicated in a "glitch" effect, creating doubles like you're dragging an open window across a computer screen.

The model wears a white tuxedo with black lapels and black dress shoes with the same glitch effect that is standard throughout the rest of the collection. In this look, the glitch is dozens of duplicated sleeve cuffs that hang down from behind the model's wrists and drape to the floor like ribbons.

The model wears a blue dress shirt underneath a vest in the same blue. They wear a frilly sash across their chest and have one hand tucked into the pocket of their high-waisted grey dress pants. They wear white dress shoes with glitched details and carry a grey fedora that's been duplicated four times into a smear.

The model wears a dark, pinstripe suit with a white dress shirt. They wear a crossbody sash that has duplicated front pockets, with matching silver kerchiefs sticking out of them, down the chest. It's tied above the right hip with a large statement bow. The model wears dark dress shoes and wears a duplicated, black-feature grey mask that smears up and to the left.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 10mo ago

HASSIDRISS "Echoes of the Abyss" 2025 COUTURE COLLECTION [1/2].

The model lies on their back in a puddle of silvery lavender fabric---the skirt of the gown they wear. The bodice of the dress is comprised of shibari-style rope work. The photo is slightly out of focus.

"What the fuck is silvery lavender." I don't know, man, I've turned into one of those paint mixing accounts on tiktok.

The model wears a red dress with a long skirt made up of numerous ribbon panels in a deep red. The corset bodice of the dress has rivets in it, more ribbons attached to the eyeholes. The model wears a cage-like mask that obscures the top of their head and eyes.

The model wears a long, floor-length gown in a linen-white, studded with numerous red beads. They wear sheer elbow length gloves with the same beads. The dress has spaghetti straps, with a fitted sweetheart bodice. The beading on the bodice imitates the musculature of a torso.

A second photo of the first model, wearing the same silvery lavender gown as before. They lean up slightly, braced on an elbow. The angle reveals more of the ropework on the torso of the dress.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 11mo ago

ARMANI PRIVÉ FALL 2025 COUTURE COLLECTION.

The model wears a lush, black velvet catsuit with cuff sleeves and a statement bow around their neck. The bow is structural and large, stiff with embellishments. It's a charcoal grey that matches the cuffs and small purse the model is carrying. The cuffs are also embellished with beads. The model wears a beaded cap and statement black earrings.

The model wears a black velvet, strapless dress featuring a sweetheart neckline dramatic, deep v plunge down the front of the dress. The gown is ringed in fine bead work, with a bow on the front at the bottom of the plunge and a beaded line following the silhouette down to the floor. The gown is floor-length. The model wears a grey boa made of ruffled, green-black fabric and an embellished cap.

The model wears a sleek, lean, black, fitted tuxedo in a rich velvet. They have a sequined bowtie and wear a white dress shirt and a black beret. They carry a classic cigarette holder. The trousers of the "tux" are fitted and tight to the legs and the jacket has a single button at the front, forming an hourglass silhouette. The jacket and pants are outlined in small beads.

The model wears a black, corseted suit jacket gown embellished with glittering beads. The gown is floor-length and hangs off the shoulders, with a structured bodice and long sleeves. The sleeves end in black velvet cuffs, and the bodice of the gown mimics the lapels of a suit in the same black velvet. The model wears a black bow tie and statement earrings, along with a beret. They carry a sheer, unfurled fan covered in sequins.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · 11mo ago

LENA HOSCHEK F/W 2025-2026 COLLECTION.

The model wears a cotton-wool hybrid ribbon skirt featuring heritage patterns and a fringe-trimmed hem. They wear a cropped trench coat with four buttons and cuffed sleeves, tied at the waist. They have bold gold jewelry.

The model wears a deep blue dress with red, white, and cream floral accents (complete with green leaves) and lies on their back, reaching for the camera. The cotton dress features a fitted bodice with a narrow neckline and long sleeves, with their classic, flowing skirt: bänderrock.

The model wears a flannel-inspired cotton dress with a corset-style bodice. The bodice has a criss-cross ribbon front and is fitted. It flares ouit into Hoschek's signature bänderrock skir. The dress is grey and black, falling to midi length with side pockets. The model wears knee-high brown boots, and a light brown long-sleeve turtleneck underneath the dress.

The model wears a white cotton blouse with mother-of-pearl buttons and elbow length sleeves. The blouse features a mid-rib button placket, with a statement bow at the collarbone. The blouse is paired with ankle-length trousers in dark navy, belted at the waist, and brown flats.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

PHAN HUY PRE-FALL 2025 COLLECTION [1/2].

The model wears a sleeveless tulle wedding dress in white with a sweetheart bodice. The bodice of the dress is covered in water-drop beadwork that extended onto the multi-layered tulle skirt.

The model wears a sleeveless column dress in metallic gold, featuring featuring fish-scale textures. Each scale is embellished with bulge beads. and the dress is floor-length.

The model wears a white off-shoulder wedding dress with a sheer corset and beadwork over the bodice and tulle layers of the skirt. The sleeves of the gown featuring long tulle trains that reach the floor. The skirt has many layers of tulle.

The model wears a off-shoulder trumpet wedding dress in off-white, covered in sequins and floral wires. The dress puddles to the ground, with long sleeves that almost fully cover the hands. The embellishments group mostly around the bodice, hem of the sleeves, and the hips of the dress. The model wears a white mesh mask.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

MAISON MARGIELA FALL 2025 COUTURE COLLECTION [1/3].

The model wears a white jersey-draped, floor-length gown with a sheer torso revealing the ball-jointed doll corsetry underneath. The model's face is covered by a sheer, oppressive veil that's held around the neck by a heavily embellished collar necklace.

The model wears a metallic gold long-sleeved shirt with mannequin like patterns underneath the chest and sternum. They wear a wrapped skirt of stiff fabric, with designs by the artworks of Flemish masters. The skirt has a white ribbon belt with dangling ends. The model wears a full-face, golden mask that looks like crumpled metal.

The model wears a nude/cream jersey-draped gown cut in a sharp horizontal line across the bodice. The gown is partly sheer, exposing the breasts and a portion of the ball-jointed doll corsetry underneath, creating a jagged hourglass silhouette. The gown's sleeves are long and draping, hiding the hands and dragging to the floor. The sleeves appear to be connected to the dress' skirt. The model wears a tight veil of the same fabric of the dress, obscuring their features, and a heavy cuff necklace.

The model wears a jersey-draped gown in dove grey, covering them from head to toe. The veil that obscures their face has a hood like a mourning look, with a long cape that attaches to the train of the dress. The corsetry under the dress creates another extreme hourglass shape.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

SCHIAPARELLI FALL 2025 COUTURE COLLECTION [1/3].

The model wears a sleeveless black dress with a strapless bodice in silky fabric that puddles down to the floor. The dress has mesh cutouts along each side, revealing the model's hips, and they wear black velvet opera gloves. They have a dramatic necklace of gold and metal, like the rays of the sun.

The model wears a high-neck, sleeveless dress in bright red with shibari-inspired ties that crisscross the bodice, torso, hips, and thighs. The dress is floor length, with a slight train. The model wears red ribbons in a matching color around their upper arms. The dress is compromised of two different fabrics: opaque around the chest and mid-thigh down, and nearly-sheer otherwise.

The model wears a dramatic dress with a straight-across bodice and extended "wings" underneath each arm that turn into a long, tulle cape in grey. The dress ends at the ankle, and is decorated with dozens of open to half-open eyes, like a classic seraphim aesthetic.

Yes, yes, I know a classic seraphim aesthetic varies, don't come for me, classical theologists, we all know what people associate with do not be afraid "true-form" angels.

The model wears a silky black dress with thin straps and a plunging sweetheart bodice that extends all the way to the floor. The silhouette of the dress is slightly mermaid, with lacy cutouts just under the breasts and across the hips.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

IRIS VAN HERPEN FALL 2025 COUTURE COLLECTION [1/3].

$The model wears a floor-length white gown with numerous ruffles and pleats in fin-like patterns that form a short train that drags behind them. The gown has lasercut organic designs that crawl over the bodice and torso of the dress, forming delicate looped sleeves. The model wears a fractal lace mask with a long white veil. Iris Van Herpen is really going to stretch my limits of "splendiferous" descriptions with her gowns, strap in.$ The model wears a gown crafted in wave-like patterns around their body, ending at mid-thigh with an asymmetrical hem. The dress is made from ivory silk draped upside down wave-shaped casts, coated in a fine layer of resin to keep its cresting wave shape. The model wears handcrafted shoes, created by Rombaut, made of metal halos meant to echo the structure of sonar waves. “

The model wears a gown crafted in wave-like patterns around their body, ending at mid-thigh with an asymmetrical hem. The dress is made from ivory silk draped upside down wave-shaped casts, coated in a fine layer of resin to keep its cresting wave shape. The model wears handcrafted shoes, created by Rombaut, made of metal halos meant to echo the structure of sonar waves. “

The model wears a high-neck, sleeveless "mermaid" gown in light pinks, creams, and plums. The torso of the dress is made of numerous lasercut, organic designs while the skirt is made up of dozens of fin-like panels that end at ankle length.

The model wears a floor-length gown with a small train with pink, cream, and brown patterns. The dress has a structured bodice made of lasercut, organic forms in metallic pinks, with a skirt that "smears" into numerous ruffles. The model wears a dramatic bolero style jacket, with fin-like sleeves. The dress has a high fin on the back that frames the model's head. The model has delicate bangles and rings.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

PALMER HARDING RESORT 2026 COLLECTION [1/2].

The model wears a cotton dress shirt in an A-line silhouette, with a V-neckline that hangs open to the middle of the chest. The shirt has wide, flared sleeves with overlarge cuffs and a tailored lapel in white. The shirt has a light navy pattern. The model wears a dark denim button-up midi skirt with platform black open-toe sandals. The skirt has brown buttons up the front.

The model wears a cream, cotton dress shirt in an A-line silhouette, with a V-neckline that hangs open to the middle of the chest underneath a light blue, loose-body blazer cinched at the waist with a thin cloth wrap-around belt. The model wears loose trousers in a matching color.

The model wears a structured blue denim blazer, cinched at the waist, over a white dress shirt with a wide, flared collar. The sleeves of the shirt show underneath the sleeves of the blazer, with the former extending to the wrist and the latter ending just a few inches before it. The blazer is cinched at the waist with two brown buttons. The model wears relaxed trousers in alternating white and blue denim.

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

SEZGIN SPRING 2025 COLLECTION.

The model wears a dark blue sleeveless column top, with a scarf in the same fabric loosely wrapped around their throat. The shirt is decorated with a scattering of small brass-milled suns, inspired by the sun from the Kurdish flag dangling from the fabric. The name of the current collection is “counting sunsets at midnight,” which is the Kurdish version of counting sheep to fall asleep, inspiring another reference to the suns.

The model wears dark grey, knee-length bermuda shorts with a thin black belt and black leather slip-on dress shoes without laces.

The model wears a sheer white sleeveless column top, with a short ascot in the same fabric wrapped around their throat. They wear white ruched pants in nearly-sheer white fabric, gathered at the front of their legs. The gathers are asymmetrical, with the left one ending at the knee and the right one ending on the shin. They wear black leather dress shoes.

The model wears a mesh dress in a very light pastel pink. The dress has contrasting straps: the right one is thin, with a diagonal cut across the back, and the left one is wide and extra-long, wrapped around the model's neck like a scarf. The skirt of the dress has gathered ruffles, with the string of the gather dangling down.

The model wears wide-legged trousers in dark grey, and black leather heeled dress shoes.

The model wears a short-cropped dark grey vest without a shirt underneath, revealing their chest, arms, and a part of their stomach. The vest has hand-embroidered suns on it in red thread, inspired by the sun from the Kurdish flag and the name of the current collection.

The model wears dark grey knee-length bermuda shorts with two thin black belts and black leather dress shoes with buckled straps. PER THE DESIGNER: “The red is a reference to my Kurdish heritage,” explained Kivrim. “It symbolizes suffering in the flag. That should not be forgotten amid all the lightness that our fashion is supposed to have.”

no crying in the club (monaco)@sadaboutchiffon.bsky.social · last yr.

LENA HOSCHEK S/S 2025 "The New Romantic" COLLECTION.

The model wears a blue gingham dress with a corset-like bodice with a straight neckline. The dress is made of a light seersucker fabric, and the skirt is knee length. The model is wearing light pink heels. They are on their hip on the ground next to a pink flower push, cheekily tugging up the skirt of their dress to bare their legs. The styling is 50s inspired.

The model wears a red-striped summer dress in a wrap-style. The dress is made of seersucker fabric, with a V-neckline and standing collar. The dress is tied at the waist with a fabric belt with a white raffia buckle. The dress features hidden side seam pockets. The model leans on their hip beside a pool, head throwing back as they laugh. They have bright red lipstick, a 50s inspired look, and are pulling off a pair of dramatic pink sunglasses. They wear white heels.