Sam Woolfe

@samwoolfe.bsky.social

Freelance writer & author of Altered Perspectives: Critical Essays on Psychedelic Consciousness (2024). Interested in non-ordinary states, mental health, psychology, ethics, and film. Editor for https://psychedelics.community/ https://www.samwoolfe.com

New essay exploring a concept I call 'psychedelic apophenia', where connections are made between unrelated things so that we see psychedelics' influence everywhere. I look at Terence McKenna's Stoned Ape Theory, psychedelic theories of Christianity, and DMT-pineal gland theories.

Psychedelic Apophenia: Seeing the Influence of Psychedelics Where None Exists

Being passionate and enthusiastic about psychedelics – or even evangelical about them – can sometimes lead to seeing their influence everywhere. When you spend a lot of time thinking about these subst...

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I'm pleased to announce that I've signed a contract to publish my next book, Secular Ecstasy: Making Sense of Mystical Experiences Without the Supernatural. More details on publication timing to come.

I wrote about Mike Leigh's 'Home Sweet Home', his first collaboration with actor Timothy Spall and the last film he contributed to the BBC's Play for Today series. I discuss how it compares to the other bleak films he's more well-known for.

Home Sweet Home (1982): Mike Leigh's Bleakest Film?

Home Sweet Home (1982), a television film directed by Mike Leigh, part of the BBC’s Play for Today series, might be Leigh’s bleakest film. In it, the last of his contributions to this series, Leigh po...

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I wrote about psychedelic #horror, looking at films such as Midsommar, Mandy, Climax, and Altered States, how they depict bad trips and psychedelic cults, and what other aspects of the psychedelic experience could be portrayed through the lens of horror.

What is the Future of Psychedelic Horror?

I’m a big fan of horror, as well as the subgenre of ‘psychedelic horror’, in which the psychedelic experience or ‘psychedelic’ aesthetic’ is used to unsettle and terrify viewers. I’m also interested i...

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I recently rewatched Arrival. Here are some thoughts I had. I explore the film's connection to the Sapir-Whorf hypothesis in linguistics, the ontological turn in anthropology, Terence McKenna's DMT-inspired view of reality, and the tension between premonition and free will.

Language and the Perception of Time: Revisiting 'Arrival' (2016)

I recently rewatched Arrival (2016, Denis Villeneuve), adapted from Ted Chiang’s novella Story of Your Life, having first watched it five years ago. My experience, based on what I can remember, was di...

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My latest blog post is on how cultural factors and cognitive biases may cause people to embellish their psychedelic experiences. I explore the difficulty in knowing whether memory distortion has occurred, as well as what it means to say that a psychedelic experience has been 'embellished'.

How Much Do We Embellish Our Memories of Psychedelic Trips?

The embellishment of memories is a widespread phenomenon. Sometimes, the distortion of memory goes beyond embellishment and becomes fabrication: false memories are common, and they can be easily induc...

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In my latest blog post, I look at what anemoia (nostalgia for an era one didn't live through) can reveal about identity and culture – how it influences trends like the Y2K aesthetic, the resurgence of 90s and 2000s-style music, the manosphere, and tradwives.

Nostalgia for a Past Unlived: What Anemoia Tells Us About Human Psychology and Culture

Anemoia, a coinage from the writer John Koenig – author of The Dictionary of Obscure Sorrows – refers to a feeling of nostalgia for a time one didn’t live through. I previously wrote about why this fe...

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An article I wrote about the recurrence of car crash imagery in emo music – in track titles, lyrics, and music videos. I look at how this trend harks back to the 'teen tragedy songs' of the 50s and 60s. I also include a list of tracks featuring this theme.

Emo's Obsession With Car Crashes

Emo music is full of references to car crashes. When you’ve listened to enough of this type of music or watched enough music videos for emo songs, it can become apparent how recurrent this theme is in...

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Em dashes and semicolons (more so em dashes) have become associated with AI content nowadays, to the extent that writers avoid them, or are being told to avoid using them (or at least to cut down on their use). In this article, I argue why this is a loss to human writing and should be resisted.

Has AI Spoiled the Use of the Em Dash and Semicolon?

A client recently gave me some feedback on an article I wrote, and they picked up on my use of en dashes (in this piece, mostly to offset parenthetical information) and thought it best to avoid them, ...

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Some research has found that, for many people, psychedelics increase rather than decrease death anxiety. In my latest blog post, I look at whether a triggering of apeirophobia (a fear of eternity or eternal life) may be one reason for this.

Psychedelics and Apeirophobia: Can Altered States Evoke a Fear of Eternity?

While one of the main recognised benefits of psychedelics is a lessening or elimination of the fear of death (particularly in those with a terminal illness), this effect is not universal. Indeed, a 20...

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An article I wrote on Brian Yuzna's amazing body horror films, including From Beyond (1986), Society (1989), and Silent Night, Deadly Night 4: Initiation (1990). I also explore the question of why people enjoy films that trigger a negative emotion like disgust.

Master of Disgust: Inside the Body Horror Films of Brian Yuzna

If Alfred Hitchcock is the ‘master of suspense’, then I think we can call filmmaker Brian Yuzna the ‘master of disgust’ (or at least, one of the masters in this subtype of horror). Born in 1949, the A...

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