Sarah Dean

@savdean.bsky.social

working-class film programmer & baby-scholar researching queer & trans film aesthetics — incoming PhD @ King’s College London

Pleased my article “Humanoids in Transition” for Film Matters was recognised with an Honourable Mention for the 2025 Masoud Yazdani Award for Excellence in Undergraduate Film Scholarship! Thank you to all the judges and the team at Film Matters for this honour @intellectbooks.bsky.social

A screenshot of the announcement that Sarah Dean received an honorable mention for their article “Humanoids in Transition”
Sarah Dean@savdean.bsky.social · last yr.

received a print copy of my peer-reviewed article on trans non-binary humanoids on-screen today! digital copy available via EBSCO's Film and Television Index

Photo of a hand holding open a copy of “Humanoids in Transition: Corrupted Binaries, Fluidity, and Embodied In-Between” by Sarah Dean

Fringe! 2025 kicks off THIS WEEKEND 🚨 🏃 Set the mood for what’s cumming with a peek at our lush trailer 👀 Head to our site to book your tix for all the films featured in the trailer + many more 💙💜💛 Trailer: Stephan Bless Music kindly provided by: Tom Rasmussen - There’s A Lot To Be Happy About

Last night I watched In The Mood for Love (2000) for the first time, a 35mm print at The Prince Charles (classic). Couldn’t help but notice some parallels in both the theme and visuals with Umbrellas (1964) — fitting given the period of Hong Kong history Wong Kar-wai hones in on.

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I adore how It’s A Wonderful Life (1946) depicts its angels. Clarence has waited 200 years for his wings, he’s reading Tom Sawyer, yet all we see is disembodied voices flowing from the stars.

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Only two more days until Lindsay Lohan’s third hallmark-esque seasonal movie drops! Still praying my spec “Easter Parade” gets lifted from Letterboxd 🤞🤞🤞

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