Seventh Row

@seventhrow.bsky.social

A place to think deeply about movies | J. Trier, Reichardt, Sciamma experts | We write film ebooks 📚 We podcast🎙 | Latest ebook: subjectiverealities . com

I podcasted on two of the queer/trans films I saw at #TIFF50 They got me thinking about what kinds of stories we get about queer and trans lives in different parts of the world — and how those stories are told. (Questions we'll keep exploring at Living Out Loud next week!) Some thoughts 🧵

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THE CHORAL (which had its world premiere at #TIFF50 and stars the always excellent Ralph Fiennes) has queer characters and queer creatives. But is it a queer film? That’s the question I unpack in Ep. 183 of the Seventh Row podcast. seventh-row.com/2025/09/18/e...

Ep. 183 The Choral (TIFF 2025): When queer characters don't make a queer film - Seventh Row Film Podcast

On this TIFF podcast, Alex discusses Nicholas Hytner's film The Choral, starring Ralph Fiennes and reclaiming vs. sanitizing history

seventh-row.com

BETWEEN DREAMS AND HOPE at #TIFF50 got me thinking about how bureaucracy shapes queer + trans lives — especially in medical contexts. I unpack that in Ep. 181 of the podcast, alongside two other films. 🧵 (And yes, it connects to Living Out Loud 👇) seventh-row.com/2025/09/09/e...

Ep. 181 Between Dreams and Hope and queer and trans survival (TIFF 2025) - Seventh Row Film Podcast

A rewatch of Far from the Madding Crowd sparks this podcast episode about women’s stories, romance, and what else they could centre.

seventh-row.com

🎬 What stories are being told about queer and trans lives — and what's still missing? That’s the jumping-off point for Living Out Loud, an online summit on queer + trans stories in film, theatre, TV, and history. 📅 Oct 3–5, 2–4pm ET 💻 Free + online 👉 Save your seat: seventh-row.com/livingoutloud

Living Out Loud A FREE 3-day online summit about queer and trans stories — how they’re told, how we find them, and why they matter. Join us to explore:
 🎬 The films, shows, and plays telling queer and trans stories today
 📚 The historical and cultural context that shapes how we see them

🗣️ Every session includes a Q&A — your questions  + ideas shape the discussion.
📅 Each day offers a new lens: history, storytelling, and a live film discussion.

 🗓️ Oct 3–5 | 2–4pm ET | Free on ZoomDay 1 – Reclaiming Queer + Trans History
 
Friday, Oct 3 | 2–4pm ET

Why does knowing queer and trans history matter?

And how do film, theatre, and archives help us reclaim it?
Join a panel of historians, educators, and artists to explore:
 📌 How history shapes the stories we see today
 📌 What gets erased — and what’s being recovered
 📌 How personal memory, art, and academia intersect

Featuring:
Elspeth Brown, Emily Garside, Anamarija Horvat, Angelo Madsen
Day 2 – Queer + Trans Stories On Screen

Saturday, Oct 4 | 2–4pm ET
What queer and trans stories are getting told on screen — and what makes them resonate?

We’ll explore:
🎞️  Why so many great queer films fly under the radar
🧠  How context + history shape how we experience them
💬  Why these stories can hit home — even if they’re not about us

Featuring a panel of film and culture critics:
C.J. Prince, Kyle Turner, Lena WilsonDay 3 – Watch + Discuss a Queer Short Film

Sunday, Oct 5 | 2–4pm ET 

We’ll screen a rarely seen but incredibly rich hybrid doc-fiction queer short film — then unpack it in a facilitated group discussion led by host Alex Heeney.

🎬 This session brings together the themes from Days 1 & 2: reclaiming history + what queer and trans stories get told
🧠 You’ll notice things you wouldn’t on your own — and hear what others saw, too. 
💬 Come curious. Leave with deeper insight, new questions, and a new deep cut. 👀

One of the smartest things about the Langley sequence in Mission: Impossible (1996)? The way it builds tension from something as tiny — and human — as a single drop of water. That cold drink on the table? It’s not just set dressing. It’s foreshadowing.

In this podcast excerpt, we unpack how the very first scene of Mission: Impossible doesn’t just kick off the action — it sets the tone for everything that follows. 👀 Someone’s always watching. 🎭 Everyone’s performing. 🎥 And spycraft? It’s just filmmaking with higher stakes.

One of the things that makes Mission: Impossible (1996) land? The writing. The characters’ motivations make sense. The plot is straightforward without being over-explained. We’re told the plan — and then we get to track how it unfolds, step by step. 🎧 In this clip, @amuredda praises the writing.

In Jane Austen Wrecked My Life, Agathe dances through a Paris bookshop — past shelves lined with red books. Not by chance. In the episode, I discuss how subtle choices like that shape the film’s emotional world. 🎧 For when you’re in the afterglow — or wondering if this one’s for you.

Part 2 of me talking about Jane Austen Wrecked My Life. This time: the bookends. What the opening + closing scenes reveal — about hiding out from life, and maybe coming back to it. 🎧 For when you want to live in the afterglow of a great film.

#Cannes25 has begun! While everyone's focused on the Palme d'Or contenders, there's a whole world of incredible cinema waiting to be discovered beyond the main competition. On the podcast, we dive into how to navigate Cannes like an insider (even from home).

Navigating Cannes beyond the Competition- Seventh Row Film Podcast

On the podcast, Alex pulls back the curtain on how the Cannes Film Festival works and why you should be looking beyond the competition

seventh-row.com

It's a little-known fact that some of the most important films in cinema history that have screened at Cannes didn't actually screen in the Official Competition. E.g. Akerman's Jeanne Dielman screened in the Directors' Fortnight. So many gems hide out in the festival's sidebars.

One of my favorite podcasts discusses THE WEDDING BANQUET, a film I enjoyed seeing this week. I saw it followed by ON SWIFT HORSES, which turned out to be a great double feature. 📽️ #FilmSky

Seventh Row@seventhrow.bsky.social · last yr.

Listen to the full episode here: seventh-row.com/2025/04/25/e... @bwestcineaste.bsky.social delves into why this film is a delight, how thinking about the film as a work of adaptation can open it up even more, and what she loved about Ahn's direction (the blocking! the sound! the editing!).

What do we love about David Cronenberg's films? "Regardless of what genre he's currently ostensibly working in, his movies are about talking and about working through ideas." -@amuredda.bsky.social In this clip, Angelo gets at so much of what makes Cronenberg's films great.