Shreya Gupta

@shreyagupta.bsky.social

AHRC CDP PhD student at Exeter and Ashmolean Museum researching the history of collecting coins in colonial India https://linktr.ee/Shreya.gupta11

Visited the Jameel Prize exhibition at the V&A and loved all the displays but as someone researching museums history and thinking of what an alternative museum could look like, Khandakar Ohida’s uncle’s conception of dreaming his own museum was so evocative.

Description of Dream Your Museum, winner, by Khandakar OhidaBild

Koloman Moser (1868–1918) was one of the leading artists of the Vienna Secession movement, alongside Josef Hoffman, Otto Wagner and Gustav Klimt. In 1901, the artist was approached by the Austro-Hungarian Bank to design new banknotes. This painting marks the beginning of Moser’s creative journey.

A draft painting for a banknote featuring the head of a woman.

This excellent article by @suryabowyer.com, Shreya Gupta, @libertypaterson.bsky.social , and Niti Acharya includes a generous reflection on AHRC funded work in collections, and a challenge for the future @hisjournalha.bsky.social

As we have seen, the fields of the history of collecting and the history of institutions are diverse yet often entwined. By analysing the work of a new generation of scholars – under the auspices of the CDP scheme – this article has charted recent research trends and looked forward to future directions in these fields. That future is a thrilling one. Collecting institutions are increasingly motivated to examine their colonial histories and the provenance of their objects. This provides research opportunities across academia and the museum sector. Digital tools increasingly aid this work. Recent developments in network mapping have been particularly fruitful, and we are seeing an increasing use of quantitative methods when investigating collections and their histories. Artificial intelligence (AI) is already used by the commercial sector and by a handful of larger public institutions such as the Wellcome, though it is usually deployed in very limited contexts. As research continues and AI becomes integrated into more areas of everyday life, we shall see an increasing number of institutions deploying AI to help analyse and make sense of collections data at a scale that was not previously viable. The ‘raw materials’ of history – to return to Burgess's metaphor – are becoming better understood as well as more readily accessible. The future of looking back at the past is bright.
History: The Journal of the Historical Association@hisjournalha.bsky.social · 2y ago

#skystorians New article drop! A 'State of the Field' reflection on The History of Collections and Institutions by Surya Bowyer, Shreya Gupta, Liberty Paterson, and Niti Acharya. OA doi.org/10.1111/1468...

"The history of collecting has sometimes been understood as the history of individual collectors. But collecting institutions (e.g., museums) are worthy of attention because they profoundly impact why we, as historians, look at some things and not others." onlinelibrary.wiley.com/doi/full/10....

State of the (Future) Field: The History of Collecting and Its Institutions

This article considers the state of the field of the history of collecting and its institutions. Following on from a 2021 ‘state of the field’ article, also published in this journal, the present pie....

onlinelibrary.wiley.com