Christopher Smith

@christophersmith.bsky.social

University of St Andrews; Executive Chair, Arts & Humanities Research Council; International Champion and Creative Industries Sector Champion UK Research and Innovation All views my own, but none of the poetry.

Finding beauty in everyday life: Jean-Baptiste-Siméon Chardin (1699-1779), French painter of tranquil, luminous still-life & genre scenes, admired by Manet, Cézanne, Matisse and Proust. La Fille de Cuisine 1738, NGADC | Panier de Pêches, avec noix, couteau, verre de vin 1768, Musée du Louvre

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'The purpose of each project will be to develop new international research led by and grounded in the humanities and/or social sciences, to further understanding of mobilities. Genuinely productive and integral interdisciplinarity is a requirement'. Up to £300,000 over 2 years.

The British Academy@britishacademy.bsky.social · 2d ago

Are you interested in developing genuinely interdisciplinary piece of research? Applications for the International Interdisciplinary Research Projects, focused on the theme of ‘Mobilities’ are now open. Apply now: https://bit.ly/4y9wiwJ

Colour block banner promoting International Interdisciplinary Research Projects

In the course of a lot of social media I responded to a post about the cuts in arts and humanities with reference to the parallel conversation around STFC. This has understandably been interpreted as unfeeling towards that community. That wasn't my point but it was unhelpful so I apologise

And not just Exeter. At least 2 History Leicester FBAs have had to leave the University to stay in the profession due to risk of redundancy, and they won't be the only ones. The much broader issue affects thousands of excellent academics across a spectrum of disciplines (including STEM ones). 1/2

New British Academy fellows at risk in Exeter jobs cull

Being at the ‘top of your game’ no guarantee of job security, warns decorated historian now facing the chop

timeshighereducation.com

Creative & performing arts subjects received £16.8 million SPG 2024-25; £12.9 million in 2025-26; £ O million in 2026-27. The University of Creative Arts will thus lose half of its government funding this year; Art University Bournmouth 40.7%, Norwich U of Arts 40.4% and Leeds Arts U 30.3%. 1/2

Arts institutions hit hard as OfS details teaching grant cuts

University for the Creative Arts loses more than half of its funding after support for creative subjects reduced to zero

timeshighereducation.com

apart from making the case implicitly for the Scottish degree (!) the one thing to add perhaps to @jimdickinson.bsky.social 's super piece here is an analysis of why we chose the modularisation / semesterisation path we did and if there was another turn in that road wonkhe.com/blogs/curric...

Curriculum reform is a wedge issue

With curriculum reform converging on fewer, larger modules across the sector, Jim Dickinson argues that consolidation solves institutional problems while reallocating regret onto students least able t...

wonkhe.com

There's new Alice Oswald coming: “I’m looking for the voice of poetry before it knows it is poetry, when it is still improvising itself out of human emergency and memory and the song of the seed-sower and the bone violin... The word poetry is not wild enough to hold them all."

Rhapsody: A Manifesto

A daring, genre-defying work of nonfiction from one of our greatest poets. Alice Oswald goes in search of poetry in its original, wildest form—before it was written down, before it belonged to a single voice—and finds it still speaking all around us. “I’m looking for the voice of poetry before it knows it is poetry, when it is still improvising itself out of human emergency and memory and the song of the seed-sower and the bone violin. . . . The word poetry is not wild enough to hold them all,” she writes. What begins as an attempt to “interview” Homer becomes a wide-ranging exploration of an anonymous tradition that exists beyond authorship, spanning a world of singers, storytellers, mourners, and listeners, of nightingales, grasshoppers, and rivers. Zigzagging through ballads, riddles, pibrochs, drama, interviews, artificial intelligence, and sonnets, Rhapsody is a restless, miraculous exploration of poetry in its most vital form, and a resounding manifesto for the oral tradition. At once intimate and expansive, Oswald invites us to listen to the voices that shape us, and to recognize poetry not as a solitary, written art, but as a communal, essential human inheritance.

ptreyesbooks.com