The Film Stage

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Your spotlight on cinema since 2008.

"Taking something that we cannot typically see and then, through its movement, being able to confirm its existence—to show us and reassure us that it’s actually there—is very much akin to cinematic expression itself." Kiyoshi Kurosawa talks with Nick Newman:

See the Invisible Become Visible: Kiyoshi Kurosawa on The Samurai and the Prisoner

In his 1958 essay "Is It a Breakthrough? (The Modernists of Japanese Film)," Nagisa Ōshima called the period drama, or jidaigeki, “closely tied to the consciousness of the Japanese people." While subs...

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"That’s a real problem in [film] criticism today because people have this idea that because they can understand why the story affects them the way it does, it therefore didn’t work." Christopher Nolan gives his most fascinating interview yet on the philosophy behind The Odyssey:

Christopher Nolan on the Flaws of Film Criticism and the Shared Philosophy of Oppenheimer and The Odyssey

If you have already grown tired of the hundredth interview of The Odyssey team discussing what it was like shooting an entire film on IMAX cameras or capturing everything as practically as possible, t...

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Had a great time with CORPUS at #Fantasia2026. An effective drama about breaking patterns and discerning lust from jealousy with a dark supernatural mythology running beneath to add even more intrigue. Yellow Veil Pictures is on the case to secure a US distributor. My @thefilmstage.com thoughts:

The Film Stage@thefilmstage.com · 6d ago

A standout at this year's Fantasia Fest, Corrin Evans' feature debut #Corpus offers the perfect mix of narrative mystery and character drama that leads into blurred lines between sexuality and control. Read @jaredmobarak.com's Critic's Pick review: thefilmstage.com/fantasia-rev...