The Halt

@thehalt.bsky.social

Occasional poems, prose and photographs by Brian Lewis (editor/publisher, Longbarrow Press). 'East Wind' (2015) and 'White Thorns' (2017) published by Gordian Projects.

A walk from York to Goole, via the River Ouse, Bishopthorpe, the Trans Pennine Trail, Selby and Boothferry, 9am to 9.30pm Thursday 2 April 2026. An improvised, illustrated thread of indeterminate length, part reflection, part reconstruction. 1/

A64 underpass at Middlethorpe, City of York, Thursday 2 April 2026.

This Saturday, 2pm. I'm reading alongside @thehalt.bsky.social @rachelartsmith.bsky.social and Conor Rodgers as part of the Checked Out exhibition events programme. #Sheffield #poetry #prose #performance.

Emma Bolland@emmabolland.bsky.social · last yr.

Chuffed to have two installations in the exhibition Checked Out, curated by Thomas Griffiths in #Sheffield. I'm reading a related script in progress as part of the events programme on the 12th. Free, all welcome! www.eventbrite.co.uk/e/checked-ou...

A large gallery showing an installation of hapazardly piled painted boxes and lighting gels in oranges, browns, and blacks.

"At Bamforth Street tram stop the grass is banked with daffodil clumps and clouds of white blossom drift down from the crescents. My head is full of microns and kerning, little pencilled notes left over from the new book, 21mm margins, 13.9pt leading over 10.5pt text." 'Local Distribution'

"After my grandfather died, my mother discovered a cache of greetings cards in his desk drawer, birthdays and anniversaries, all of them stamped, unaddressed, unwritten. Occasions yet to come. This is what he remembered in a year of oesophageal cancer." 'Local Distribution'

"The mailer had made three or four tours of the postal network. I tried to work out the stages, the full itinerary, from the layers of handwritten and printed shipping labels and postage labels, I could only be certain of where it had ended up, the last known address." 'Local Distribution'

"To see the deciduous street tree, to see it from your window, always coming into leaf, even when it is not leafing, even when the leaves have gone, the idea of it and the eventual return, and then, one day, not to be there to see it, not to be there at all." 'Local Distribution'

"The gradient drops out and the houses on my left sink below the boundary walls and I decide that street trees are public amenities. Handmade posters in the upstairs windows, even now, are they fresh or just clinging to the light, a burst of yellow at the end of the road." 'Local Distribution'

"If blanks in the front matter are the book drawing breath then blanks in the end matter are the book exhaling. I often leave the last two pages blank for this reason. A blind folio need not be blank at all. It can be any page without a printed number." 'Local Distribution'

"The unwritten history of one borrowed book, a life out on loan, passing through other lives, across the city, beyond the city, wherever it is needed, no shelfmark, no bookplate, no due date. Slow distribution. Person to person. The map, or maps, that could show it all." 'Local Distribution'

"I think of the decisions forced by indecision, when it seemed that there were no good or right decisions, pick one, not that one, pick another, quick, the moment is passing. The moment passes and the decision is made or unmade and the future happens anyway. " 'Local Distribution'

"A bookmaker didn't make books, or lend them, or sell them, there were almost no books in the bookies. There was one book and it was kept behind the counter. It started off blank, pages of prophecies that would be proved true or untrue, the book of books had to balance." 'Local Distribution'

"In later years, when I was lost, or troubled, I would find my way back to the encyclopaedia, any volume, any page, everything you wanted to know. Entries that refer you to other entries. Subsections and colour-coded maps. It was organised and random. An index of solace." 'Local Distribution'

"I forget that my father was colour blind. It was explained to me as a child, I tried to imagine what it would be like to name a world without greens or reds, a uniform, for example, or a post box, but all I could see were pencilled greys where the colours should have been." 'Local Distribution'

'To speak of class, if we speak of it, is to qualify it, at times defensively, at others apologetically, because class is never as simple as class. You can't think with it for long before it starts to slip. You can't confer it on yourself. You can't confer it on others.' ('Local Distribution')

'The books of the Merit Students Encyclopedia were uniform in size. The volumes were divided by words, not letters, and the words were printed on the spine. BAT CAIRO. CLOISTER DIGITALIS. MASS MUSES. When I was old enough to open the books I reached for REVERE SHINTO.'

The gilt-stamped, faux-leather spines of the Merit Students Encyclopedia (volumes 9-18 )

'The books of the Merit Students Encyclopedia were uniform in size. The volumes were divided by words, not letters, and the words were printed on the spine. BAT CAIRO. CLOISTER DIGITALIS. MASS MUSES. When I was old enough to open the books I reached for REVERE SHINTO.'

The gilt-stamped, faux-leather spines of the Merit Students Encyclopedia (volumes 9-18 )