The Kaiju Papers

@thekaijupapers.bsky.social

Our research asks: what might the future(s) be like if humankind were to implement lessons from Kaiju about love, anti-fascism, the world, and ourselves? subscribe: thekaijupapers.com

We are so honored by @derekbgayle.bsky.social, who is ALSO doing fascinating, insightful, and important work over THERE! We love writing postcards to our board members.

DareBear@derekbgayle.bsky.social · last wk.

Love getting these personal postcards from @thekaijupapers.bsky.social with absolutely gorgeous art! They are doing some truly fascinating, insightful and important work over there and are very worth supporting! I'm so excited for the new literary magazine!

Two postcards with beautiful Godzilla art on them

The first issue of The Kaiju Papers Literary Magazine comes out Friday! Be sure you’re subscribed at thekaijupapers.com We love our contributors and we think you will, too!

The Kaiju Papers

Building better futures with Kaiju & friends

thekaijupapers.com

Eliseo FG. McCarthy@eliseofgmccarthy.bsky.social · last wk.

Super pleased to say that @thekaijupapers.bsky.social and Doctor Professor Haysay have included me in their Kaiju magazine, which will be available at www.thekaijupapers.com , will be releasing the 31st of July! I hope yall are as excited as I am to see what else is in store! 🦖👑

Great new field report! The Kaiju Papers are awesome, and this adds really important context to the racialization of the Faro Islanders in KKVG '62. Read!

The Kaiju Papers@thekaijupapers.bsky.social · 2w ago

FIELD REPORT No 16 is available: www.thekaijupapers.com/kaiju-field-... Lessons from King Kong vs. Godzilla '62 about the Ainu people, the fact that everything is connected, silence is a political choice, hyperproductivity and capitalism, and how getting on a train in a monster movie is a bad idea.

FIELD REPORT No 16 is available: www.thekaijupapers.com/kaiju-field-... Lessons from King Kong vs. Godzilla '62 about the Ainu people, the fact that everything is connected, silence is a political choice, hyperproductivity and capitalism, and how getting on a train in a monster movie is a bad idea.

KAIJU FIELD REPORT No. 16

Lessons for humanity from King Kong vs. Godzilla (1962) about the Ainu people, the fact that everything is connected, silence is a political choice, hyperproductivity and capitalism, and how getting o...

thekaijupapers.com

NEW TKP ART AVAILABLE: Based on Kaiju Field Report #4, on Godzilla: King of the Monsters (1956), @kmarigold.bsky.social transports us to an alternate a past in which 1954's Godzilla had been released in an untouched and unbiased format. Access here: www.thekaijupapers.com/snapshot-196...

Snapshot, 1966 Kari (Marigold) Cadenhead

Imagining a past in which 1954's Godzilla had been released in an untouched and unbiased format.

thekaijupapers.com

Egg presents: a bibliography for Kaiju Field Report 13, which offers lessons for humanity from All Monsters Attack (1969) about pollution and knowing who the real monsters are, the importance of imagination, the merits of practicing skills, dethroning “innovation,” and a reminder of our capability.

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We watched I Love Boosters last night, and I can't remember the last time a movie made me this happy without having Godzilla and King Kong boxing. Completely fucking delightful, and doing shit that no one else is.

FIELD REPORT No. 13, which explores the lessons offered in All Monsters Attack, is now available. We learn about knowing who the real monsters are, imagination, the merits of practicing skills, dethroning “innovation,” and a reminder of our capability. www.thekaijupapers.com/kaiju-field-...

KAIJU FIELD REPORT No. 13

Lessons from All Monsters Attack (1969) about pollution and knowing who the real monsters are, the importance of imagination, the merits of practicing skills, dethroning “innovation,” and a reminder o...

thekaijupapers.com

Alert! We have been informed by a man on the internet that we are “not cut out for this” and that we “do not understand Godzilla.” We have also been informed that there is NO WAY people like what our work. We take this as a sign that our anti-fascist work is ruffling the appropriate feathers.