Tim Grierson

@timgrierson.bsky.social

Senior U.S. Critic for Screen International. Member: LAFCA and NSFC. Frequently in the Los Angeles Times, Rolling Stone, Vulture, the A.V. Club and RogerEbert.com. Author of "This Is How You Make a Movie." Q&A moderator. Contact: timothygrierson@gmail.com

On their own, neither Nathan Fielder nor Lance Oppenheim has ever made anything as singular as YOU CAN SEE EVERYTHING. It's a funhouse mirror, a psychological thriller and one of the most haunting things I've seen in a good long while. Here's my review.

‘You Can See Everything’ review: Disgraced Theranos CEO Elizabeth Holmes proves a slippery subject for fascinating documentary

Nathan Fielder and Lance Oppenheim's knotty feature opens in the US on October 16

screendaily.com

I'm not naive enough to actually believe this will happen, but Democrats could be preparing, right now, lists of impeachment charges against (at a bare minimum) Hegseth, Kennedy, Mullin, Patel, Blanche, & Trump, as well as Bondi, Bovino, & Noem (still worth doing!) that rely purely on public facts,

I've seen Reed Van Dyk's ATONEMENT twice now, and I'm struck by how fair it is to its three main characters, who couldn't be more different but are inextricably connected by a deadly firefight during the Iraq War. I reviewed this modest beauty for the @latimes.com.

Review: Three lives linked by wartime atrocity come together in the painfully honest 'Atonement'

Based on a subtly powerful New Yorker story, writer-director Reed Van Dyk’s debut drama picks up where most Iraq war movies end, exploring aftermath.

latimes.com

Not since MEGALOPOLIS have I encountered a film like DIGGER, which similarly has massive ambitions to tell a sprawling story about The Way We Live Now. In both cases, I don't think the final product works at all, although I do find each movie genuinely fascinating in its failure.

‘Digger’ review: Tom Cruise fails to convince as a bullish Texas oilman in Alejandro G. Iñárritu’s ambitious misfire

John Goodman, Riz Ahmed and Sandra Hüller also star in Iñárritu's audacious, shallow satire

screendaily.com

Not since MEGALOPOLIS have I encountered a film like DIGGER, which similarly has massive ambitions to tell a sprawling story about The Way We Live Now. In both cases, I don't think the final product works at all, although I do find each movie genuinely fascinating in its failure.

‘Digger’ review: Tom Cruise fails to convince as a bullish Texas oilman in Alejandro G. Iñárritu’s ambitious misfire

John Goodman, Riz Ahmed and Sandra Hüller also star in Iñárritu's audacious, shallow satire

screendaily.com

In honor of it being the opener for this year's New York Film Festival, here's my Cannes review of PAPER TIGER, in which James Gray gets terrific performances from Adam Driver and Miles Teller, who both play against type as brothers unintentionally orchestrating their own destruction.

‘Paper Tiger’ review: Adam Driver, Miles Teller and Scarlett Johansson drive James Gray’s textured 1980s crime thriller

Gray's Cannes Competition premiere unfolds in 1980s Queens

screendaily.com