Trylove, A Movie Podcast

@trylovepodca.st

Not affiliated with @trylon.orgโ€ฆ officially. Email us at trylovepodcast@gmail.com! @nintenduf.us @codynarveson.bsky.social @punishedtake.bsky.social @aarbypls.bsky.social https://podcasts.apple.com/us/podcast/trylove/id1449848155

๐•†๐•ฃ ๐•–๐•๐•ค๐•– ๐•š๐•ฅ'๐•๐• ๐•Ÿ๐•–๐•ง๐•–๐•ฃ ๐•˜๐•–๐•ฅ ๐•—๐•š๐•ฉ๐•–๐••. THE HOLE (1998) was Tsai Ming-liang's vision of the year 2000: A time when people would be so smashed together, they became lonelier than ever. Good thing we avoided THAT, right? Check out today's episode! (links in ๐Ÿงต)

๐š†๐š‘๐šŠ๐š๐šŽ๐šŸ๐šŽ๐š› ๐š‘๐šŠ๐š™๐š™๐šŽ๐š—๐šœ ๐š‘๐šŠ๐š™๐š™๐šŽ๐š—๐šœ. By keeping the focus squarely on its subjects โ€” teens living rough on the streets of Seattle โ€” STREETWISE (1984) doesnโ€™t feel like a product of its time, but of a pervasive social condition that still haunts today. (links in ๐Ÿงต)

๐™’๐™š ๐™ก๐™ž๐™ซ๐™š ๐™›๐™ค๐™ง ๐™ฉ๐™ค๐™™๐™–๐™ฎ. COOLEY HIGH (1975) influenced a generation of artists, from Spike Lee and John Singleton to Boyz II Men, because of its delicate balance between fun hangout vibes and "capital-I issues." Check out our latest episode! (links in ๐Ÿงต) #filmsky #movies #podcast

So incredibly happy with how this incredibly stupid and incredibly evil episode of the podcast came out I love having dear friends on the podcast and then surprising them with an elaborate bit like โ€œme and Violet will be in character as the hosts of X-Play the entire time weโ€™re recordingโ€

Indieheads Podcast@indieheadspod.bsky.social ยท 4w ago

On this episode, we're joined by @tagreathouse.bsky.social to talk about how G4 taught us that being a nerd can be cool. Support us on Patreon for as low as $1/month to hear/watch this episode over 48 hours early: patreon.com/IndieheadsPodcast/

๐™ผ๐šŠ๐šข๐š‹๐šŽ ๐šŠ ๐š–๐šŠ๐š—'๐šœ ๐š—๐šŠ๐š–๐šŽ ๐š๐š˜๐šŽ๐šœ๐š—'๐š ๐š–๐šŠ๐š๐š๐šŽ๐š› ๐šŠ๐š•๐š• ๐š๐š‘๐šŠ๐š ๐š–๐šž๐šŒ๐š‘. With F FOR FAKE (1973), Orson Welles did a career-spanning self-own and pioneered the video essay 30 years before YouTube. Tony Wagner is back from our episodes on ROGUE ONE (2016) and THE KEEP (1983) to unpack it with us! (links in ๐Ÿงต)

๐™‡๐™ž๐™›๐™š ๐™ž๐™จ ๐™ก๐™ž๐™ ๐™š ๐™ฉ๐™๐™š ๐™จ๐™ช๐™ง๐™›, ๐™จ๐™ค ๐™œ๐™ž๐™ซ๐™š ๐™ฎ๐™ค๐™ช๐™ง๐™จ๐™š๐™ก๐™› ๐™–๐™ฌ๐™–๐™ฎ ๐™ก๐™ž๐™ ๐™š ๐™ฉ๐™๐™š ๐™จ๐™š๐™–. Y TU MAMร TAMBIร‰N (2001) is operating on so many levels, we needed a new guest to cover it properly. Lauren Haun brings some much-needed 'study abroad girl' energy to Trylove to discuss Alfonso Cuarรณnโ€™s breakout road dramedy! (links in ๐Ÿงต)

๐™‡๐™ž๐™›๐™š ๐™ž๐™จ ๐™ก๐™ž๐™ ๐™š ๐™ฉ๐™๐™š ๐™จ๐™ช๐™ง๐™›, ๐™จ๐™ค ๐™œ๐™ž๐™ซ๐™š ๐™ฎ๐™ค๐™ช๐™ง๐™จ๐™š๐™ก๐™› ๐™–๐™ฌ๐™–๐™ฎ ๐™ก๐™ž๐™ ๐™š ๐™ฉ๐™๐™š ๐™จ๐™š๐™–. Y TU MAMร TAMBIร‰N (2001) is operating on so many levels, we needed a new guest to cover it properly. Lauren Haun brings some much-needed 'study abroad girl' energy to Trylove to discuss Alfonso Cuarรณnโ€™s breakout road dramedy! (links in ๐Ÿงต)

๐‘Šโ„Ž๐‘Ž๐‘ก ๐‘˜๐‘–๐‘›๐‘‘ ๐‘œ๐‘“ ๐‘‘๐‘Ÿ๐‘’๐‘Ž๐‘š ๐‘–๐‘  ๐‘กโ„Ž๐‘’ ๐‘œ๐‘›๐‘’ ๐‘ฆ๐‘œ๐‘ข'๐‘Ÿ๐‘’ ๐‘”๐‘œ๐‘–๐‘›๐‘” ๐‘ก๐‘œ ๐‘š๐‘’๐‘’๐‘ก? THE RED SPECTACLES (1987) is a Kafkaesque egotistical odyssey with as much slapstick as poetry. Shakespeare in one scene, diarrhea in the next. @kinoventura.bsky.social suits up for our episode on the newly remastered cult classic! (links in ๐Ÿงต)

plugging my essay here: www.perisphere.org/2026/06/28/i... if you want another perspective on Kowalski's "nothing left to lose" kind of persona, which I interpret as the ultimate loss of control in his life

I Dreamt I Killed the Jaguar โ€“ Perisphere

|Finn Odum| I frequently dream about driving a car thatโ€™s lost control. In these dreams, the driver is missing, and I am left trying to navigate a vehicle from the backseat. Usually, the car is in per...

perisphere.org

Trylove, A Movie Podcast@trylovepodca.st ยท 2mo ago

โ„๐•–๐•ช ๐•‚๐• ๐•จ๐•’๐•๐•ค๐•œ๐•š, ๐•ช๐• ๐•ฆ ๐• ๐•ฆ๐•ฅ ๐•ฅ๐•™๐•–๐•ฃ๐•–? The @trylon.org's summer series on road movies has fired the starting pistol, and VANISHING POINT (1971) is first up! Where one man sees the end of the road, the rest of the world sees the last beautiful free soul on this planet. In 2026, what do WE see? (links in ๐Ÿงต)

โ„๐•–๐•ช ๐•‚๐• ๐•จ๐•’๐•๐•ค๐•œ๐•š, ๐•ช๐• ๐•ฆ ๐• ๐•ฆ๐•ฅ ๐•ฅ๐•™๐•–๐•ฃ๐•–? The @trylon.org's summer series on road movies has fired the starting pistol, and VANISHING POINT (1971) is first up! Where one man sees the end of the road, the rest of the world sees the last beautiful free soul on this planet. In 2026, what do WE see? (links in ๐Ÿงต)

The summer heat is on at the Trylon (and on Trylove)! Wanna warm a guest seat? DM us! VANISHING POINT (1971) THE RED SPECTACLES (1987) in 4K Y TU MAMร TAMBIร‰N (2001) F FOR FAKE (1973) in 35mm COOLEY HIGH (1975) STREETWISE (1984) THE HOLE (1998) in 35mm EL NORTE (1983) in 4K ๐Ÿงต

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Physical media lives at the GKIDS Store! Get the details on four upcoming exclusives, just announced at #AnimeExpo. ๐Ÿ’ฅ ๐ŸŽธ LINDA LINDA LINDA ๐Ÿ““ LOOK BACK ๐Ÿฅš ANGEL'S EGG ๐ŸŽง LOVE & POP For a limited time, order from this collection by 7/6 and get 15% off! brnw.ch/21x3P9F

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๐™น๐šž๐šœ๐š ๐š›๐š˜๐šŒ๐š” โ€˜๐š—โ€™ ๐š›๐š˜๐š•๐š• ๐šŠ๐š—๐š ๐š๐š‘๐šŽ ๐š๐š›๐šž๐š๐š‘. Riot grrrl wasnโ€™t really a thing until the โ€˜90s, but LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982) had girl power (and a cast of real-life rockers) almost a decade earlier. Our new episode is all about this iconic entry in sellout cinema! (links in ๐Ÿงต)

๐‘พ๐’† ๐’˜๐’๐’โ€™๐’• ๐’†๐’๐’… ๐’‰๐’†๐’“๐’†. LINDA LINDA LINDA (2005) is near and dear to Trylove: A cult classic that worked its way into our hearts early in the pandemic, now finding its way back to remind us of what's gone and what was never there. It's a great episode! Not too maudlin! (links in ๐Ÿงต) #filmsky #movies

ALERT ๐Ÿšจ Federal agents are being seen across our community as they arrest observers. Let me be clear, alerting our neighbors about ICE activity is not a crime, observing is not a crime, and loving your immigrant neighbors is not a crime. 1/