Jamie

@vanjpes.bsky.social

Tired enthusiast. Mostly here to post about old television shows, films, comedy, books, and horror. Rambles and tangents on culture here: https://arowofopengraves.co.uk/

A little revisit to a great Dark Shadows episode, 210 (the one before Barnabas arrives). Some quality scripting, direction and framing, a cast nailing it, proper foreshadowing of its impending villain, and my favourite thing: a swaggering John Karlen graverobbing his way into television history.

Title card for Dark Shadows Screenshot of the portrait of Barnabas Collins on the left of frame, on the right Victoria and Liz reflected in a mirror as they discuss Willie Loomis’ fascination with Collins family history.Screenshot of Willie, in a crypt doorway, holding a torch he is shining at a coffin that is closed and bound with thick metal chains.Screenshot of Willie opening the coffin, a wild-eyed look on his face with something of the Dwight Frye about the expression

Three more days to see if I can sell four more copies to reach my goal of seven for this month!! \o/ See if it's the book for you! Or boost! because so many people who do not necessarily follow me have asked for a paperback over the years that I don't know how to ensure they all know there is one!!

Vex Corvine@vexcorvine.itch.io · last mo.

If you're the kind of goth that enjoys summer weather, you probably need a sickass beach read in the form of a fast-paced, foul-mouthed pulp about vampires, werewolves, and B-movie evil scientists performing monster eugenics. (If you're not goth, that's okay! You can get one, too.) 🌈📚💙🩸📚

Tonight’s 📽️ He Who Gets Slapped (1924, dir. Victor Sjöström). Filled in more of my Lon Chaney filmography with this wild tale of a scientist betrayed by his benefactor and his wife finding a new home in a circus as a clown who gets slapped, until the unlikely opportunity for revenge presents itself.

Stark poster for He Who Gets Slapped has the name set against a black background with only Chaney’s illustrated face in clown makeup with a look of anguish

Been a while since a good horror 📽️ so went for a favourite: House of Dark Shadows (1970, dir. Dan Curtis). Borderline incoherent, it’s a bloody treat for those familiar with the show. Gloriously unhinged, with beautiful production design and yet looking like it was shot in 48hrs, it’s a delight.

Poster for House of Dark Shadows (1970) shows several illustrations of events from the film alongside the taglines ‘Barnabas Collins, vampire, takes a bride in a bizarre act of unnatural lust’ and ‘Come see how the vampires do it’

Apparently, so I’ve been repeatedly told, I’m ‘weird’ and not like ‘normal’ people, but if it’s these ’normal’ people the BBC et al are getting to share their fuckwitted, baffling opinions on the news, you can keep the lot of them

It does mean new book day, and even if anyone dies in something like this, there’s a good chance they’ll pop up later on alive in the shower

A photograph of the book Love in the Afternoon, and Evening: Essays and Conversations on Soap Operas by Charlotte Druckman and Mayukh Sen, cover art of two people about to kiss by Evan Gaffney

Today's cemetery names: Ettle, Gerrish, Hermitt, Martifee, Munckton, Pebworth, Stiff, and, of course, Edna Beak. “A bitter grief, a shock severe/ To part with one we loved so dear.” #CemeteryNames [Video description: A fast zoom in on a headstone with an angel, grainy and analogueish.]

Happy BOTD…uh…day to Tod Browning (in 1880), one of the great, genuinely weird American filmmakers. Treat yourself to one of his silent pictures today, maybe one with Lon Chaney in it, but not this one, because it doesn’t exist anymore. Then read how fucked up Browning’s life was. You know, for fun.

Tod Browning, Lon Chaney, and Conrad Nagel on the set of London After Midnight (1927), Browning gawping at Chaney and Nagel’s creepy hand poses.

On a little journey through the original The Addams Family, and (by no means a novel thought) the way they love each other and are completely, thrillingly comfortable and comfortable in who they are - particularly Morticia and Gomez, apart and together- is beautiful. But, you know, with gags.

Jackie Coogan, John Astin, Marie Blake, Ted Cassidy, Carolyn Jones, Lisa Loring, and Ken Weatherwax posing in costume for The Addams Family (1964)

Still mulling over the weekend’s 📽️ Murder in Coweta County (1983, dir. Gary Nelson), a fascinating, unusual television movie retelling of a true crime story, with Andy Griffith in a heel turn as a thoroughly bad guy and Johnny Cash as the sheriff who won’t let him get away with murder.

Murder in Coweta County title cardScreenshot shows four men standing against or leaning on two 1940s period cars in a town square type area. A sign can be seen between the two cars saying CLEAN REST ROOMS in red lettering. The men are intimidating another man who is offscreen.Two cars on a country road, in pursuit of another vehicle out of sight, and in the foreground a sign reading COWETA COUNTYA sleepy eyed, stern looking Johnny Cash in the foreground, dressed in shirt, red tie, jacket and wearing a hat. He has a sheriff’s badge pinned to the jacket. He is in a prison corridor walking off while another man, dressed in a suit, watches him.

🧵The great James Burrows died today. I owe my TV career to him and to the Charles brothers. They read my first book and invited me to write a pilot. The result, Gloria Vane, was about a 1930s movie star. Jimmy directed. What does a great comedy director add that’s not on the page? One example: 1/

The TV comedy director sitting in a chair on a soundstage as cameramen behind him prepare to film a scene.

Up to the ‘Freaks, Geeks & Outsiders’ episode on a run through of History of the Sitcom, about the importance of different stories being seen, and apparently The Munsters and The Addams Family are about ‘freaks’ and ‘outsiders’? Not blueprints for how to live. Huh.

Poster for History of the Sitcom shows images from several sitcoms including I Love Lucy. M.A.S.H. and Black-ish.