Ry | Vinyl Fantasy Reviews

@vinylfantasy.bsky.social

Music Reviewer & Pigeon Lover | https://vinylfantasyreviews.co.uk/ | He/Him | ❤️ @bunnyjoost.bsky.social

Hot Take: Royal Blood peaked with Typhoons, and have spent the years since overcorrecting for all of the critics of that record, to the point now a lot of their material now just sounds like an OG Royal Blood tribute act. And by that I mean I’m really not a fan of Ten Over Ten.

People are getting so angry at the prospect that people might genuinely not know ‘Rein Me In’ by Olivia Dean and Sam Fender. It’s no slight on the musicians or people who listen to contemporary pop, but I genuinely do not recognise it, and have no real interest in the modern UK pop landscape.

Finally making the slow move off from streaming platforms, and I spent much of the afternoon ripping CDs. If you can ever afford a limited run of CDs, or can provide a digital download with vinyl/cassette formats, you are a god among musicians fr.

You can’t own anything physical anymore, everything is digital, you can’t own anything digital now, storage is too expensive, you cant stream anything because they took it off the service once their parent company got bought out, you can’t get a McFlurry because the machine is broken

If I catch any of you at these Brand New shows when there are so many other emo bands out there that are deserving of your time, attention, and money… I simply don’t think people who consciously abused their position of power should be permitted the privilege of returning to a position of power.

Muse, I’m just… not doing this? £148 for standing tickets? Before fees?? The exact same venue in November, I get to see Enter Shikari for £62. And that’s after fees. “This is just what to expect for top level artists now”. Why though? They are the artists that can actually afford to go cheaper.

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Ry | Vinyl Fantasy Reviews@vinylfantasy.bsky.social · 4mo ago

When Muse went from £110 for stadium to £120 for arena for an album I did not massively love… I didn’t go. The band who were my gateway to music. If it is worth it for you, power to you. But the companies don’t care if you complain about $300 tickets, only if they receive your $300.

If an artist you like is selling tickets for a price you think is too expensive, but you still buy them… you kind of forfeit the right to complain. ‘Nosebleeds cost $90! General admission costs $300!’ Okay, just… go see other musicians? Go see ten $30 shows, or hell, twenty local $15 shows.

Love seeing this from La Dispute. I stand on business regarding strobe lights: they’re non-essential, and make concert pointlessly less accessible. ‘Not having them ruins the vibe!’ Or maybe if you rely on strobes, your live set is a bit wank, eh?

A poster indicating that a concert will use low risk lighting, and that it is unlikely to pose a risk to photosensitive people.