Zanna Van Loon

@zannavanloon.bsky.social

Curator of rare books and manuscripts at Museum Plantin-Moretus ❦ Doctor in early modern history ❦ Book historian and bibliographer ❦ Research on the materiality of early modern books

Christophe Plantin printed a number of school editions, including Virgil’s Aeneid, with wide margins & generous line spacing for students’ notes. This copy is especially remarkable: it belonged to his grandson, the young Balthasar I Moretus. Judging by his aannotations, he was a diligent student!

Detail of two facing pages, on the left handwritten notes, on the right the heavily annotated printed Latin textTitle page of the book, reading ‘Pvbl. Virgilii Maronis Aeneidos Liber VI.’ It contains a woodcut engraving of Plantin’s printer’s mark and his imprint.The first page of the main text with notes in between the lines and margins facing an interleaved page filled with handwritten notes. Detail of het book with an ink stain.

Sometimes paper remembers more than it keeps. Three handwritten catalogues survive from the Plantin‑Moretus family library. This one is the earliest, compiled in 1592. Unfortunately, it has suffered from water damage: the first pages are only partially preserved and in places difficult to read. /1

First folio of the inventory, completely blank, but showing the water damage in the right corner spreading out in a brownish colour over a couple of pages with tears in the folios Detail of the first folio with several entries of books starting with the letter B. The water damage has made parts of the first entries illegible Close up of the water damage

Final page turn in our permanent display before we temporarily close. From August, Museum Plantin-Moretus will be closed while we work behind the scenes on a renewed presentation. If you’re planning a visit in the autumn, you’ll have to wait just a little longer… We reopen in early December! 💙📚📜

Frisket Fragment Find Friday 🎉 
Fragment of a frisket reused in a 17th-c. religious binding. Red printed text meant to be excluded remains visible, pointing to a liturgical context. The frisket itself is recycled from a liturgical manuscript. Also present: other fragments of printed binder’s waste.

Detail of the binder’s waste showing fragments of printed text, cut-out holes, red printed text on parchment and underneath music notes and a gothic script.Detail of a piece of parchment with cut-out holes and red printed text.Close-up of the red printed text on parchment and one cut-out holeThe two pieces of frisket fragment laid out horizontally

Just the type of thing to find in our collections: a sheet with rows of characters probably printed as a working proof to assess wear & damage. This would explain why no frisket was used: the sheet was not a type specimen intended for presentation to potential clients. #bookhistory #rarebooks 📚💙📜

Paper sheet with rows of characters, including the letters P, Q, m etc. Below furniture visible consisting of 8 printed blocks.Detail of the paper sheet focusing on the letters m in the middle, with one of the characters printed upside downDetail of the paper sheet focusing on the letters Q in the middle, showing visible wear

An unusually unlucky start to the day, as I lost a shoe between the platform & the train this morning (don’t ask), so things are looking up with some time spent with our newest acquisition: a rare copy of Plantin’s book of hours (1570) printed on parchment, bound in a contemporary fanfare binding!

Title page of the Horae beatissimae virginis Mariae printed on parchment in red and black with the imprint reading it was printed  in 1570,by Christophe Plantin in AntwerpDetail of the binding with a focus on the tooling in fanfare styleUpper cover of the binding with the intricate design on leatherTwo facing pages in the book with on your left blank space reserved for an engraving

Planned some cataloguing today, but didn’t expect to (re)discover this uncatalogued early 17th‑century specimen sheet comparing the same liturgical text in different type setting, with annotations noting the number of sheets required with that specific type and corresponding cost for printing!

Paper sheet with four different type settings of pages in liturgical books printed in black and red
Detail of two pages in different type but of the same text of a diurnum with handwritten notes belowDetail of a page of a breviary with a handwritten note below

Fictitious imprints deserve their moment. I’ll go first: 'Printed in the printing office of orthodox doctrine, by the heirs of Pope Juth, residing in Bricked‑Up Street in Rome, right next to the place where the excess good works of the Roman saints are sold for money, in the pissed‑out Purgatory'

Detail of the imprint reading:
 
Gedrukt in de verdruckerye der rechtzinnige leere, by de erfgenamen van Paus Juth, woonende in de toegemetselde straet tot Romen, aldernaest daermen de overtollige goede wercken der Roomsche Heyligen om ghelt verkoopt, in 't uytgepiste vagevier.
 

🌿🌾 You like gardens? You like history? And games? Then rejoice, because LOBELIUS is here! Thanks to official partners, Museum Plantin-Moretus and the Meise Botanical Garden, the players can skim through the 1581 Kruydtboeck by Matthias de l´Obel. Can you make the most beautiful early modern garden?

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#BookHistory gang, I *need* you to act. There had been one of an entire #ItsyBitsyGutenberg shop in 2022 and we didn't get it to the required number of votes 😭

Elizabeth Biggs@elizabethbiggs.bsky.social · 5mo ago

Hi #EarlyModern Bluesky - did you know that someone brilliant has built working printing presses using Lego and they are trying to get enough supporters so that Lego will release it as a kit? They look so cool! beta.ideas.lego.com/product-idea...