Albert Weale

@albertpweale.bsky.social

Emeritus Professor of Political Theory and Public Policy, UCL. Brighton born and bred. No longer resident, but still liberal. Expressed views mine only.

The Waterseller of Seville, 1618, by Diego Velázquez, great Spanish Baroque artist, died #OTD 1660. A waterseller passes a full glass of water, containing a Seville fig, to a boy; his left hand rests on a large thrown clay pot, glistening with water drops in the harsh light. ALT Apsley House, London

An acclaimed early work of Velázquez, reflecting the Spanish love of the bodegón genre - still-life compositions of rustic earthenware or stoneware pots, jugs and beverages, portrayed with monochromatic restraint. 
The potter’s hand on the wheel, is implicit in the ridges of the large ‘thrown’ glazed pot in the foreground, and provides a religious metaphor for the way God shapes our lives. 
In this context the quiet dignity of the waterseller himself (his poverty evident from the rents in his cloak) suggests a divine presence, dispensing water, symbol of purity, to a young boy.
There is no eye contact in the painting, but the full glass of cooling water containing the freshening fig (a custom of Seville), is held by waterseller and young boy, and provides a human connection.
The harsh lighting from the left deepens the dramatic contrast between the old man, and the young boy; reducing to a shadow the middle-aged bystander, between them, drinking from a water vessel.

In October, the Sheldonia Theatre in Oxford hosts English Melodies, including RVW's Lark Ascending. With the Oxford Philharmonic Orchestra, Roderick Williams, baritone, Ruth Rogers, violin & Anthony Robb, flute. Conducted by Martyn Brabbins Details 👇

English Melodies - Oxford Philharmonic Orchestra

No country’s music embodies a pastoral spirit quite like England’s. Join the Orchestra for their first symphonic concert of the season.

oxfordphil.com

View of Amsterdam, Oude Kerk from South, c. 1670, by Jan van der Heyden, Dutch Golden Age artist, engineer & inventor (1637-1712); painted detailed cityscapes, pioneered practical innovations in urban lighting, drainage & firefighting. Mauritshaus den Haag

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Chiswick House, English Palladian villa completed 1729, inspired by Palladio’s Villa Rotonda; designed by ‘architect Earl’ Lord Burlington, friend of Handel, patron of Pope, governor of Foundling Hospital. Chiswick House | Foundling Museum

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“Beware that, when fighting monsters, you yourself do not become a monster...For when you gaze long into the abyss, the abyss also gazes into you.” Friedrich Nietzsche, influential German philosopher (1844-1900). Jenseits von Gut und Böse 1886 | Portrait by Edvard Munch 1906, Thielska Gallery

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Cupola of the Chapel of the Holy Shroud, Turin, Italian Baroque masterpiece, built 1668-1694, designed by Guarino Guarini, architect, mathematician & priest (1624-1683), known for his use of complex geometry & innovative structural engineering techniques.

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Émilie du Châtelet, French Enlightenment mathematician & physicist (1706-1749); author of Institutions de Physique (1740), acclaimed translator of Newton's Principia. Portrait by Maurice-Quentin de la Tour, c. 1740 Château de Breteuil

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Finding beauty in everyday life: Jean-Baptiste-Siméon Chardin (1699-1779), French painter of tranquil, luminous still-life & genre scenes, admired by Manet, Cézanne, Matisse and Proust. La Fille de Cuisine 1738, NGADC | Panier de Pêches, avec noix, couteau, verre de vin 1768, Musée du Louvre

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Sacred harmony: Pieter Jansz Saenredam, Dutch Golden Age architectural painter & draughtsman (1597-1665); pioneer of ‘church portraits’, whose subtle, tonal compositions foreshadow abstract modernism. St Bavo Haarlem, 1635, Gemäldegalerie Berlin

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Perspective view of a young woman reading a letter c. 1670, by Samuel Dirksz van Hoogstraten, Dutch Baroque artist, pupil of Rembrandt, born #OTD 1627. He was known for experimental perspective views of interiors, with light & shadow defining architectural space and mood. ALT Mauritshuis, den Haag

A fashionable silk-gowned young woman reads a letter in an affluent Italianate entrance hall, while her King Charles spaniel protectively bars the spectator from entering. The space is defined by steps leading to a garden portico, with classical columns and statues on plinths, with access to a tree-lined path and a glimpse of a town house. The more private space behind her is revealed by a wrought-iron stair leading to a windowed room, with suggestion of a town house view.

Master of the poetic landscape: Thomas Gainsborough, English artist, died #OTD 1788; trained by Gravelot, associate of Hogarth & rival of Reynolds, he became a fashionable late 18th Century London portraitist. Mrs Richard Sheridan 1787, NGADC; Morning Walk 1785, National Gallery London

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The month of August Août, Château d’Étampes Falconry scene: elegant cortège à cheval leaves for hunt led by falconer; rustic haymakers & river swimmers in background. Les Très Riches Heures du Duc de Berry Painted on vellum, 1412-1416 Musée Condé, Château de Chantilly

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A courtyard in Delft, c. 1658, by Pieter de Hooch, Dutch Golden Age painter, whose domestic scenes with perspective views reveal subtleties of light & mood; a contemporary of Vermeer, he lived 1629-c 1679, worked in Delft and Amsterdam. National Gallery London

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Snowdon from Llyn Nantlle, c. 1776, oil on canvas, 1774, by ‘the Welsh Claude’, Richard Wilson born #OTD 1713; inspired by Italian travels & Claude Lorraine’s landscapes, he returned to Wales to paint sublime scenery; inspired Constable, Crome & Turner. Walker Art Gallery Liverpool

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In this BBC 2026 Proms season showcase, Georgia Mann introduces specially recorded performances from this year's Norfolk and Norwich Festival, including Vaughan Williams's Five Mystical Songs in the seldom-heard version for chamber forces. 📻 👇

BBC Radio 3 - New Generation Artists, 2026 Proms season showcase - Elizaveta Ivanova and Andrew Hamilton

Debussy, Poulenc and and Vaughan Williams from the Norfolk and Norwich Festival.

bbc.co.uk

Master of opulent still life: Willem Kalf, Dutch Baroque artist, died #OTD 1693; known for dramatic, glittering works, including this 1653 composition of lobster, glass goblets, oriental rug & Renaissance silver-mounted St Sebastian Horn of Archers Guild. ALT National Gallery | Amsterdam Museum

Known as ‘pronkstilleven’ opulent Dutch still life arrangements frequently included ornate silver, glass goblets, oriental carpets & china, fine damask napkins  - and curiosities such as nautilus shells. Kalf was regarded as the master of these compositions, with dramatic lighting, vivid colours, foreshortening and bold diagonals. 
In this painting his use of the late Renaissance silver-mounted horn of the Archers Guild (with sculptural figures of St Sebastian & soldiers) suggests that the painting might have been commissioned by this Guild.Late Renaissance silver-mounted buffalo horn of St Sebastian, the base with sculptural figures of the Saint & soldiers. Dated 1565, originally  belonging to the Archers Guild, with arms of Amsterdam. 
Identified as the St Sebastian horn in Kalf’s painting, it is now in the collection of Amsterdam Museum.
St Sebastian was a patron Saint of archers as he suffered martyrdom from arrows. 
The Guilds collected silver & other treasures for ceremonial banquets, in the same way as London Livery Companies.

Denis Diderot, French Enlightenment philosopher, savant, encyclopédiste, died #OTD 1784; co-edited first volumes of the Encyclopédie, a landmark work (1751-1772) in the secularisation, and democratisation of knowledge. Portrait by Louis-Michel van Loo, 1767, Musée du Louvre

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