Art Viewer

@arthistory.bsky.social

art historian with eclectic interests

When we don't adequately fund public universities, and instead force students to take out loans, what we as a society are really doing is borrowing money from the younger generation—their hard-earned future income—to fund a necessary project that benefits us all: building an educated society.

Mark Copelovitch@mcopelov.bsky.social · 2d ago

1. This is bullsh*t & an epically stupid policy completely detached from any empirical evidence: bsky.app/profile/mcop... 2. We could simply avoid this entire issue by <all together now> Funding. The. Damn. Public. Universities. Like. We. Used. To: bsky.app/profile/mcop...

"don't make enough money" is a fig leaf All those degree programs--social work, art, etc.--have disproportionately female student bodies. This is designed to make it harder for women to attend college--college education being a key factor in women's autonomy from men & left-leaning voting pattern.

The New Republic@newrepublic.com · 2d ago

President Trump is banning students majoring in degrees that don’t make enough money from taking out college loans. Degrees for social work, art, religious studies, teaching aides, and music will be hit the hardest. trib.al/aaAEu6v

This is the tragic yet logical result of a decades-long project—undertaken by rightwing politicians and “business-minded” administrators alike—to distort the meaning of higher education, to deny the intrinsic value of the pursuit of knowledge, to deprive us all of richer, more purposeful lives.

The New Republic@newrepublic.com · 2d ago

President Trump is banning students majoring in degrees that don’t make enough money from taking out college loans. Degrees for social work, art, religious studies, teaching aides, and music will be hit the hardest. trib.al/aaAEu6v

As a professor, I received a lot of pitches from textbook sales people pushing digital platforms (that cost more money). They were to a one completely flabbergasted that I didn't want to track students and every click they made.

Film criticism aside, Emily Wilson's review of the Odyssey concerned me because it misrepresents Late Bronze Age history and reinforces an old Eurocentric pattern of dismissing the experiences--and reality--of ancient peoples other than the Greeks.

Nolan’s other major addition to Homer’s narrative is the repeated reference to threats to ‘our civilisation’ from ‘the sea peoples’ – a now debunked 19th-century theory about maritime tribes who were thought to have attacked Egypt around 1200 BCE and to have also been responsible for the roughly coeval collapse of Mycenaean Greek culture. ‘Our civilisation is under attack,’ Penelope wails. Odysseus comforts her by saying that ‘Bronze Age civilisation’, including literacy, will rise again from the ashes. The current consensus, as Nolan clearly knows, is that there was no such thing as ‘the sea peoples’, and that the Greek-speaking world’s shift away from the more centralised, literate palace culture of the Mycenaeans in the 11th century BCE towards the fragmented social formations of the early Greek Iron Age was caused by a range of factors, including climate change, earthquakes and internal unrest. Nolan uses these competing historical theories to create a characteristic narrative twist about the identity of ‘the sea peoples’, which I will not spoil, though you can probably guess it.

My favorite Betye Saar quote was in a story I did in 2015 about how LA museums were then failing to engage her work. Her response: "They can’t wait and wait because then I’ll die and it’ll cost big bucks. Then they will pay for their hesitation.” Love her. www.latimes.com/entertainmen...

Column: Betye Saar's art on race couldn't be timelier. So why aren't more museums showing her work?

It's not for nothing that Betye Saar's traveling museum show is called "Still Tickin'."

latimes.com