Brett Martin

@brettmartin.bsky.social

GQ Correspondent, NYT Mag, NatGeo, Vanity Fair, Bon Appetit, Garden & Gun, This American Life, et. al. Author of Difficult Men: Behind the Scenes of a Creative Revolution. Three James Beard awards. https://linktr.ee/brettsy http://www.brettmartin.org

I find myself thinking of Rescue Me, which, to my mind, hasn't been sufficiently remembered for its place in the nascent stage of prestige TV or its early tackling of post-9/11 NYC.

Measuring “authenticity” is always slippery, but there’s no reason for the Times-Picayune to blame its loss on Frenchmen Street on “unlicensed street vendors” rather than property owners. Checkpoint Charlie’s just sold to a hotel developer; I’m not mad at dude hawking essential oils on the corner.

Screenshot of a news article from Nola.com:
The project delays are the latest of several headaches for
Frenchmen Street, which was the heart of the city's local music scene in the 1990s and 2000s but more recently has struggled to retain its authentic feel amid an influx of tourists in search of a
street-party scene and an increase in the number of unlicensed street vendors.

At one point in my life I had so few responsibilities, I put on a self-contained underwater breathing apparatus and went to look at the bottom of the ocean

Highly recommend having your birthday on the other side of the International Date Line. You get a whole secret birthday and then, around 9pm, good wishes begin rolling in, and it starts all over again.