Finished! “Trying Hard For Joy” 9”x12” watercolor and ink on paper All Rights Reserved ©️Emily Duffy #watercolor #paint #drawing #fineart #tradart #painting #abstract #aquerelle #abstractart #colors #traditionalart #artistsofbluesky #ink #wip
This is one of my favourite cartoons from Famous Studios. The music the nephews are playing is a bop and is well timed too as Popeye keeps peeping in and out of their room fails to catch them in the act every single time. Cartoon: "Me Musical Nephews" (Seymour Kneitel, '42)
Deeply in love with this Sponge comic drawn by Derek Drymon. That kid's design is hysterical
Elena Polishchuk, Monsieur Noir in the Yellow Room, oil on canvas, 2026
I hate that storyboards have become expected to be final clean animation poses with breakdowns in perfect perspective. this is not how it was supposed to be. let the animators animate! (I say as both a boarder and an animator)
I love how the previous generations of storyboard artists were allowed to draw silly cartoon characters on flat wobbly backgrounds, but now we have to learn how to draw the most realistic anime proportions and perspective ever to even be considered for a job
always thinking about Rugrats Storyboarder Eric Molinsky getting really pissed off about everyone drawing the rugrats as sexy adults, then specified chuckie in particular wouldn't "grow up to be a super model or self confident hipsters" and then dropped this. really fucking funny
Bill and Joe’s Oscar-winning wartime parable THE YANKEE DOODLE MOUSE (’43) features one of Muse’s first big sequences in the series. Ken was known as a fast animator who produced a high volume of footage, exceeding the usual 25 feet (16 seconds of screen time) per week.