Christie Stratos

@christiestratos.bsky.social

Victorian fantasy and suspense author. 19th century researcher with a passion for Northeastern U.S. history 1840s-1890s. Coffee and chocolate nonstop. https://christiestratos.com

Left: 1895 2-piece cream silk satin evening dress with pastel ombre rainbow silk faille. 😍 Right: 1853 2nd day wedding dress of tan silk taffeta with pink and green chine and floral ribbon stripe. Woven green silk fringe. The silhouette defines the time period! [Augusta Auctions] #19thc 🗃️ 🗃️🪡

More details for the 1895 evening dress on the left: Short leg o’ mutton sleeves, bias band trim & bows, draped chiffon yoke insertion w/ double pom-pom stock collar, mismatched satin & repp stripe silk skirt.
Another detail for the 1853 second day wedding dress on the right: lined in linen

1880 riding habit with trousers! This outfit is made from hunter-green wool broadcloth and includes a tight-fitting bodice with short peplum tabs at the back, a skirt that allows for a small bustle, and breeches. [Augusta Auctions] #19thc 🗃️ 🗃️🪡

The bodice has a high collar, but not all the way to the chin. The bodice and sleeves are tight, and the bodice has buttons from the collar all the way to the point at the bottom center front. The skirt is simple and drapes nicely, with a small bustle in the back. The waistband of the breeches sits right at the waist, where it's fitted, while the rest of the breeches are looser.

Three-piece black and purple shot silk with woven miniature polka dots. Day bodice: magenta silk ribbon edging, center-back tabs with woven silk fringe. Evening bodice: piped wide bateau neckline, self belt. Asymmetrical bustle skirt with woven silk fringe. —Augusta Auctions #19thc 🗃️ 🗃️🪡

The same skirt is picture with the day bodice (right) and the evening bodice (left) on mannequins.Closeup of the day bodice with magenta-lined bows, standing collar, and shoulder caps. Closeup of the evening bodice with short sleeves and its simple belt.

One thing that AI evangelists seem to assume, particularly legal AI evangelists assume, is that the thinking and analysis is quick, and the writing is just tedious busywork that slows us down. But the writing IS the thinking and analysis. You work out the thinking and analysis by writing it down.

1867 silk satin ball gown w/tulle that was replaced around 1980 for preservation. Fitted bodice, draped overskirt. "Its soft, heavenly color palette and luxurious textures embody the romantic elegance and meticulous craftsmanship of the era." —Unveiling Vintage Fashion; The Fashion #19thc 🗃️ 🗃️🪡

Gown with a more square neckline and center-front white buttons, culminating in a teal flower at the waist that matches the gown. Around the waist, around the neckline, and down the sides and bottom of the overskirt are stripes of white and teal. The overskirt opens in the front to reveal the white tulle and a shining teal hem. The gown is short-sleeved, with lace at the end of each sleeve.

1898 two-piece cream wave-patterned silk satin over printed with small dots. Black silk organza and jet passementerie trim. 1890 two-piece ecru silk gown with patterned silk crepe organza overlay and woven silver bead trim. —Augusta Auctions #19thc 🗃️ 🗃️🪡

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Left: 2-piece nutmeg wool & silk blend dinner dress. Fronded silk tulle overlay to bodice embroidered w/copper metallic iridescent beading & black beaded fringe. Black Chantilly lace. Right: 2-piece cocoa-brown silk faille w/ruched sienna silk satin ribbon trim. —Augusta Auctions #19thc 🗃️ 🗃️🪡

Left: 2-piece nutmeg wool & silk blend dinner dress.
Fronded silk tulle overlay to bodice, embroidered w/copper metallic iridescent beading & black beaded fringe.
Black Chantilly lace

Right: 2-piece cocoa-brown silk faille w/ruched sienna silk satin ribbon trim
Chemical lace to cuffs
Detached original band collar

1880s two-piece pumpkin silk velvet plush with bombazine bodice and back skirt panel. Cast metal center-front button closures. 1880s two-piece maroon silk velvet plush with smocked purple silk satin center-front panel over glass and metal button closures. —Augusta Auctions #19thc 🗃️ 🗃️🪡

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Late 1880s three-piece cinnamon silk faille dress Dinner bodice w/iridescent beaded & corded passementerie applique Day bodice w/ciselé velvet reveres & flared cuffs, cream silk center-front plastron, scalloped silk satin ribbon ruffle to hem [Augusta Auctions] #19thc 🗃️ 🗃️🪡

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1856 two-piece cocoa-brown silk taffeta day dress Dusty-rose silk braid terminating in hand-knotted fringe as applied collar, bell sleeves, and peplum Center-front two-tone cloth-covered button closures Trained skirt, cartridge-pleated center-back [Augusta Auctions] #19thc 🗃️ 🗃️🪡

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June 1870 Godey's Lady's Book Left: Walking suit. Underskirt of lilac grenadine, trimmed w/fringe & satin; the upper skirt of black silk, trimmed to correspond. Short sacque, w/revers of satin, w/coat sleeves & hanging sleeves over them. Lilac crape bonnet, trimmed w/lilac flowers. #19thc 🗃️ 🗃️🪡

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Bronze-green silk satin day dress. Yoke ruffle and below-the-elbow ruffle over shaped sleeves. Silk box-pleated ribbon trim around cuff. Center-front hook & eye closure. Fitted inset waistband with cartridge pleating at center back. Possibly Quaker. [Augusta Auctions] #19thc 🗃️ 🗃️🪡

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