Jono Lewarne

@cityeditionstudio.co.uk

Graphic design / web development / creative coding / typography. Working across print, pixels & places. Developing sites in Astro, Wordpress & Shopify. Based at Spike Island in Bristol, UK since 2012. Teaching type at UWE too! www.cityeditionstudio.co.uk

My latest book project for Artica Svalbard. A series of interviews with six people from seven different countries about their time on Svalbard; how they came to Svalbard, what made them stay and why new immigration legislation might one day force them to leave.

Svalbard's International Community, a book photographed on a plain background. The title overlays a simplified map of the world rendered in dots and squares. An inside spread of Svalbard's International Community, a book photographed on a plain background. There is a portrait of a man on the left page and a pull quote and text on the facing page. An close up detail of the inside spread of Svalbard's International Community, a book photographed on a plain background. There is a portrait of a man on the left page and a pull quote and text on the facing page. An inside spread of Svalbard's International Community, a book photographed on a plain background. There is a full page of text on the left page and a pull quote and text on the facing page. The text is in two languages, English and Norske which run parallel on the page. Each paragraph is the same amount of lines, the width of each paragraph differs down the page in order to make sure they are the same amount of lines in each language.

I'm starting a radio show in a few weeks, catch it 12-2pm on the 3rd Monday of each month on www.doyou.world Hoping to drag in some artists I know who work with sound or music to talk about their work. Expect disco, boogie, Balearic and house sounds and a distinct lack of professionalism.

I wonder how many more layers of “yes we’re deliberately ruining your lives” everyone will need shovelling on top of their heads by the worst fucks on the planet before they understand it? Tune in today for more endless horrors that fail to hit home…

Inspired by (ripping off) @maxleonard.bsky.social here’s a thread of books I’m reading this year (it will probably total what Max reads in a week). First up: Why history matters to graphic design by Clémence Imbert. A reexamination of why the history of the field is still relevant to students.

The cover of the book ‘Why History Matters to Graphic Design’ by Clémence Imbert which features the title set in a serif font against a backdrop of a large green ‘M’

the new (beta) @penpot.app renderer is such a huge improvement. snappier in a 100-tab browser window from hell than the Figma desktop app with a single file open. i know i keep saying this but if you design for the web and you haven't tried penpot you owe it to yourself to give it a whirl.

My final act of 2025: taking out double top in the family doubles darts tournament. My wife set me up by hitting the bullseye before me. This is pretty much the same as renewing our vows and cancels out all the evils of the proceeding year. May your 2026 be as glorious

Squeezed in one last personal project; it syncs data from Rekordbox into a little web app, improving the filtering so I can browse what records are in the same rack, plan mixes etc away from my computer. Yes it's a WCAG nightmare but it's just for me so I can wallow in my pastel neon squinty world

A website featuring a music database organised with genres, ratings, tags and location data. It uses a neon pastel colour scheme and a monospace font.A website featuring a song from a music database showing its genre, ratings, tags and location data and a grid of tracks that are matched to the song's key and tempo.

I'm working on a dual language book about immigration. My typographic approach is to set both languages together with each paragraph varying in width to take up the same amount of lines as its equivalent in the other language.

A spread of two book pages with the same text in both English and Norwegian. Each English paragraph sits next to its Norwegian equivalent. The widths of each respective paragraph is different so that each pair of matching paragraphs are always the same number of lines deep.