Colby Chamberlain

@colbychamberlain.bsky.social

Associate Professor of Art History, Cleveland Institute of Art | “Fluxus Administration,” UChicago Press, 2024 | Queens native, Cleveland resident | he/him

Of course there are quite a few aesthetic traditions — Dada, Fluxus, lots of conceptual art — that *detourn* bureaucratic instruments to as a mode of critique, parody, resistance. I hope some of that work is addressed in Gindlesparger's book! It's a central theme in Colby Chamberlain's work!

Fluxus Administration

A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in th...

press.uchicago.edu

Soyoung Yoon has been named the next director of the Whitney ISP. This is great news! As the (now former) director the Parsons MFA program, she has the know-how to handle the admin side of the job, while also being an absolutely brilliant scholar with deep ties to the program. Knicks in five.

Trump's economy is being held up by a massive AI bubble. A recent study found that of 300 companies that owned generative AI tools, 95% reported zero return on their investments. We will not entertain a bailout of these companies should this bubble pop.

I’m giving a talk at e-flux on Thursday 9/25, 7:30pm, “The Fluxhouse Cooperatives and the Future of the City.” The program will also include a performance of Maciunas’s “Solo for Violin” by Laura Ortman. www.e-flux.com/events/67832...

George Maciunas: Lecture and Performance - Events - e-flux

An evening dedicated to George Maciunas, featuring a lecture by Colby Chamberlain and a performance by Laura Ortman of work by Maciunas.

e-flux.com

It’s Labor Day! In Baffler no. 59, Dana Kopel took us inside the fight to unionize at the New Museum, where management skimped on raises but found the money to hire union-busting consultants and lawyers. thebaffler.com/salvos/again...

Against Artsploitation | Dana Kopel

Somehow, the anti-austerity politics of our work didn’t apply to those of us working at the museum. Behind the New Museum’s veneer of social justice was rampant exploitation.

thebaffler.com

The best way to think in dark times is to think with others. It has been sustaining to work with Lindsay Caplan and Nadja Millner-Larsen on “Writing Art History After Occupy,” first as a panel and now as a (no-paywall!) article in the journal October. direct.mit.edu/octo/article...

Writing Art History After Occupy*

Abstract. This conversation explores the impact of Occupy Wall Street on the practice of art history. The authors of three recent books—on the new media art of Arte Programmata, the administrative aut...

direct.mit.edu