Constance Grady

@constancegrady.bsky.social

Senior correspondent at Vox. Culture, books, celebrity, and gender. Miserable people cannot afford to dislike each other.

I have seen some people arguing that the sex purge movie premise is inherently conservative and anti-sex, and this is driving me nuts. The driving force behind such a ridiculous concept is that restrictions make things sexier. It's an excuse to get Darcy's hand clench into the 20th century.

Happy Friday everyone, as promised, here is my personal theory on this. I think Redwall takes place in our world, after an apocalyptic event of the nuclear variety caused rapid but varied growth of all animals, including humans, leading to our extinction and their mental development. Okay? 🧵

Nora@lighthousenora.bsky.social · 2w ago

i would love your historical architecture take on the relative size of redwall abbey to its natural surroundings and inhabitants. like are we talking a tiny abbey in a tiny forest or what

You guys. Emily Wilson is correct about Nolan's Odyssey: it leaves behind the themes that make the original work pleasurable. There is no need to be defensive if you like the movie. It's a perfectly enjoyable film, which Wilson also says in her essay.

“If you want to know how Banks views capitalist tech billionaires, you don’t have to hunt very hard… a capitalist tech billionaire is the literal devil, only he couldn’t be bothered to build hell himself.” – @constancegrady.bsky.social on how techbros misread the Culture www.vox.com/culture/4135...

Why does Elon Musk love this socialist sci-fi series?

The broligarchs share a favorite author, but they might be missing the point entirely.

vox.com

Nolan fully justifies his reading of The Odyssey as a story about trauma, but I miss all the pleasure he ditches in the process — the wit and the sensuality, and especially Odysseus's delight in his own cleverness. It's a reasonable adaptation but it sacrifices a lot.

i believe that the the entire "binge watch" model of releasing television series is based on a faulty premise, and that faulty premise has significantly devaluated television as an art form. stick with me on this one...

I really enjoyed watching Disclosure Day, but I do think the movie is missing some connective tissue between the childhood flashbacks being sources of trauma and horror in the first two acts and sources of transcendent awe in the last act.

I've been thinking about this since I saw a production a few years ago that cast Romeo and Juliet as a married couple in their 60s. The director's idea was that this choice would allow the audience to drop the question of whether R and J's love is real and focus instead on the tragedy of it.

Jessica Ellis@baddestmamajama.bsky.social · last mo.

I really, really hate this take. First of all, it’s set in 14th century Italy, when marriages at those ages were common, in fact if you did *actually read it*, you’d know a subplot is Juliet’s parents marrying her off to Paris. Secondly, if you don’t buy the romance, the tragedy doesn’t work.