Craig Ian Mann

@craigimann.bsky.social

Full-time home video producer, part-time writer and sometimes documentary filmmaker | author of Phases of the Moon: A Cultural History of the Werewolf Film | producer and co-writer of Survivors: The Spectre of Threads | 📼 📀

When I joined the website we don't talk about (2009 I guess), Sam Neill was in the habit of following literally anyone who followed him. No pretensions, no questions asked. I guess eventually he couldn't keep up with it, but I always thought that said something about him. Anyway, rewatch Dead Calm.

I’m staying in a film-themed hotel in Łódź with original Polish poster art on every wall and a Wajda mural painted on the building opposite. It’s the best hotel I’ve ever stayed in and the room even comes with a massive telly… but motion smoothing is switched on so there goes the TripAdvisor review.

Our feature documentary Survivors: The Spectre of Threads will soon be out in the world as part of the new 4K UHD release of the most harrowing film ever made from @severinfilms.bsky.social. You can pre-order it now (and please do!). You can also grab a traffic warden pin badge while you’re at it.

Threads [3-Disc 4K UHD w/LE Slipcase + Postcard]

“THE MOVIE THAT SCARRED A GENERATION FOR LIFE.”British Film Institute THE WORLDWIDE UHD PREMIERE THREE DISC COLLECTION INCLUDES 7 HOURS OF SPECIAL FEATURESAND BONUS DOCUMENTARYSURVIVORS: THE SPECTRE O...

severinfilms.com

Just announced by Eureka, Into the Forest: Folktales at DEFA, featuring five East German Märchenfilme alongside new commentaries, video extras, three animated shorts from the DEFA archives and a stacked book of essays. This has been a dream production project. Pick it up.

Box set art for the Masters of Cinema release INTO THE FOREST: FOLKTALES AT DEFA, featuring art by Carly A-F. On the front-facing art, a wolf stands in front of a figure wearing a devil mask, who in turn is standing in front of a castle on a clifftop. They are surrounded by the dark branches of trees.

The second annual Culture Shock festival (from the folks at @celluloidscreams.bsky.social) kicks off at Sheffield's Showroom Cinema in just two weeks. You won't find more eclectic genre programming – Possession, A Chinese Ghost Story, Dead Mountaineer's Hotel, R.O.T.O.R. – anywhere else.

Culture Shock: Festival of Fantastic Film | Showroom Cinema

Join us for the second edition of Culture Shock: Festival of Fantastic Film, a genre film festival from the makers of Celluloid Screams that celebrates classic and contemporary sci-fi, fantasy, horror...

showroomcinema.org.uk

I've just realised it's been 10 years now since I made my first contribution to a Blu-ray release. I wrote an essay on Wolfgang Petersen's Enemy Mine (still a firm favourite) for Eureka in 2016. A decade later, I'm producing discs for them – all thanks to this underrated little sci-fi film, I guess.

The Eureka Classics release of Wolfgang Petersen’s Enemy Mine, in a clear amaray case and featuring original poster artwork: Dennis Quaid and Louis Gossett Jr (in make-up as the alien Drac) face each other in front of a blue and purple hued space scene. The case is being held up in front of shelves filled with Eureka releases.

Just been reminded – by an exciting email from Severin – that I forgot to share this piece from the Sheffield Tribune when it was published. We've talked to a lot of people about Threads and our upcoming documentary Survivors: The Spectre of Threads, but this is my favourite interview we've done.

Threads and the making of the Sheffield mind

"The film had genuinely traumatised him in a way that has made him ready for the end of the world at any moment"

sheffieldtribune.co.uk

I've finally got my framed #ArtOfAction poster, featuring my introduction to #TheAdventuresOfRobinHood (1938), on the wall. You can read "Robin Hood And The Stuntman Lost In Time" below. #FilmSky

Bild
John Featherstone@johnfeath.bsky.social · 2y ago

I had the honour of introducing #TheAdventuresOfRobinHood (1938) at #Sheffield's Showroom Cinema as part of #ArtOfAction season. Here, masterfully reworked as a Q&A by @latereviewer.bsky.social is what I said about one of the greatest stunt teams ever assembled... latereviewer.com/2024/11/26/r...

Picked up the BFI’s new release of Strongroom and absolutely loved supporting feature The Man in the Back Seat. Incredibly nippy at 57 minutes(!), it’s a very tense crime thriller that follows two petty crooks desperately trying to offload their injured victim without getting caught. Great stuff.

Title card for The Man in the Back Seat (1961), with the title written in white block capitals against the leather seats in the back of a car.

Eureka's May titles have just been announced, all of them a total blast to work on: Buster Keaton's masterpiece The General on 4K UHD, an excellent and underseen outing for Inspector Maigret in Maurice Tourneur's Cécile is Dead and Frank Beyer's controversial Trace of Stones, one of DEFA's finest.

Slipcase artwork for the Eureka / Masters of Cinema release of The General. Packaging design by Nick Wrigley.Slipcase artwork for the Eureka / Masters of Cinema release of Cécile is Dead. New artwork by Sean Phillips.Slipcase artwork for the Eureka / Masters of Cinema release of Trace of Stones. New artwork by Carly A-F.

It has made my day to see Eureka's release of Jakob the Liar – the only East German film to ever be nominated for an Academy Award – top the @avforums.bsky.social list of Top 10 Blu-rays for February 2026. It was a genuine honour to produce this one and I'm really very proud of it.

Top 10 Blu-rays (UK) for February 2026

Another month - is it February already? - another packed release schedule in 1080p blu-ray land. Lets see which ones are worth picking up, shall we?

avforums.com

Of all the new-to-me films I watched last year, the one I think about most often is Piotr Szulkin's War of the Worlds: Next Century. A radical approach to the familiar alien invasion narrative about the evils of media manipulation (and martians obviously). Available on disc from Radiance.

Three large rectangular signs affixed to the side of a grey apartment building read “MARTIANS LOVE LAW.” The signs are white with blue text outlined in red. Residents are hanging red and blue flags from nearby windows. A television camera is visible in the bottom right of the frame.

I had a blast talking about the mighty Rear Window (a personal all-timer) with @fatscoleman.bsky.social for @top100pod.bsky.social. I really love this film and hope it comes across in our discussion.

The Top 100 Greatest Films Of All Time@top100pod.bsky.social · 7mo ago

💥NEW EPISODE!💥This month Tim is joined by @craigimann.bsky.social from Eureka Entertainment to discuss Alfred Hitchcock's REAR WINDOW (1954). Available wherever you get your podcasts.