curious ordinary

@curiousordinary.bsky.social

▪️Folklore▪️Myth▪️Magic▪️Art▪️ Sharing Japanese and supernatural folklore, mythology, yokai, culture and art. Also love books, cats, crows and trees. http://linktr.ee/curiousordinary

Hello everyone. I want to thank you all for supporting me here on Bluesky and elsewhere. It has been seven and a half years now since I started sharing folklore online as curious ordinary. Unfortunately, life has thrown a lot at me over the past few years, and I have reached the point where I... 1/3

A blue sky fading to gold with crowd flying.

Hello everyone. I want to thank you all for supporting me here on Bluesky and elsewhere. It has been seven and a half years now since I started sharing folklore online as curious ordinary. Unfortunately, life has thrown a lot at me over the past few years, and I have reached the point where I... 1/3

A blue sky fading to gold with crowd flying.

Magu (麻姑), goddess of longevity, is eternity wearing a human face. In Chinese mythology, she has watched the sea turn into mulberry fields three times, making her a witness to worlds rising, vanishing, and returning again. Legends say she crossed waters in wooden clogs and 1/2

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Netsuke (Japan, 1701-1900). Hare grinding with a mortar and pestle. Refers to the ‘Hare in the Moon’, a messenger of the moon deity. The hare mixes the elixir of immortality with his mortar and pestle.

An exquisite, finely carved toggle from the Edo or Meiji period (1701–1900) presents a captivating depiction of the mythical Moon Hare (Tsuki no Usagi). This miniature netsuke—traditionally used as a structural counterweight to secure personal pouches to a kimono sash—is sculpted from an elegant piece of aged ivory or bone. Set against a stark black background, the composition isolates the masterful craftsmanship and playful narrative depth characteristic of Japanese miniature sagemono arts.

The sculpture centers on a personified hare depicted mid-labor, bracing its body against a deep, smoothly turned wooden-style mortar (usu). Standing upright on its hind legs, the hare grips a heavy, rounded pestle (kine) with both forepaws, captured in a dynamic moment of rhythmic pounding. In East Asian folklore, while the hare is often associated with pounding rice to make auspicious mochi cakes, this specific depiction draws upon classical mythological traditions where the creature acts as a celestial apothecary, mixing the rare ingredients for the elixir of immortality.

What elevates this particular netsuke is its remarkable attention to character and textile design. The artisan has clothed the hare in a miniature patterned robe or vest, meticulously incised with dark ink-filled lines that form geometric checkered grids and delicate floral patches across the shoulder. The animal's long, expressive ears are swept smoothly back along its neck to keep them out of the mortar's rim, and its face is carved with an expression of quiet, focused intensity. The dark, inlaid circular eyes gleam with a lifelike intelligence, catching the light perfectly. The surface of the ivory displays a warm, rich cream patina, with subtle natural grain lines and a small archival or catalog number (14509.) carefully inscribed near the base

✨CHIMAKI CHARMS🙏 One of the most important tasks in July for many households and businesses in Kyōto is the refreshing of the 'chimaki' (茅巻き). Sold exclusively during the Gion Matsuri, these broom-like charms hang by doorways to prevent misfortune entering the home or office.

Display of chimaki at Daimaru Department Store.Suzuka-yama's chimaki comes with a votive tablet featuring a picture of the float. Kakkyo-yama's chimaki features a gold coin design.Taishi-yama's chimaki.

Fangzhang Mountain (方丈山) is one of the three sacred isles said to rise from the East Sea, a square realm so vast that each side spans 5,000 li. In its golden palaces, jade springs nourish fields of immortal herbs, and dragons wheel through the shining air. 1/2 #art

方丈洲在東海中心,西南東北岸正等,方丈方面各五千里。上專是群龍所聚,有金玉琉璃之宮,三天司命所治之處。群仙不欲升天者,皆往來此洲,受太玄生籙,仙家數十萬。耕田種芝草,課計頃畝,如種稻狀,亦有玉石泉,上有九源丈人宮主,領天下水神,及龍蛇巨鯨陰精水獸之輩。

At Tanabata (七夕) people write wishes on colourful paper strips called 'tanzaku' (短冊) and hang them from decorated bamboo fronds. In ancient times people originally etched poems on the leaves of sacred kajinoki (梶の木 'paper mulberry') trees and offered them to the gods.

🥒THE MONTH WITHOUT CUCUMBERS🚫 The crest of Yasaka-jinja (八坂神社), home to the Gion Matsuri, resembles the cross-section of a cucumber, and thus the fruit has gained sacred status during the festival. One of the strangest customs in Kyōto is the giving up of cucumbers for July!

Nao-san models with a Gion Matsuri lantern inspired obi, and a fan emblazoned with the 2 crests of the festival.For tea time dry sugar sweets in the shape of fans iced with Gion Matsuri crests, and wafers with an abstract lantern display design.In July Oimatsu's delicious domoyoji sweets come branded with a Gion Matsuri crest.During the yoiyama afternoons and evenings before the Gion Matsuri parade the festival floats are adorned with lanterns.

When cats live too long, they gain magical powers and transform. But what they transform into depends on the cat's personality. Are they monster? Trickster? Pillow sitter? What will YOUR cat become? Find out in KAIBYO: THE SUPERNATURAL CATS OF JAPAN Preorder for Nov 19 release! amzn.to/4b9cLTg

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❤️A TALE OF LOVE💔 Orihime (織姫), represented by the star Vega, and her lover Hikoboshi (彦星), the star Altair, can meet only once a year. On the 7th day of the 7th month, if the weather is fine, a mischief of magpies form a bridge across the 'Heavenly River' (the Milky Way).

Woodblock print of Orihime and Hikoboshi meeting across the Milky Way.

Image thanks - https://ja.ukiyo-e.org/Woodblock print of fireworks, with people enjoying the display from riverboats.

Image thanks - https://ja.ukiyo-e.org/Woodblock print of a woman weaving.

Image thanks - https://ja.ukiyo-e.org/Woodblock print of Orihime and Hikoboshi meeting across the Milky Way.

Image thanks - https://ja.ukiyo-e.org/

The 'go-sekku' (lunar calendar): 🎍1/1 Kochōhai (小朝拝 New Year) 🎎3/3 Kyokusui-no-en (曲水の宴 Feast of Drinking around a Meandering Stream) 🎏5/5 Tango-no-sekku (端午の節句 Boys' Festival) 🪡7/7 Kikkōden (乞功奠 Tanabata) 🍶9/9 Chōyō-no-en (重陽の宴 Feast of Chrysanthemums)

Woodblock: cleaning New Year decorations in preparation for celebrations.

Image thanks - https://ja.ukiyo-e.org/BildWoodblock: carp streamers hung for Boy's Day celebrations.

Image thanks - https://ja.ukiyo-e.org/Woodblock: admiring chrysanthemums for the chrysanthemum festival in autumn.

Image thanks - https://ja.ukiyo-e.org/

👻THE ORIGINS OF THE GION MATSURI🙏 Simply put = 👹😱😫🤒🤮 🙏 👹➡️😇 💪🥳 In looking at the origins of the Gion Matsuri (祇園祭) we must start a few years prior to the plague of 869, to the first goryō-e (御霊会). Disease in those days was attributed to either gods or spirits.

The dragon motif comes from the Seated Portrait of Emperor Xizong (明熹宗, 1605–1627), a ruler whose image radiates imperial power even as his reign unraveled behind the throne. Remembered as the Ming “carpenter emperor,” Xizong preferred woodwork, hunting, and 1/2 #art

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