I’m literally sobbing at how beautiful my first ever blu-ray contribution looks. Many thanks to 88 Films for this transcendently gorgeous release of Mika Ninagawa’s HELTER SKELTER 🩸
Violet Burns
@violetshrieks.bsky.social
freaky feminist with a found footage heart independent/international horror film here rarely
London friends, I’m about to be among you for a week. What cinema should I go to?
Incredible writing as always from the immensely talented @violetshrieks.bsky.social 🌺 also peep my LiLiCo nails
We got a lot of cases like this in Brazil, mostly during the 70s. It was during the DICTATORSHIP. I think the entire world media needs to start using the correct word for the current USA regime.
NEW: University of Michigan Chinese researcher dies after allegedly "hostile questioning" by federal agents www.detroitnews.com/story/news/l...
humiliating that this is the one who’s successfully manipulating me with classical conditioning mind games
screaming crying throwing up. finally seeing ALPHA after teaching my last class the moment spring break starts
Everywhere we see how anti-migrant racism and dehumanization is the central pillar for growing fascist rhetoric. To be anti-fascist today is to be anti-border.
Out of all the physical media assets I've looked at in the past year, your essay in the Helter Skelter pamphlet was the most inviting. I'm no avid reader either, so it's no stretch to say that reading it was like watching the film again in a sense. Bravo 👏
I'm very touched by this shoutout to my essay in @fcsyndicate.bsky.social 's review of @88films.bsky.social gorgeous release of Mika Ninagawa's HELTER SKELTER
I still do not understand this place and promise to follow more of you back when I can
I'm very touched by this shoutout to my essay in @fcsyndicate.bsky.social 's review of @88films.bsky.social gorgeous release of Mika Ninagawa's HELTER SKELTER
Beyond thrilled to have my first ever booklet essay in @88films.bsky.social long-awaited western physical release of Mika Ninagawa's extravagant HELTER SKELTER!
@violetshrieks.bsky.social's #UFF coverage continues rolling out with Killmageddon, a brutal, entrancing US premiere.
[UNNAMED FOOTAGE FESTIVAL VOL 8]: 'KILLMAGEDDON' IS NOT FOR THE SQUEAMISH, BUT MORE THAN WORTH THE EFFORT - Daily Grindhouse
This review is informed by material from a written interview with the directors. Co-Directors Nozomi Tomaki and Kyosuke Koizumi are self-described lovers brought together by their passion for extre...
dailygrindhouse.com
@violetshrieks.bsky.social continues her #UFF coverage with Hexham Heads, a journey into Uncanny Valley that asks us: what do the stones remember? (Featured in this week’s DG newsletter!) #HorrorSky #FilmSky
[UNNAMED FOOTAGE FESTIVAL VOL. 8]: 'HEXHAM HEADS' IS AN UNSTEADYING JOURNEY INTO UNCANNY VALLEY - Daily Grindhouse
“Time, as it were, is trapped and can’t move on…the family home seemed to have been violently altered by the presence of the stones.” Mattijs Driesen and Chloë Delanghe’s 34-minute experimental fol...
dailygrindhouse.com
@violetshrieks.bsky.social makes her DG debut with #UFF Vol 8 coverage, starting with the latest immersive emotional ride from @robbiebanfitch.bsky.social, Tinsman Road. #HorrorSky #FilmSky
[UNNAMED FOOTAGE FESTIVAL VOL 8] "SORROW IS TERROR" IN 'TINSMAN ROAD' - Daily Grindhouse
THE OUTWATERS, writer/ director/ cinematographer Robbie Banfitch’s visionary found footage first feature, is a tough act to follow, but his sophomore feature TINSMAN ROAD (which premiered at the Unnam...
dailygrindhouse.com
finally getting into the last two episodes of THE CREEP TAPES. I haven’t been ready for them to end
this white-knuckle Brazilian thriller reckoning with the harms wrought by deeply entrenched class relations feels extra relevant right now. you won’t regret it PROPERTY (2022)
Toho: You get that Jaws riff done? Obayashi: Sure did boss, real fuckin psychedelic just like you asked. Toho: what
Here’s 6 seconds from Takashi Miike’s 2006 film IMPRINT
Hello blue sky it’s still Free Palestine all day, feel free to share resources below 👇
this went to levels of gut-punch realism I wasn’t expecting from the initial framing
Most people don’t know that slavery still exists. Amendment 13 abolishes slavery except where imprisoned. There should be no exceptions to abolish slavery.
Anti-slavery measure Prop. 6 fails, allowing forced labor to continue in California prisons
early French polyphony from the high Middle Ages is keeping my synapses vaguely functional