Fabian Offert

@zentralwerkstatt.org

Associate Professor UC Santa Barbara | I study how machine learning models represent culture and what is at stake – aesthetically and politically – when they do.

It might be entirely a my bubble thing but everybody I know hates their phone. The appeal of a phone that's actually two and a half phones to me is less than zero. Then again it's $2K so obviously not for me.

New German Critique has the Digital Theory Lab's Semiotic Machines special issue forthcoming, featuring a collection of essays by people at the cutting edge of AI and interpretation, politics, and culture ngc.arts.cornell.edu/forthcoming....

New German Critique: Forthcoming Issues

Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies.

ngc.arts.cornell.edu

Alle Jahre wieder. It. Does. Not. Work. Und übrigens auch 1:1 von Adam Harvey geklaut. (Das Argument, es ginge nur darum, auf die Überwachung aufmerksam zu machen, ist irrelevant wenn – wie in der taz hier – die Funktion als Fakt präsentiert wird. Im Bild: YOLO 8 one shot.)

Bild
taz@taz.de · 2mo ago

Das Kottbusser Tor wird bald von KI-Kameras überwacht. Der Künstler Simon Weckert zeigt, wie sich die Technik mit einem T-Shirt überlisten lässt 👉️ taz.de/!6205593/

Straßenszene mit Menschen, die von grünen Rahmen erfasst werden, bis auf einer. Dazu der Text: Der Berliner Künstler Simon Weckert hat ein T-Shirt entworfen, das KI-Überwachungskameras austricksen kann.

Fancy an excuse to come to Stockholm in September? Open seminar on PICTURE CULTURES with various folks involved in the project Selling Pictures: Pictorial Economy and Commoditization 1820–2020 (IFFS/VR). Speaker list in the comments!

A poster of various AI-generated cats accompanied by the following invitation to an
OPEN SEMINAR
PICTURE CULTURES

17 Sept. 09.30–16.00

Klockan Konferens

Olof Palmes gata 29-31

Welcome to a seminar where researchers as well as the advisory board involved in the project Selling Pictures: Pictorial Economy and Commoditization 1820–2020 (IFFS/Vetenskapsrådet) will present recent and ongoing research on various of aspects of how mass-produced and mass-reproduced pictures can be interpreted, datafied and studied.

Speakers:

Realism revisited. The persistence of photography in the age of AI 
–Estelle Blaschke

What Did the Victorians See? Using Multimodal AI to Analyze 72,000 News Illustrations
–Thomas Smits

What Are Artificial Intelligence Models Models Of?
–Fabian Offert

Picturing Baskerville’s Punches
–Caroline Archer Parré

Proto-photographic Reproductive Phantasmagoria
–Wolfgang Brückle

Pictorial Economy and Commoditization 1820–2020
–Nina Lager Vestberg & Anna Näslund

If you're wondering why the world is what it is you should read the Hacker News comments on this piece (news.ycombinator.com/item?id=4877...), where one half doesn't get the joke and the other is like "she does have some good points though." inpreparation.substack.com/p/opinion-i-...

Opinion: I Was Not Allowed To Type Prompts Into ChatGPT During My Chalk Talk And This Is Discrimination

By Dr. Rachel Simmons, Postdoctoral Fellow, Stanford University

inpreparation.substack.com

Getting looped into convos about this book in its finishing stages expanded the scope of theory around neural networks in LLMs & Media — it opened up so many productive ways of thinking for me. Essential reading for anyone who’s been looking for a fresh theorization of critical AI.

James E. Dobson@jeddobson.bsky.social · 5mo ago

Bound to be one of the most important critical and theoretical books on the meaning of neural networks (and not just for vision). Congratulations to Leonardo Impett and Fabian Offert @zentralwerkstatt.org! Freshly published from meson press and University of Minnesota Press. @uminnpress.bsky.social