michelle chan 樂澄

@arghpoetica.bsky.social

she/her editor @asymptote @fullstop, translator @ALTA, critic @NBCC, etc. 香港文學 linktr.ee/mcshkdk

DELIVER ME FROM NOWHERE: What moved me about this film was the way it shows, without a load of sentimental corn, how writers work, drafting and redrafting their material. It's also about how beautiful things--music, books, poetry--emerge from unhappy times.

The SCMP never reported Hong Kong's 140th out of 180 World Press Freedom ranking; it ran an AFP wire piece describing declining freedoms worldwide. But it's happy to trot out this obscure index no other news outlet has reported on. Oh and it's 37th out of 73; putting Hong Kong in the bottom-half

(SCMP headline) Hong Kong ranks 37th overall for journalists’ safety in new global index
- City scored highly for physical safety of reporters, but performed worse in areas measuring digital and psychological well-being

'We know all the reasons and more why the writing life isn’t worth it, and clearly none of them really matter because we still write.' Am feeling this especially in relation to the political possibilities of writing— what do words change? How and when do they matter? thepointmag.com/criticism/ca...

Careerism | The Point Magazine

Listen to an audio version of this essay here. An acquaintance of mine, a comedy writer, once admitted to feeling disappointed that she hadn’t won […]

thepointmag.com

Personally I would deregulate Omelas' zoning laws, allowing for the construction of more spacious domiciles and thus ultimately improving the little kid's living situation as the improvements show up down the value chain. Guess I'm just built different tho.

one thing i keep thinking about is how there is simply no way to design a constitutional system that can resist authoritarian incursion if participants in that system do not actually care that much