Jennifer Bew Orr 📖🖊️📷

@jenniferbeworr.bsky.social

American/British Swiss resident. Builders tea, indie publishers, and editing till it hurts ❤️‍🔥♾️

as part of returning to the blogging fold I'm relaunching the author interview series, currently setting up a new domain and adding all the old interviews to it but always on the lookout for other authors to join in or current authors to update their old interview www.authorspot.org/2026/09/19/m...

Meet the Author

The Author Q&A has been running for a few years now and there are 120 interviews on the blog, it’s had a bit of a hiatus as things went on in my world and I decided to separate the info t…

authorspot.org

‘When commercial housebuilders use the term (housing demand), they mean a willingness among buyers to pay a price that protects their profit margin, justifies how much they paid for the land and keeps their investors happy.’ It doesn’t mean more people will have homes ⬇️ www.lrb.co.uk/the-paper/v4...

James Meek · ‘What kind of people do they think we are?’: On Social Housing

Now that Southwark has become desirable, the patches of neglect are placeholders for the chains and high-end outlets the...

lrb.co.uk

Streisand effect doesn’t fit… I propose “Sheeran effect” for blithe overconfidence in mass appeal resulting in tone deaf behavior that brings the whole false structure of manufactured consensus crashing down on one’s small guitar

Anyone who has ever had a dog knows this look. It's the one they give you when they can tell something is wrong, and they have decided they are not leaving your side... This beautiful painting is called Fidelity, and it was made by British artist Briton Rivière in 1869.

Bild

‘She wrote—and edited, and fundraised—for the white woman, the woman of color, the agricultural worker, the factory worker, the housewife. She knew what it was like to need print the way one needs water.’ Loving thanks again, and again. #SmithCollege #booksky 🌹🖤 newrepublic.com/article/2150...

Gloria Steinem’s Life Between Art and Activism

Steinem faced a problem familiar to many activist writers: how to live according to your political principles without sacrificing your art—or vice versa.

newrepublic.com