Gemma Allred

@gemmaallred.bsky.social

Shakespeare / Early Modern / Digital Theatre / Musicals / Innovation / Marketing

If you are at #BritGrad2025 and have any questions about @benbroadribb.bsky.social @edelsemple.bsky.social and my seminars at @saaupdates.bsky.social in Denver or the World Shakespeare Congress in Verona next year do track me down!

Dr. Benjamin Broadribb@benbroadribb.bsky.social · last yr.

You wait for ages for a seminar co-organised by @gemmaallred.bsky.social @edelsemple.bsky.social and me, and then two come along at once! Thrilled that "Baz Luhrmann's William Shakespeare's Romeo + Juliet at Thirty" will be part of the @saaupdates.bsky.social program in 2026 💖 #Shax2026 /1

03. Baz Luhrmann's William Shakespeare's Romeo + Juliet at Thirty (Session A) Gemma Kate Allred (Université de Neuchâtel) Benjamin Broadribb (London, UK) Edel Semple (University College Cork) This seminar explores the legacy of Luhrmann’s Romeo + Juliet (1996) across Shakespearean culture and global popular culture. We invite papers considering Romeo + Juliet’s legacy across cultures and media, exploring how Luhrmann’s film has influenced the performance and adaptation of Shakespeare; where, how, and why echoes and aftershocks of Romeo + Juliet can be found in cultural objects from the past three decades; and the evolution of the film’s reception and status over time.

Five years ago today, physical theatre spaces in the UK were forced to go dark as the COVID-19 pandemic took hold of the nation and the world. I remain in awe of what creative practitioners achieved during a time of unimaginable loss and uncertainty through the will to innovate, adapt and survive /1

Two copies (one on top of the other) of Lockdown Shakespeare: New Evolutions in Performance and Adaptation, edited by Gemma Kate Allred, Benjamin Broadribb and Erin Sullivan.The first page of the introduction to Lockdown Shakespeare, titled "Introduction: Cultural Cartography of the Digital Lockdown Landscape", written by Gemma Kate Allred and Benjamin Broadribb.

Enjoyed robust debate in the Abridging Shakespeare seminar yesterday - always great to have seminar members who engage with your paper - even if my underlying argument is framed in negatives: that Hamlet doesn’t exist and the act of abridgment is better described as an act of expansion. #Shax2025

Theatre thoughts from super Saturday… Jamie Lloyd The Tempest - intriguingly dark and Ariel stole the show (as it should be). Donmar Macbeth - I could watch that production for ever and never need another version!