Ben Mitchell

@ohbendy.bsky.social

I research and make fonts for Southeast Asian scripts! 🇪🇺 🏳️‍🌈 He/him 🧑‍💻 www.fontpad.co.uk 📷 https://www.flickr.com/photos/ohbendy/albums

With such a mixed patchwork of ethnicities, languages and scripts, and many areas inaccessible to international linguists, it no longer surprises me when encountering undocumented writing systems in SEAsia...

Casting notice for UK trans women! I've been working on this passion project with my friends & mentors for years, and we are now looking to cast a young trans actor for one of the lead roles. This is an incredible part, one I hope to help make a future star.

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This is starting to get like universal basic income where every single objective study shows the same result but the people who don't like that result go "uh, well there's just really no way to know"

Carl Quintanilla@carlquintanilla.bsky.social · 8mo ago

HARVARD BUSINESS REVIEW: “.. In our in-progress research, we discovered that AI tools didn’t reduce work, they consistently intensified it.” hbr.org/2026/02/ai-d...

Disappointing to see Google Translate thinks 'Myanmar' is a language. Myanmar/Burma is a country, home to over a hundred languages. One of those languages, the official language, is Burmese, but it's incorrect to call it anything but Burmese because it is the language of the Burman people.

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My top 10 books of 2025! Hit a bit of a slump this year and only managed 20 books in total, but enjoyed a mix of different kinds of fiction. Special favourite for fantasy lovers: 'The Garden of Delights' by Amal Singh. #booksky #sff

Selection of books:
The Book of Fallen Trees by Marcus Attwater
The Garden of Delights by Amal Singh
Silver in the Wood by Emily Test
The Owl Men of Shanidar by Coy Hall
Dissolution by Nicholas Binge
Where the Axe is Buried by Ray Nayler
The Ancients by John Larison
Seascraper by Benjamin Wood
The Emperor of Gladness by Ocean Vuong
Wild Dark Shore by Charlotte McConaghy

People perceive thickness of letters very individually, and that’s why we are conducting Font Weight Survey to understand the regional preferences of font weight. Could we ask you for 10 min of your time? The findings will be published publicly once we have some results. tptq.com/weight

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Having trouble getting Myanmar fonts to trigger the Myanmar shaping engine on Word/Windows — reordering isn't even occurring — does anyone have troubleshooting suggestions? I fear having too many Unicode ranges (geometric shapes etc) selected might be interfering with USE handling?

Had a little time over the last few days to make progress with this pair of typefaces. Couldn't find a Lao version of the Stranger Things logo so here's my guess how it could look, along with Thai, and the geo-grotesque interpreting how a contemporary loopless design might have looked in the 1980s.

Lao and Thai interpretations of a Benguiat display font and a loopless geometric grotesque. Text reads 'Stranger Things' and 26 NovemberTen weights of my in-progress geometric grotesque loopless Thai typefaceTen weights of my in-progress geometric grotesque loopless Lao typeface

The fundamental miscalculation that the ruling elite in the UK are making is that they can have polite fascism against trans people. You cannot contain it. Don't be surprised if Reform UK is elected into power with Farage as PM in the next few years and plunges the UK into authoritarianism.

We persistently underestimate the vulnerability of democracies to authoritarianism, because we treat tyranny as something that attacks democracy from the outside. We need to recognise it as something that can grow up within democracies, and that wins support by latching on to democratic ideas.

Monumental three-volume Handbook of Epigraphic Cultures to be published by De Gruyter, early next year hopefully. Open Access eBook! Includes chapters on Khitan and Tangut epigraphy.

Flyer publicizing two forthcoming Handbooks on Material Text Culture from De Gruyter: Handbook of Medieval Book Ornament [ISBN 978-3-11-141107-1] and Handbook of Epigraphic Cultures (3 volumes) [ISBN 978-3-11-124094-7]