Fiona Tribe

@fionatribe.bsky.social

Cultural Anthropologist | Workplace Strategist | Ethnographer | Clay Artist | Carer | into architecture, cultural literacy and Stuff | Wurundjeri land/Melbourne | fiona@whiteowl.net.au | No DMs | whiteowl.net.au

“As Sokrates tells it, your story begins the moment Eros enters you. That incursion is the biggest risk of your life. ... You perceive what you are, what you lack, what you could be.” Anne Carson, Eros the Bittersweet

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Last week was Matt Madden week in my intro to making course, where we talk constraints & look at Matt's brilliant 99 Ways to Tell a Story, and then Ss add their own additional page to the book! Some sweet ones from this class! Popup! Fisheye, contrast, diff style each pane, swapped w/water bottle

This report was published last year in The Australian Design Review and I had no idea because I’m not on LinkedIn. I don’t cope well with being seen so finding out a year later worked well.

Contributors page to a report released by The Australian Design Review. Contributors include: Bryden Cleary - Zenith, Fiona Tribe - White Owl Consulting, Gerald Matthews - Matthews Architects, Irma Del Valle Nachon - Breathe, Dr Jefa Greenaway - Greenway Architects, Keri Drecki
Keri Drecki - Warren and Mahoney, Oliver Field - Zenith Design Studio, Sarah Mealy - Breathe, and Steve Coster - The Advisory Studio (who recommended me to the Editor). To read the report go to: https://www.australiandesignreview.com/ Bild

I wonder how much it cost Mary-Kate and Ashley Olsen to license this William Eggleston photo for a full-color, double-page spread, mentioning The Row only in microscopic type on the back corner, in today's Times

A photo of a flat field, a row of tiny trees in various species, big puffy clouds filling most of the frame

In the early part of the 20thC, the Swiss artist Hans Emmenegger began making recurrent themes of enigmatic, dark forest interiors, exploring the optical effects of light and colour. This work was painted in 1933.

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