Flori Pierri

@flori-p.bsky.social

Associate curator of science & technology at the MIT Museum | historian of science | really likes armadillos | currently thinking about computer games 🌈

Hey #ESHS-HSS: interested in collections, archives, libraries, and/or museums? Come to the CALM-sponsored roundtable “Collections, Archives, Libraries, and Museums: How, Why, and So What?” tomorrow at 4:15, or to the Doctors Pub immediately after the roundtable for a more informal conversation.

It's 1983, and "there is trouble brewing in the video game world" according to the editors of Electronic Fun. Too many knock-offs, sequels, and poor imitations of other games instead of new output.

I am (ever so slowly) getting back into computer game research for upcoming Untitled Computer Game Exhibition at the MIT Museum. And since so many video/computer game people follow me... a question for you all. What would *you* most like to see in a computer game exhibition?

Screenshot of a magazine. Text reads "Output-Input / Drop me a line, on-line"

It's 1982, and there are only 347 video games in existence. And the magazine *Electronic Fun* is going to rank them all on an A-F scale. Grade inflation clearly hasn't hit yet-- there are no A+ grades.

Screenshot of a digitized magazine. Headline: "Video Game Explosion!"

Today at work I finished cataloging a collection of material related to someone's Heathkit H8. We got his computer, terminal, disk drive, and a whole bunch of archival material related to his computer (whom he called George) and various Heath Users Groups he was involved in over the years.

This week on the Video Game History Hour: We're joined by @flori-p.bsky.social, Associate Curator of Science and Technology at the MIT Museum! Dr. Pierri trained as a natural history curator. So how did they end up working in game preservation? At MIT? The story of their career will surprise you!

Episode 151: Games Preservation at MIT Museum | Video Game History Foundation

From vacuum tubes to virtual worlds, Dr. Flori Pierri, Associate Curator of Science and Technology at the MIT Museum, joins us to explore their unexpected journey into the world of video game preserva...

gamehistory.org

And now, from early modern whales, I’m off to #PAXEast to work my my next exhibition project— computer games! If you’re interested in game history, game preservation, or how do you exhibit a game in a museum, anyway? send me a DM. I’d love to chat!

We're disappointed to see Ben Barres's powerful book "The Autobiography of a Transgender Scientist" among the ~400 titles removed from the Naval Academy Library. Needless to say, we're proud to have published his book and will keep it — and his memory — alive.

The Coming Out of a Transgender Scientist

"I know that I am making the right decision because whenever I think about changing my gender role, I am flooded with feelings of relief."

thereader.mitpress.mit.edu

Are you heading to Boston for #RSA2025 and find yourself with some time to kill? We have no shortage of museums, but for something a little off the beaten track, you can visit these two delightful early modern whales, currently on display in "Moving Objects" at the MIT Museum in Cambridge.

Monochrome engraving depicting, in foreground, Jonah upon a shell-strewn beach after having been spat up by the whale, which is behind him, spouting. Jonah is bearded and almost nude, save for some drapery, and the whale has very large fish-like eyes. In the background, the scene of Jonah being thrown off the boat and the whale opening its mouth to receive him is depicted; further back, there is a coastal city with domes and arches. Text at bottom of page reads "152) Jonah cast over board / Jonah 1"An image of the whale spitting Jonah up onto a shell-covered beach. A sailing ship and a harbor city are visible in the background. The composition bears notable similarity to AF-JX-0209, but is not a direct copy, and the style is different. At the top of the page, in a heart-shape, the number "152" is printed. At the bottom right the engraver's name, P.P. Bouche, is given. Under the image is the following text: "Captaine John Bromhill of Black-wall in the Country of Middlesex Gent, For advancement of this Worke, Contributed this Plate."